The Phenomenological Path of Art in the Thought of Martin Heidegger

Detalhes bibliográficos
Autor(a) principal: do Nascimento Oliveira, Bruno José
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Phenomenology, Humanities and Sciences
Texto Completo: https://phenomenology.com.br/index.php/phe/article/view/156
Resumo: This article was guided by the following question: what is the role of art on language, truth and poetry, in the conception of philosopher Martin Heidegger? This question entails the need to answer it. Speaking of art as a moment of revelation of Being forces us to speak of the poet and poetic language, since art is intrinsic to human existence. The course followed by this work intends to clarify one of the most important reflections of the philosopher Martin Heidegger, poetic language and the relationship between art and truth. The essay The Origin of the Work of Art (1935/36) was exhibited for the first time in mid-1935/36, a period during which seminars were given that fleshed out his work. Heidegger’s thinking about art and truth lead the author to a new direction in his thinking that brought him closer to Hölderlin’s poems. We will explore Heidegger’s encounter with the work of the poet Hölderlin, which for Heidegger is the path to thinking linked to the sense of being, which will lead him to understand what poetic making means.
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spelling The Phenomenological Path of Art in the Thought of Martin HeideggerEl camino fenomenológico del arte en el pensamiento de Martín HeideggerO CAMINHO FENOMENOLÓGICO DA ARTE NO PENSAMENTO DE MARTIN HEIDEGGERArte.Linguagem. Poesia.This article was guided by the following question: what is the role of art on language, truth and poetry, in the conception of philosopher Martin Heidegger? This question entails the need to answer it. Speaking of art as a moment of revelation of Being forces us to speak of the poet and poetic language, since art is intrinsic to human existence. The course followed by this work intends to clarify one of the most important reflections of the philosopher Martin Heidegger, poetic language and the relationship between art and truth. The essay The Origin of the Work of Art (1935/36) was exhibited for the first time in mid-1935/36, a period during which seminars were given that fleshed out his work. Heidegger’s thinking about art and truth lead the author to a new direction in his thinking that brought him closer to Hölderlin’s poems. We will explore Heidegger’s encounter with the work of the poet Hölderlin, which for Heidegger is the path to thinking linked to the sense of being, which will lead him to understand what poetic making means.Este artículo estuvo orientado por la siguiente pregunta: ¿cuál es el papel del arte sobre el lenguaje, la verdad y la poesía, en la concepción del filósofo Martin Heidegger? Esta pregunta conlleva la necesidad de responderla. Hablar del arte como momento de revelación del Ser nos obliga a hablar del poeta y del lenguaje poético, ya que el arte es intrínseco a la existencia humana. El camino seguido por este trabajo pretende esclarecer una de las reflexiones más importantes del filósofo Martín Heidegger, el lenguaje poético y la relación entre el arte y la verdad. El ensayo El origen de la obra de arte (1935/36) fue expuesto por primera vez a mediados de 1935/36, período en el que se impartieron seminarios que dieron cuerpo a su obra. El pensamiento de Heidegger sobre el arte y la verdad llevó al autor a una nueva dirección en su pensamiento que lo acercó a los poemas de Hölderlin. Exploraremos el encuentro de Heidegger con la obra del poeta Hölderlin, que para Heidegger es el camino del pensamiento ligado al sentido del ser, que lo llevará a comprender lo que significa el hacer poéticoO presente artigo se orientou pela seguinte questão: qual o papel da arte sobre a linguagem, verdade e a poesia, na concepção do filósofo Martin Heidegger? Essa pergunta enseja a necessidade de respondê-la. Falar da arte como momento de revelação do Ser, nos obriga a falar do poeta e da linguagem poética, uma vez que a arte é intrínseca à existência humana. O percurso seguido por esse trabalho tem a pretensão de esclarecer uma das mais importantes reflexões do filósofo Martin Heidegger, a linguagem poética e a relação entre arte e verdade. O ensaio A origem da obra de arte (1935/36) foi exposto pela primeira vez em meados de 1935/36, período no qual foram proferidos seminários que deram corpo a sua obra. O pensar de Heidegger a respeito da arte e da verdade encaminham o autor para uma nova direção em seu pensar que o aproximou dos poemas de Hölderlin. Exploraremos o encontro de Heidegger com a obra do poeta Hölderlin, que para Heidegger é a trilha para o pensamento ligado ao sentido do ser, que o levará a compreender o que significa o fazer poético. Palavras-chave: Arte. Linguagem. Poesia.Associação de Pesquisas em Fenomenologia (APFeno)2023-07-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextoapplication/pdfhttps://phenomenology.com.br/index.php/phe/article/view/156Phenomenology, Humanities and Sciences; Vol. 3 No. 3 (2022): Phenomenology, Humanities and Sciences; 159-165Phenomenology, Humanities and Sciences; Vol. 3 Núm. 3 (2022): Phenomenology, Humanities and Sciences; 159-165Phenomenology, Humanities and Sciences; v. 3 n. 3 (2022): Phenomenology, Humanities and Sciences; 159-1652675-4673reponame:Phenomenology, Humanities and Sciencesinstname:Universidade Federal do Paraná (UFPR)instacron:UFPRporhttps://phenomenology.com.br/index.php/phe/article/view/156/113Copyright (c) 2023 Phenomenology, Humanities and Sciencesinfo:eu-repo/semantics/openAccessdo Nascimento Oliveira, Bruno José2024-04-16T16:11:48Zoai:phenomenology.com.br:article/156Revistahttps://phenomenology.com.br/index.php/phePUBhttps://phenomenology.com.br/index.php/index/oaicontato@phenomenology.com.br || aholanda@yahoo.com2675-46732675-4673opendoar:2024-04-16T16:11:48Phenomenology, Humanities and Sciences - Universidade Federal do Paraná (UFPR)false
dc.title.none.fl_str_mv The Phenomenological Path of Art in the Thought of Martin Heidegger
El camino fenomenológico del arte en el pensamiento de Martín Heidegger
O CAMINHO FENOMENOLÓGICO DA ARTE NO PENSAMENTO DE MARTIN HEIDEGGER
title The Phenomenological Path of Art in the Thought of Martin Heidegger
spellingShingle The Phenomenological Path of Art in the Thought of Martin Heidegger
do Nascimento Oliveira, Bruno José
Arte.
Linguagem. Poesia.
title_short The Phenomenological Path of Art in the Thought of Martin Heidegger
title_full The Phenomenological Path of Art in the Thought of Martin Heidegger
title_fullStr The Phenomenological Path of Art in the Thought of Martin Heidegger
title_full_unstemmed The Phenomenological Path of Art in the Thought of Martin Heidegger
title_sort The Phenomenological Path of Art in the Thought of Martin Heidegger
author do Nascimento Oliveira, Bruno José
author_facet do Nascimento Oliveira, Bruno José
author_role author
dc.contributor.author.fl_str_mv do Nascimento Oliveira, Bruno José
dc.subject.por.fl_str_mv Arte.
Linguagem. Poesia.
topic Arte.
Linguagem. Poesia.
description This article was guided by the following question: what is the role of art on language, truth and poetry, in the conception of philosopher Martin Heidegger? This question entails the need to answer it. Speaking of art as a moment of revelation of Being forces us to speak of the poet and poetic language, since art is intrinsic to human existence. The course followed by this work intends to clarify one of the most important reflections of the philosopher Martin Heidegger, poetic language and the relationship between art and truth. The essay The Origin of the Work of Art (1935/36) was exhibited for the first time in mid-1935/36, a period during which seminars were given that fleshed out his work. Heidegger’s thinking about art and truth lead the author to a new direction in his thinking that brought him closer to Hölderlin’s poems. We will explore Heidegger’s encounter with the work of the poet Hölderlin, which for Heidegger is the path to thinking linked to the sense of being, which will lead him to understand what poetic making means.
publishDate 2023
dc.date.none.fl_str_mv 2023-07-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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dc.identifier.uri.fl_str_mv https://phenomenology.com.br/index.php/phe/article/view/156
url https://phenomenology.com.br/index.php/phe/article/view/156
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://phenomenology.com.br/index.php/phe/article/view/156/113
dc.rights.driver.fl_str_mv Copyright (c) 2023 Phenomenology, Humanities and Sciences
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Phenomenology, Humanities and Sciences
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Associação de Pesquisas em Fenomenologia (APFeno)
publisher.none.fl_str_mv Associação de Pesquisas em Fenomenologia (APFeno)
dc.source.none.fl_str_mv Phenomenology, Humanities and Sciences; Vol. 3 No. 3 (2022): Phenomenology, Humanities and Sciences; 159-165
Phenomenology, Humanities and Sciences; Vol. 3 Núm. 3 (2022): Phenomenology, Humanities and Sciences; 159-165
Phenomenology, Humanities and Sciences; v. 3 n. 3 (2022): Phenomenology, Humanities and Sciences; 159-165
2675-4673
reponame:Phenomenology, Humanities and Sciences
instname:Universidade Federal do Paraná (UFPR)
instacron:UFPR
instname_str Universidade Federal do Paraná (UFPR)
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reponame_str Phenomenology, Humanities and Sciences
collection Phenomenology, Humanities and Sciences
repository.name.fl_str_mv Phenomenology, Humanities and Sciences - Universidade Federal do Paraná (UFPR)
repository.mail.fl_str_mv contato@phenomenology.com.br || aholanda@yahoo.com
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