A ESTÉTICA DO CONSUMO NA INTERTEXTUALIDADE ENTRE CINEMA E PUBLICIDADE FÍLMICA
Autor(a) principal: | |
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Data de Publicação: | 2011 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Ação Midiática |
Texto Completo: | https://revistas.ufpr.br/acaomidiatica/article/view/25700 |
Resumo: | This essay examines a particular effect on the dialogic relationship between cinema andaudiovisual advertising, the aesthetics of consumption, whose presence is given as arepresentation of contemporary society, where advertising does not create or triggers newconsumption habits, just reflecting and refracting cultural habits of those alreadyestablished in these societies because it is nothing more than a simple expression of thesecultures. This particular effect of the film's narrative addresses their advertisingmessages, permeating society from a symbolic order, a property built by the seductive powerof the visual image, for its sensitivity, which allows you to invade personal space at anymoment to form intensely convincing images, and especially for its unsettling ability to"look into the eyes" of its audience, whether by television, cinema, internet or bymobile phone, none of the representations of the advertising film escapes thesuggestiveness of its own advertising. Its high definition picture does not intend to achievesharpness, but relief, the projection of a third dimension to the advertisement that seeks toachieve, through the eyes of its viewers, its social meaning. Finally, the problem to beinvestigated by this research is to know precisely how the narrative construction ofcontemporary advertising, associative basis of the interaction with the content withpublicized products, seeking to impose certain image / sign that does not refer directly tothe product or advertising, nor the reality that it stems from, but rather a system of valuesprevailing in society for whom the message, reaestheticize the signs and their meanings. |
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A ESTÉTICA DO CONSUMO NA INTERTEXTUALIDADE ENTRE CINEMA E PUBLICIDADE FÍLMICAA ESTÉTICA DO CONSUMO NA INTERTEXTUALIDADE ENTRE CINEMA E PUBLICIDADE FÍLMICAFilm Advertising; Culture; Intertextuality; Consumption; CinemaPublicidade Fílmica; Cultura; Intertextualidade; Consumo; CinemaThis essay examines a particular effect on the dialogic relationship between cinema andaudiovisual advertising, the aesthetics of consumption, whose presence is given as arepresentation of contemporary society, where advertising does not create or triggers newconsumption habits, just reflecting and refracting cultural habits of those alreadyestablished in these societies because it is nothing more than a simple expression of thesecultures. This particular effect of the film's narrative addresses their advertisingmessages, permeating society from a symbolic order, a property built by the seductive powerof the visual image, for its sensitivity, which allows you to invade personal space at anymoment to form intensely convincing images, and especially for its unsettling ability to"look into the eyes" of its audience, whether by television, cinema, internet or bymobile phone, none of the representations of the advertising film escapes thesuggestiveness of its own advertising. Its high definition picture does not intend to achievesharpness, but relief, the projection of a third dimension to the advertisement that seeks toachieve, through the eyes of its viewers, its social meaning. Finally, the problem to beinvestigated by this research is to know precisely how the narrative construction ofcontemporary advertising, associative basis of the interaction with the content withpublicized products, seeking to impose certain image / sign that does not refer directly tothe product or advertising, nor the reality that it stems from, but rather a system of valuesprevailing in society for whom the message, reaestheticize the signs and their meanings.Este ensaio analisa um efeito particular na relação dialógica entre o cinema e apublicidade audiovisual, o da estética do consumo, cuja presença se dá como representaçãoda sociedade contemporânea, onde a publicidade não cria nem desencadeia novos hábitosde consumo, apenas refletindo e refratando aqueles hábitos culturais já consagrados nestassociedades, pois ela nada mais é do que uma simples expressão destas culturas. Esteefeito particular da narrativa do filme publicitário endereça as suas mensagens,impregnando a sociedade de uma ordem simbólica e de um poder sedutor construídopelas propriedades da imagem audiovisual; por sua sensibilidade, que lhe permite invadira qualquer momento o espaço individual para constituir imagens intensamenteconvincentes e, sobretudo, por sua inquietante capacidade de “olhar nos olhos” de suaaudiência, quer seja pela televisão, cinema, internet ou mesmo pelo telefone celular,nenhuma das representações do filme publicitário escapa ao caráter sugestivo próprio dapublicidade. Sua imagem em alta definição não visa a nitidez, mas sim, o relevo, aprojeção de uma terceira dimensão, a da mensagem publicitária que procura conseguir,através dos olhares de seus espectadores, o seu sentido social. Por fim, o problema a serinvestigado por esta pesquisa é justamente saber como se dá a construção narrativa dapublicidade contemporânea, base da interação associativa de conteúdos com osprodutos publicizados, buscando impor determinada imagem/signo que não se referediretamente nem ao produto que anuncia, nem à realidade concreta de que se origina, massim, a um sistema de valores vigentes na sociedade a que se dirige a mensagem,reestetizando os signos e seus significados.UFPREduardo Ribaric, Marcelo2011-06-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufpr.br/acaomidiatica/article/view/2570010.5380/am.v1i1.25700Ação Midiática – Estudos em Comunicação, Sociedade e Cultura.; Ed. 01 - JAN/JUN (2011)2238-070110.5380/am.v1i1reponame:Ação Midiáticainstname:Universidade Federal do Paraná (UFPR)instacron:UFPRporhttps://revistas.ufpr.br/acaomidiatica/article/view/25700/17185info:eu-repo/semantics/openAccess2023-08-26T01:59:08Zoai:revistas.ufpr.br:article/25700Revistahttps://revistas.ufpr.br/acaomidiaticaPUBhttps://revistas.ufpr.br/acaomidiatica/oairevistaacaomidiatica@gmail.com||revistaacaomidiatica@gmail.com2238-07012238-0701opendoar:2023-08-26T01:59:08Ação Midiática - Universidade Federal do Paraná (UFPR)false |
dc.title.none.fl_str_mv |
A ESTÉTICA DO CONSUMO NA INTERTEXTUALIDADE ENTRE CINEMA E PUBLICIDADE FÍLMICA A ESTÉTICA DO CONSUMO NA INTERTEXTUALIDADE ENTRE CINEMA E PUBLICIDADE FÍLMICA |
title |
A ESTÉTICA DO CONSUMO NA INTERTEXTUALIDADE ENTRE CINEMA E PUBLICIDADE FÍLMICA |
spellingShingle |
A ESTÉTICA DO CONSUMO NA INTERTEXTUALIDADE ENTRE CINEMA E PUBLICIDADE FÍLMICA Eduardo Ribaric, Marcelo Film Advertising; Culture; Intertextuality; Consumption; Cinema Publicidade Fílmica; Cultura; Intertextualidade; Consumo; Cinema |
title_short |
A ESTÉTICA DO CONSUMO NA INTERTEXTUALIDADE ENTRE CINEMA E PUBLICIDADE FÍLMICA |
title_full |
A ESTÉTICA DO CONSUMO NA INTERTEXTUALIDADE ENTRE CINEMA E PUBLICIDADE FÍLMICA |
title_fullStr |
A ESTÉTICA DO CONSUMO NA INTERTEXTUALIDADE ENTRE CINEMA E PUBLICIDADE FÍLMICA |
title_full_unstemmed |
A ESTÉTICA DO CONSUMO NA INTERTEXTUALIDADE ENTRE CINEMA E PUBLICIDADE FÍLMICA |
title_sort |
A ESTÉTICA DO CONSUMO NA INTERTEXTUALIDADE ENTRE CINEMA E PUBLICIDADE FÍLMICA |
author |
Eduardo Ribaric, Marcelo |
author_facet |
Eduardo Ribaric, Marcelo |
author_role |
author |
dc.contributor.none.fl_str_mv |
|
dc.contributor.author.fl_str_mv |
Eduardo Ribaric, Marcelo |
dc.subject.por.fl_str_mv |
Film Advertising; Culture; Intertextuality; Consumption; Cinema Publicidade Fílmica; Cultura; Intertextualidade; Consumo; Cinema |
topic |
Film Advertising; Culture; Intertextuality; Consumption; Cinema Publicidade Fílmica; Cultura; Intertextualidade; Consumo; Cinema |
description |
This essay examines a particular effect on the dialogic relationship between cinema andaudiovisual advertising, the aesthetics of consumption, whose presence is given as arepresentation of contemporary society, where advertising does not create or triggers newconsumption habits, just reflecting and refracting cultural habits of those alreadyestablished in these societies because it is nothing more than a simple expression of thesecultures. This particular effect of the film's narrative addresses their advertisingmessages, permeating society from a symbolic order, a property built by the seductive powerof the visual image, for its sensitivity, which allows you to invade personal space at anymoment to form intensely convincing images, and especially for its unsettling ability to"look into the eyes" of its audience, whether by television, cinema, internet or bymobile phone, none of the representations of the advertising film escapes thesuggestiveness of its own advertising. Its high definition picture does not intend to achievesharpness, but relief, the projection of a third dimension to the advertisement that seeks toachieve, through the eyes of its viewers, its social meaning. Finally, the problem to beinvestigated by this research is to know precisely how the narrative construction ofcontemporary advertising, associative basis of the interaction with the content withpublicized products, seeking to impose certain image / sign that does not refer directly tothe product or advertising, nor the reality that it stems from, but rather a system of valuesprevailing in society for whom the message, reaestheticize the signs and their meanings. |
publishDate |
2011 |
dc.date.none.fl_str_mv |
2011-06-30 |
dc.type.none.fl_str_mv |
|
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.ufpr.br/acaomidiatica/article/view/25700 10.5380/am.v1i1.25700 |
url |
https://revistas.ufpr.br/acaomidiatica/article/view/25700 |
identifier_str_mv |
10.5380/am.v1i1.25700 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.ufpr.br/acaomidiatica/article/view/25700/17185 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UFPR |
publisher.none.fl_str_mv |
UFPR |
dc.source.none.fl_str_mv |
Ação Midiática – Estudos em Comunicação, Sociedade e Cultura.; Ed. 01 - JAN/JUN (2011) 2238-0701 10.5380/am.v1i1 reponame:Ação Midiática instname:Universidade Federal do Paraná (UFPR) instacron:UFPR |
instname_str |
Universidade Federal do Paraná (UFPR) |
instacron_str |
UFPR |
institution |
UFPR |
reponame_str |
Ação Midiática |
collection |
Ação Midiática |
repository.name.fl_str_mv |
Ação Midiática - Universidade Federal do Paraná (UFPR) |
repository.mail.fl_str_mv |
revistaacaomidiatica@gmail.com||revistaacaomidiatica@gmail.com |
_version_ |
1799760992334249985 |