Star system, sexuality and female subjectivity in Hollywood cinema (1931-1934)

Detalhes bibliográficos
Autor(a) principal: Spini, Ana Paula
Data de Publicação: 2016
Outros Autores: Barros, Carla Miucci Ferraresi
Tipo de documento: Artigo
Idioma: por
Título da fonte: ArtCultura (Online)
Texto Completo: https://seer.ufu.br/index.php/artcultura/article/view/34758
Resumo: This article discusses some issues whose interpretive and epistemological limits are among the fields of history of culture, gender approach and film analysis. The idea is to reflect on controversial female images produced and designed by one of the most conservative Studios, the Metro Goldwin Mayer, in the period appointed by film historians as the Pre code era (1930-1934). From the two films analysis starring Greta Garbo, Mata Hari (1931) and Queen Christina (1933), we discuss the speeches which the movie stars were vectors in order to highlight the power lines between what was forbidden , which was negotiable and what was possible from the point of view of ideas and normative and transgressive practices about the role of women in modern society, in a context of deep economic and social crisis and intense disputes between civil society, state and movie studios around the divisive issues of family and morals conveyed by Hollywood in the period. keywords: Hollywood; star system; sexuality.
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spelling Star system, sexuality and female subjectivity in Hollywood cinema (1931-1934)Star system, sexualidade e subjetivações femininas no cinema de Hollywood (1931-1934)This article discusses some issues whose interpretive and epistemological limits are among the fields of history of culture, gender approach and film analysis. The idea is to reflect on controversial female images produced and designed by one of the most conservative Studios, the Metro Goldwin Mayer, in the period appointed by film historians as the Pre code era (1930-1934). From the two films analysis starring Greta Garbo, Mata Hari (1931) and Queen Christina (1933), we discuss the speeches which the movie stars were vectors in order to highlight the power lines between what was forbidden , which was negotiable and what was possible from the point of view of ideas and normative and transgressive practices about the role of women in modern society, in a context of deep economic and social crisis and intense disputes between civil society, state and movie studios around the divisive issues of family and morals conveyed by Hollywood in the period. keywords: Hollywood; star system; sexuality.Este artigo busca discutir algumas questões cujos limites interpretativos e epistemológicos encontram-se entre os campos da história da cultura, da abordagem de gênero e da análise cinematográfica A ideia é refletir sobre imagens femininas produzidas e projetadas por um dos estúdios mais conservadores dos Estados Unidos, a Metro Goldwin Mayer, no período nomeado pelos historiadores de Pre code era ou Pre-PCA Era (1930-1934). A partir da análise de dois filmes estrelados por Greta Garbo, Mata Hari (1931) e Rainha Christina (1933), abordaremos os discursos dos quais as estrelas de cinema eram vetores a fim de evidenciar as linhas de força entre o que era interdito, o que era negociável e o que era possível do ponto de vista das ideias e das práticas normativas e transgressoras acerca do papel da mulher naquela sociedade, num contexto de profunda crise econômica e social e de intensas disputas entre sociedade civil, Estado e estúdios de cinema em torno das temáticas desagregadoras da família e da moral, veiculadas por Hollywood. Plavras-chave: Hollywood; star system; sexualidade.Universidade Federal de Uberlândia2016-06-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/34758ArtCultura; Vol. 17 No. 30 (2015): ArtCulturaArtCultura; Vol. 17 Núm. 30 (2015): ArtCulturaArtCultura; v. 17 n. 30 (2015): ArtCultura2178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/34758/18403Copyright (c) 2016 Artculturainfo:eu-repo/semantics/openAccessSpini, Ana PaulaBarros, Carla Miucci Ferraresi2022-03-29T16:42:28Zoai:ojs.www.seer.ufu.br:article/34758Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2022-03-29T16:42:28ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv Star system, sexuality and female subjectivity in Hollywood cinema (1931-1934)
Star system, sexualidade e subjetivações femininas no cinema de Hollywood (1931-1934)
title Star system, sexuality and female subjectivity in Hollywood cinema (1931-1934)
spellingShingle Star system, sexuality and female subjectivity in Hollywood cinema (1931-1934)
Spini, Ana Paula
title_short Star system, sexuality and female subjectivity in Hollywood cinema (1931-1934)
title_full Star system, sexuality and female subjectivity in Hollywood cinema (1931-1934)
title_fullStr Star system, sexuality and female subjectivity in Hollywood cinema (1931-1934)
title_full_unstemmed Star system, sexuality and female subjectivity in Hollywood cinema (1931-1934)
title_sort Star system, sexuality and female subjectivity in Hollywood cinema (1931-1934)
author Spini, Ana Paula
author_facet Spini, Ana Paula
Barros, Carla Miucci Ferraresi
author_role author
author2 Barros, Carla Miucci Ferraresi
author2_role author
dc.contributor.author.fl_str_mv Spini, Ana Paula
Barros, Carla Miucci Ferraresi
description This article discusses some issues whose interpretive and epistemological limits are among the fields of history of culture, gender approach and film analysis. The idea is to reflect on controversial female images produced and designed by one of the most conservative Studios, the Metro Goldwin Mayer, in the period appointed by film historians as the Pre code era (1930-1934). From the two films analysis starring Greta Garbo, Mata Hari (1931) and Queen Christina (1933), we discuss the speeches which the movie stars were vectors in order to highlight the power lines between what was forbidden , which was negotiable and what was possible from the point of view of ideas and normative and transgressive practices about the role of women in modern society, in a context of deep economic and social crisis and intense disputes between civil society, state and movie studios around the divisive issues of family and morals conveyed by Hollywood in the period. keywords: Hollywood; star system; sexuality.
publishDate 2016
dc.date.none.fl_str_mv 2016-06-17
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/34758
url https://seer.ufu.br/index.php/artcultura/article/view/34758
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/34758/18403
dc.rights.driver.fl_str_mv Copyright (c) 2016 Artcultura
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Artcultura
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv ArtCultura; Vol. 17 No. 30 (2015): ArtCultura
ArtCultura; Vol. 17 Núm. 30 (2015): ArtCultura
ArtCultura; v. 17 n. 30 (2015): ArtCultura
2178-3845
reponame:ArtCultura (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str ArtCultura (Online)
collection ArtCultura (Online)
repository.name.fl_str_mv ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv akparanhos@uol.com.br||
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