Macunaíma de Andrade, by Arlindo Daibert: from Modernist Anthropophagy to Açougue Brasil
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Estudos Universitários (Online) |
Texto Completo: | https://periodicos.ufpe.br/revistas/index.php/estudosuniversitarios/article/view/254876 |
Resumo: | In The Anxiety of Influence, Harold Bloom (1991) states that “strong poets read only themselves”. This means that, indelibly confined within their own horizons of expectations, they are doomed to continually read their own work, dispersed in an incredible multiplicity of books and references. This conception reaffirms the importance of reading, showing how it is possible for one to find in others the promises which oneself may come to fulfill. Hence from this conception comes, probably, the roots of the dedication written by Jorge Luis Borges (1998, p. 13) to his readers: “If the pages of this book allow any happy verse, the reader shall forgive me for the discourtesy of having previously usurped it. It is trivial and fortuitous that you are the reader of these exercises and that I am their redactor”. This article intends to comment on the anthropophagic and intersemiotic paths of the plastic artist from Juiz de Fora Arlindo Daibert (1952-1993), through a brief analysis of three moments of his artistic clash with important literary precursors: Lewis Carroll, Mário de Andrade and Guimarães Rosa, commenting on the stages of misreading necessary for the making of the hybrid and essayistic work he composed in twenty years of constant and committed reflection on Brazil |
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Macunaíma de Andrade, by Arlindo Daibert: from Modernist Anthropophagy to Açougue BrasilMacunaíma de Andrade, de Arlindo Daibert: da Antropofagia Modernista ao Açougue BrasilArlindo DaibertAnthropophagyMisreadingMacunaíma de AndradeAçougue BrasilArlindo DaibertAntropofagiadesleituraMacunaíma de Andradeaçougue BrasilIn The Anxiety of Influence, Harold Bloom (1991) states that “strong poets read only themselves”. This means that, indelibly confined within their own horizons of expectations, they are doomed to continually read their own work, dispersed in an incredible multiplicity of books and references. This conception reaffirms the importance of reading, showing how it is possible for one to find in others the promises which oneself may come to fulfill. Hence from this conception comes, probably, the roots of the dedication written by Jorge Luis Borges (1998, p. 13) to his readers: “If the pages of this book allow any happy verse, the reader shall forgive me for the discourtesy of having previously usurped it. It is trivial and fortuitous that you are the reader of these exercises and that I am their redactor”. This article intends to comment on the anthropophagic and intersemiotic paths of the plastic artist from Juiz de Fora Arlindo Daibert (1952-1993), through a brief analysis of three moments of his artistic clash with important literary precursors: Lewis Carroll, Mário de Andrade and Guimarães Rosa, commenting on the stages of misreading necessary for the making of the hybrid and essayistic work he composed in twenty years of constant and committed reflection on BrazilEm A angústia da influência, Harold Bloom (1991) afirma que “os poetas fortes leem apenas a si mesmos”. Isto significa que, indelevelmente confinados em seus próprios horizontes de expectativas, estão fadados a ler continuamente a própria obra, dispersa numa incrível multiplicidade de livros e referências. Essa concepção reafirma a importância da leitura, mostrando como é possível, para o sujeito, encontrar nos outros as promessas das quais ele mesmo pode vir a ser uma realização. Desse conceito também resulta, provavelmente, a dedicatória ao leitor escrita por Jorge Luis Borges (1998, p. 13): “Se as páginas deste livro consentem algum verso feliz, perdoe-me o leitor a descortesia de tê-lo usurpado previamente. É trivial e fortuita a circunstância de que sejas tu o leitor destes exercícios e eu o redator deles”. Este artigo pretende comentar os percursos antropofágicos e intersemióticos do artista juiz-forano Arlindo Daibert (1952-1993), através de uma breve análise de três momentos de seu embate plástico contra precursores literários de peso: Lewis Carroll, Mário de Andrade e Guimarães Rosa, comentando os estágios de desleitura necessários à construção da obra híbrida e ensaística que ele compôs em vinte anos de trabalho e de constante e comprometida reflexão sobre o Brasil. Universidade Federal de Pernambuco2022-11-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufpe.br/revistas/index.php/estudosuniversitarios/article/view/25487610.51359/2675-7354.2022.254876Estudos Universitários; v. 39 n. 2 (2022): 100 anos da Semana de 22 ‒ Modernismo no Brasil e em Pernambuco; 243-2802675-73540425-4082reponame:Estudos Universitários (Online)instname:Universidade Federal de Pernambuco (UFPE)instacron:UFPEporhttps://periodicos.ufpe.br/revistas/index.php/estudosuniversitarios/article/view/254876/42931Copyright (c) 2022 Estudos Universitáriosinfo:eu-repo/semantics/openAccessFerreira, Ermelinda Maria Araújo2023-07-19T17:55:55Zoai:oai.periodicos.ufpe.br:article/254876Revistahttps://periodicos.ufpe.br/revistas/estudosuniversitariosPUBhttps://periodicos.ufpe.br/revistas/estudosuniversitarios/oaiestudosuniversitarios@ufpe.br2675-73540425-4082opendoar:2023-07-19T17:55:55Estudos Universitários (Online) - Universidade Federal de Pernambuco (UFPE)false |
dc.title.none.fl_str_mv |
Macunaíma de Andrade, by Arlindo Daibert: from Modernist Anthropophagy to Açougue Brasil Macunaíma de Andrade, de Arlindo Daibert: da Antropofagia Modernista ao Açougue Brasil |
title |
Macunaíma de Andrade, by Arlindo Daibert: from Modernist Anthropophagy to Açougue Brasil |
spellingShingle |
Macunaíma de Andrade, by Arlindo Daibert: from Modernist Anthropophagy to Açougue Brasil Ferreira, Ermelinda Maria Araújo Arlindo Daibert Anthropophagy Misreading Macunaíma de Andrade Açougue Brasil Arlindo Daibert Antropofagia desleitura Macunaíma de Andrade açougue Brasil |
title_short |
Macunaíma de Andrade, by Arlindo Daibert: from Modernist Anthropophagy to Açougue Brasil |
title_full |
Macunaíma de Andrade, by Arlindo Daibert: from Modernist Anthropophagy to Açougue Brasil |
title_fullStr |
Macunaíma de Andrade, by Arlindo Daibert: from Modernist Anthropophagy to Açougue Brasil |
title_full_unstemmed |
Macunaíma de Andrade, by Arlindo Daibert: from Modernist Anthropophagy to Açougue Brasil |
title_sort |
Macunaíma de Andrade, by Arlindo Daibert: from Modernist Anthropophagy to Açougue Brasil |
author |
Ferreira, Ermelinda Maria Araújo |
author_facet |
Ferreira, Ermelinda Maria Araújo |
author_role |
author |
dc.contributor.author.fl_str_mv |
Ferreira, Ermelinda Maria Araújo |
dc.subject.por.fl_str_mv |
Arlindo Daibert Anthropophagy Misreading Macunaíma de Andrade Açougue Brasil Arlindo Daibert Antropofagia desleitura Macunaíma de Andrade açougue Brasil |
topic |
Arlindo Daibert Anthropophagy Misreading Macunaíma de Andrade Açougue Brasil Arlindo Daibert Antropofagia desleitura Macunaíma de Andrade açougue Brasil |
description |
In The Anxiety of Influence, Harold Bloom (1991) states that “strong poets read only themselves”. This means that, indelibly confined within their own horizons of expectations, they are doomed to continually read their own work, dispersed in an incredible multiplicity of books and references. This conception reaffirms the importance of reading, showing how it is possible for one to find in others the promises which oneself may come to fulfill. Hence from this conception comes, probably, the roots of the dedication written by Jorge Luis Borges (1998, p. 13) to his readers: “If the pages of this book allow any happy verse, the reader shall forgive me for the discourtesy of having previously usurped it. It is trivial and fortuitous that you are the reader of these exercises and that I am their redactor”. This article intends to comment on the anthropophagic and intersemiotic paths of the plastic artist from Juiz de Fora Arlindo Daibert (1952-1993), through a brief analysis of three moments of his artistic clash with important literary precursors: Lewis Carroll, Mário de Andrade and Guimarães Rosa, commenting on the stages of misreading necessary for the making of the hybrid and essayistic work he composed in twenty years of constant and committed reflection on Brazil |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-11-25 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufpe.br/revistas/index.php/estudosuniversitarios/article/view/254876 10.51359/2675-7354.2022.254876 |
url |
https://periodicos.ufpe.br/revistas/index.php/estudosuniversitarios/article/view/254876 |
identifier_str_mv |
10.51359/2675-7354.2022.254876 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufpe.br/revistas/index.php/estudosuniversitarios/article/view/254876/42931 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Estudos Universitários info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Estudos Universitários |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Pernambuco |
publisher.none.fl_str_mv |
Universidade Federal de Pernambuco |
dc.source.none.fl_str_mv |
Estudos Universitários; v. 39 n. 2 (2022): 100 anos da Semana de 22 ‒ Modernismo no Brasil e em Pernambuco; 243-280 2675-7354 0425-4082 reponame:Estudos Universitários (Online) instname:Universidade Federal de Pernambuco (UFPE) instacron:UFPE |
instname_str |
Universidade Federal de Pernambuco (UFPE) |
instacron_str |
UFPE |
institution |
UFPE |
reponame_str |
Estudos Universitários (Online) |
collection |
Estudos Universitários (Online) |
repository.name.fl_str_mv |
Estudos Universitários (Online) - Universidade Federal de Pernambuco (UFPE) |
repository.mail.fl_str_mv |
estudosuniversitarios@ufpe.br |
_version_ |
1796798323107037184 |