A ESTÉTICA DO CONSUMO NA INTERTEXTUALIDADE ENTRE CINEMA E PUBLICIDADE FÍLMICA

Detalhes bibliográficos
Autor(a) principal: Eduardo Ribaric, Marcelo
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: por
Título da fonte: Ação Midiática
Texto Completo: https://revistas.ufpr.br/acaomidiatica/article/view/25700
Resumo: This essay examines a particular effect on the dialogic relationship between cinema andaudiovisual advertising, the aesthetics of consumption, whose presence is given as arepresentation of contemporary society, where advertising does not create or triggers newconsumption habits, just reflecting and refracting cultural habits of those alreadyestablished in these societies because it is nothing more than a simple expression of thesecultures. This particular effect of the film's narrative addresses their advertisingmessages, permeating society from a symbolic order, a property built by the seductive powerof the visual image, for its sensitivity, which allows you to invade personal space at anymoment to form intensely convincing images, and especially for its unsettling ability to"look into the eyes" of its audience, whether by television, cinema, internet or bymobile phone, none of the representations of the advertising film escapes thesuggestiveness of its own advertising. Its high definition picture does not intend to achievesharpness, but relief, the projection of a third dimension to the advertisement that seeks toachieve, through the eyes of its viewers, its social meaning. Finally, the problem to beinvestigated by this research is to know precisely how the narrative construction ofcontemporary advertising, associative basis of the interaction with the content withpublicized products, seeking to impose certain image / sign that does not refer directly tothe product or advertising, nor the reality that it stems from, but rather a system of valuesprevailing in society for whom the message, reaestheticize the signs and their meanings.
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spelling A ESTÉTICA DO CONSUMO NA INTERTEXTUALIDADE ENTRE CINEMA E PUBLICIDADE FÍLMICAA ESTÉTICA DO CONSUMO NA INTERTEXTUALIDADE ENTRE CINEMA E PUBLICIDADE FÍLMICAFilm Advertising; Culture; Intertextuality; Consumption; CinemaPublicidade Fílmica; Cultura; Intertextualidade; Consumo; CinemaThis essay examines a particular effect on the dialogic relationship between cinema andaudiovisual advertising, the aesthetics of consumption, whose presence is given as arepresentation of contemporary society, where advertising does not create or triggers newconsumption habits, just reflecting and refracting cultural habits of those alreadyestablished in these societies because it is nothing more than a simple expression of thesecultures. This particular effect of the film's narrative addresses their advertisingmessages, permeating society from a symbolic order, a property built by the seductive powerof the visual image, for its sensitivity, which allows you to invade personal space at anymoment to form intensely convincing images, and especially for its unsettling ability to"look into the eyes" of its audience, whether by television, cinema, internet or bymobile phone, none of the representations of the advertising film escapes thesuggestiveness of its own advertising. Its high definition picture does not intend to achievesharpness, but relief, the projection of a third dimension to the advertisement that seeks toachieve, through the eyes of its viewers, its social meaning. Finally, the problem to beinvestigated by this research is to know precisely how the narrative construction ofcontemporary advertising, associative basis of the interaction with the content withpublicized products, seeking to impose certain image / sign that does not refer directly tothe product or advertising, nor the reality that it stems from, but rather a system of valuesprevailing in society for whom the message, reaestheticize the signs and their meanings.Este ensaio analisa um efeito particular na relação dialógica entre o cinema e apublicidade audiovisual, o da estética do consumo, cuja presença se dá como representaçãoda sociedade contemporânea, onde a publicidade não cria nem desencadeia novos hábitosde consumo, apenas refletindo e refratando aqueles hábitos culturais já consagrados nestassociedades, pois ela nada mais é do que uma simples expressão destas culturas. Esteefeito particular da narrativa do filme publicitário endereça as suas mensagens,impregnando a sociedade de uma ordem simbólica e de um poder sedutor construídopelas propriedades da imagem audiovisual; por sua sensibilidade, que lhe permite invadira qualquer momento o espaço individual para constituir imagens intensamenteconvincentes e, sobretudo, por sua inquietante capacidade de “olhar nos olhos” de suaaudiência, quer seja pela televisão, cinema, internet ou mesmo pelo telefone celular,nenhuma das representações do filme publicitário escapa ao caráter sugestivo próprio dapublicidade. Sua imagem em alta definição não visa a nitidez, mas sim, o relevo, aprojeção de uma terceira dimensão, a da mensagem publicitária que procura conseguir,através dos olhares de seus espectadores, o seu sentido social. Por fim, o problema a serinvestigado por esta pesquisa é justamente saber como se dá a construção narrativa dapublicidade contemporânea, base da interação associativa de conteúdos com osprodutos publicizados, buscando impor determinada imagem/signo que não se referediretamente nem ao produto que anuncia, nem à realidade concreta de que se origina, massim, a um sistema de valores vigentes na sociedade a que se dirige a mensagem,reestetizando os signos e seus significados.UFPREduardo Ribaric, Marcelo2011-06-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufpr.br/acaomidiatica/article/view/2570010.5380/am.v1i1.25700Ação Midiática – Estudos em Comunicação, Sociedade e Cultura.; Ed. 01 - JAN/JUN (2011)2238-070110.5380/am.v1i1reponame:Ação Midiáticainstname:Universidade Federal do Paraná (UFPR)instacron:UFPRporhttps://revistas.ufpr.br/acaomidiatica/article/view/25700/17185info:eu-repo/semantics/openAccess2023-08-26T01:59:08Zoai:revistas.ufpr.br:article/25700Revistahttps://revistas.ufpr.br/acaomidiaticaPUBhttps://revistas.ufpr.br/acaomidiatica/oairevistaacaomidiatica@gmail.com||revistaacaomidiatica@gmail.com2238-07012238-0701opendoar:2023-08-26T01:59:08Ação Midiática - Universidade Federal do Paraná (UFPR)false
dc.title.none.fl_str_mv A ESTÉTICA DO CONSUMO NA INTERTEXTUALIDADE ENTRE CINEMA E PUBLICIDADE FÍLMICA
A ESTÉTICA DO CONSUMO NA INTERTEXTUALIDADE ENTRE CINEMA E PUBLICIDADE FÍLMICA
title A ESTÉTICA DO CONSUMO NA INTERTEXTUALIDADE ENTRE CINEMA E PUBLICIDADE FÍLMICA
spellingShingle A ESTÉTICA DO CONSUMO NA INTERTEXTUALIDADE ENTRE CINEMA E PUBLICIDADE FÍLMICA
Eduardo Ribaric, Marcelo
Film Advertising; Culture; Intertextuality; Consumption; Cinema
Publicidade Fílmica; Cultura; Intertextualidade; Consumo; Cinema
title_short A ESTÉTICA DO CONSUMO NA INTERTEXTUALIDADE ENTRE CINEMA E PUBLICIDADE FÍLMICA
title_full A ESTÉTICA DO CONSUMO NA INTERTEXTUALIDADE ENTRE CINEMA E PUBLICIDADE FÍLMICA
title_fullStr A ESTÉTICA DO CONSUMO NA INTERTEXTUALIDADE ENTRE CINEMA E PUBLICIDADE FÍLMICA
title_full_unstemmed A ESTÉTICA DO CONSUMO NA INTERTEXTUALIDADE ENTRE CINEMA E PUBLICIDADE FÍLMICA
title_sort A ESTÉTICA DO CONSUMO NA INTERTEXTUALIDADE ENTRE CINEMA E PUBLICIDADE FÍLMICA
author Eduardo Ribaric, Marcelo
author_facet Eduardo Ribaric, Marcelo
author_role author
dc.contributor.none.fl_str_mv

dc.contributor.author.fl_str_mv Eduardo Ribaric, Marcelo
dc.subject.por.fl_str_mv Film Advertising; Culture; Intertextuality; Consumption; Cinema
Publicidade Fílmica; Cultura; Intertextualidade; Consumo; Cinema
topic Film Advertising; Culture; Intertextuality; Consumption; Cinema
Publicidade Fílmica; Cultura; Intertextualidade; Consumo; Cinema
description This essay examines a particular effect on the dialogic relationship between cinema andaudiovisual advertising, the aesthetics of consumption, whose presence is given as arepresentation of contemporary society, where advertising does not create or triggers newconsumption habits, just reflecting and refracting cultural habits of those alreadyestablished in these societies because it is nothing more than a simple expression of thesecultures. This particular effect of the film's narrative addresses their advertisingmessages, permeating society from a symbolic order, a property built by the seductive powerof the visual image, for its sensitivity, which allows you to invade personal space at anymoment to form intensely convincing images, and especially for its unsettling ability to"look into the eyes" of its audience, whether by television, cinema, internet or bymobile phone, none of the representations of the advertising film escapes thesuggestiveness of its own advertising. Its high definition picture does not intend to achievesharpness, but relief, the projection of a third dimension to the advertisement that seeks toachieve, through the eyes of its viewers, its social meaning. Finally, the problem to beinvestigated by this research is to know precisely how the narrative construction ofcontemporary advertising, associative basis of the interaction with the content withpublicized products, seeking to impose certain image / sign that does not refer directly tothe product or advertising, nor the reality that it stems from, but rather a system of valuesprevailing in society for whom the message, reaestheticize the signs and their meanings.
publishDate 2011
dc.date.none.fl_str_mv 2011-06-30
dc.type.none.fl_str_mv
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.ufpr.br/acaomidiatica/article/view/25700
10.5380/am.v1i1.25700
url https://revistas.ufpr.br/acaomidiatica/article/view/25700
identifier_str_mv 10.5380/am.v1i1.25700
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ufpr.br/acaomidiatica/article/view/25700/17185
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFPR
publisher.none.fl_str_mv UFPR
dc.source.none.fl_str_mv Ação Midiática – Estudos em Comunicação, Sociedade e Cultura.; Ed. 01 - JAN/JUN (2011)
2238-0701
10.5380/am.v1i1
reponame:Ação Midiática
instname:Universidade Federal do Paraná (UFPR)
instacron:UFPR
instname_str Universidade Federal do Paraná (UFPR)
instacron_str UFPR
institution UFPR
reponame_str Ação Midiática
collection Ação Midiática
repository.name.fl_str_mv Ação Midiática - Universidade Federal do Paraná (UFPR)
repository.mail.fl_str_mv revistaacaomidiatica@gmail.com||revistaacaomidiatica@gmail.com
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