HOLLYWOOD’S PRODUCTION CODE OF 1934 AND THE PARADIGM OF FEMALE VIRTUE

Detalhes bibliográficos
Autor(a) principal: Dias, Liliana Lopes
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Livre de Cinema
Texto Completo: https://www.relici.org.br/index.php/relici/article/view/74
Resumo: Between July 1934 and the post-World War II period, Hollywood enforced the idea of domesticity as the female ideal, imbued with a moral duty to set a good example. Good role models of womanhood would depict demure wives and dedicated mothers. Career women, were to be represented as a threat to family life. Women who did not submit to what was supposed to be their life path, by pursuing a type of life that did not include marrying and having children, would be punished with an unhappy ending. Any attempt to correct a behaviour with a self-sacrificing gesture would not necessarily suffice to achieve a happy ending. The Code was unforgiving and bad conducts had to be exemplary punished.
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spelling HOLLYWOOD’S PRODUCTION CODE OF 1934 AND THE PARADIGM OF FEMALE VIRTUEBetween July 1934 and the post-World War II period, Hollywood enforced the idea of domesticity as the female ideal, imbued with a moral duty to set a good example. Good role models of womanhood would depict demure wives and dedicated mothers. Career women, were to be represented as a threat to family life. Women who did not submit to what was supposed to be their life path, by pursuing a type of life that did not include marrying and having children, would be punished with an unhappy ending. Any attempt to correct a behaviour with a self-sacrificing gesture would not necessarily suffice to achieve a happy ending. The Code was unforgiving and bad conducts had to be exemplary punished.REVISTA LIVRE DE CINEMA, uma leitura digital sem medida (super 8, 16, 35, 70 mm, ...)2016-06-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.relici.org.br/index.php/relici/article/view/74REVISTA LIVRE DE CINEMA, uma leitura digital sem medida (super 8, 16, 35, 70 mm, ...); v. 3 n. 2 (2016): REVISTA LIVRE DE CINEMA; 108-1262357-8807reponame:Revista Livre de Cinemainstname:Universidade Federal do Paraná (UFPR)instacron:UFPRporhttps://www.relici.org.br/index.php/relici/article/view/74/106Copyright (c) 2024 REVISTA LIVRE DE CINEMA, uma leitura digital sem medida (super 8, 16, 35, 70 mm, ...)info:eu-repo/semantics/openAccessDias, Liliana Lopes2020-07-10T18:30:38Zoai:ojs.pkp.sfu.ca:article/74Revistahttps://www.relici.org.br/index.php/relici/PUBhttps://www.relici.org.br/index.php/relici/oairelici@relici.org.br2357-88072357-8807opendoar:2020-07-10T18:30:38Revista Livre de Cinema - Universidade Federal do Paraná (UFPR)false
dc.title.none.fl_str_mv HOLLYWOOD’S PRODUCTION CODE OF 1934 AND THE PARADIGM OF FEMALE VIRTUE
title HOLLYWOOD’S PRODUCTION CODE OF 1934 AND THE PARADIGM OF FEMALE VIRTUE
spellingShingle HOLLYWOOD’S PRODUCTION CODE OF 1934 AND THE PARADIGM OF FEMALE VIRTUE
Dias, Liliana Lopes
title_short HOLLYWOOD’S PRODUCTION CODE OF 1934 AND THE PARADIGM OF FEMALE VIRTUE
title_full HOLLYWOOD’S PRODUCTION CODE OF 1934 AND THE PARADIGM OF FEMALE VIRTUE
title_fullStr HOLLYWOOD’S PRODUCTION CODE OF 1934 AND THE PARADIGM OF FEMALE VIRTUE
title_full_unstemmed HOLLYWOOD’S PRODUCTION CODE OF 1934 AND THE PARADIGM OF FEMALE VIRTUE
title_sort HOLLYWOOD’S PRODUCTION CODE OF 1934 AND THE PARADIGM OF FEMALE VIRTUE
author Dias, Liliana Lopes
author_facet Dias, Liliana Lopes
author_role author
dc.contributor.author.fl_str_mv Dias, Liliana Lopes
description Between July 1934 and the post-World War II period, Hollywood enforced the idea of domesticity as the female ideal, imbued with a moral duty to set a good example. Good role models of womanhood would depict demure wives and dedicated mothers. Career women, were to be represented as a threat to family life. Women who did not submit to what was supposed to be their life path, by pursuing a type of life that did not include marrying and having children, would be punished with an unhappy ending. Any attempt to correct a behaviour with a self-sacrificing gesture would not necessarily suffice to achieve a happy ending. The Code was unforgiving and bad conducts had to be exemplary punished.
publishDate 2016
dc.date.none.fl_str_mv 2016-06-14
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.relici.org.br/index.php/relici/article/view/74
url https://www.relici.org.br/index.php/relici/article/view/74
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.relici.org.br/index.php/relici/article/view/74/106
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv REVISTA LIVRE DE CINEMA, uma leitura digital sem medida (super 8, 16, 35, 70 mm, ...)
publisher.none.fl_str_mv REVISTA LIVRE DE CINEMA, uma leitura digital sem medida (super 8, 16, 35, 70 mm, ...)
dc.source.none.fl_str_mv REVISTA LIVRE DE CINEMA, uma leitura digital sem medida (super 8, 16, 35, 70 mm, ...); v. 3 n. 2 (2016): REVISTA LIVRE DE CINEMA; 108-126
2357-8807
reponame:Revista Livre de Cinema
instname:Universidade Federal do Paraná (UFPR)
instacron:UFPR
instname_str Universidade Federal do Paraná (UFPR)
instacron_str UFPR
institution UFPR
reponame_str Revista Livre de Cinema
collection Revista Livre de Cinema
repository.name.fl_str_mv Revista Livre de Cinema - Universidade Federal do Paraná (UFPR)
repository.mail.fl_str_mv relici@relici.org.br
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