Life on the scene: the short novel Moho, by Paulette Jonguitud Acosta, and the tragedy

Detalhes bibliográficos
Autor(a) principal: Nascimento, Naira Almeida
Data de Publicação: 2023
Outros Autores: Zavala Medina, Daniel
Tipo de documento: Artigo
Idioma: por
Título da fonte: Cadernos do IL (Online)
Texto Completo: https://seer.ufrgs.br/index.php/cadernosdoil/article/view/128479
Resumo: The narrative sub-genre known as novela corta, which corresponds, in Portuguese language literatures, to the novela simply, has a long tradition in Spanish-American literary production. Usually characterized by its extension, the novela corta resents, however, other markers. One of the issues pointed out by critics is its approach to other literary genres. The present study turns to a reading of the novela corta Moho (2010), by Paulette Jonguitud Acosta, defending a clear dialogue with the dramatic genre, in particular, with tragedy. Through the concept of “rostity” from Deleuze and Guattari, as well as Nietzsche’s reading of the tragedy, it is intended to understand the meanings built in Moho in conjunction with the dramatic genre.
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spelling Life on the scene: the short novel Moho, by Paulette Jonguitud Acosta, and the tragedyA vida em cena: a novela corta Moho, de Paulette Jonguitud Acosta, e a tragédiaThe narrative sub-genre known as novela corta, which corresponds, in Portuguese language literatures, to the novela simply, has a long tradition in Spanish-American literary production. Usually characterized by its extension, the novela corta resents, however, other markers. One of the issues pointed out by critics is its approach to other literary genres. The present study turns to a reading of the novela corta Moho (2010), by Paulette Jonguitud Acosta, defending a clear dialogue with the dramatic genre, in particular, with tragedy. Through the concept of “rostity” from Deleuze and Guattari, as well as Nietzsche’s reading of the tragedy, it is intended to understand the meanings built in Moho in conjunction with the dramatic genre.O sub-gênero narrativo conhecido como novela corta, que corresponde, nas literaturas de língua portuguesa, à novela simplesmente, possui uma larga tradição na produção literária hispano-americana. Caracterizada, geralmente, por sua extensão, a novela corta se ressente, contudo, de outros marcadores. Uma das questões apontadas pela crítica é a sua aproximação a outros gêneros literários. O presente estudo volta-se para uma leitura da novela corta Moho (2010), de Paulette Jonguitud Acosta, defendendo um claro diálogo com o gênero dramático, em particular, com a tragédia. Por meio do conceito de “rostidade”, de Deleuze e de Guattari, assim como da leitura de Nietzsche sobre a tragédia, pretende-se entender os sentidos construídos em Moho em conjunção ao gênero dramático.UFRGS (Universidade Federal do Rio Grande do Sul)2023-07-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/cadernosdoil/article/view/12847910.22456/2236-6385.128479Cadernos do IL; n. 64 (2022); 214-2382236-6385reponame:Cadernos do IL (Online)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/cadernosdoil/article/view/128479/89057Copyright (c) 2023 Naira Almeida Nascimento, Daniel Zavala Medinahttp://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessNascimento, Naira AlmeidaZavala Medina, Daniel2023-07-17T22:45:48Zoai:seer.ufrgs.br:article/128479Revistahttps://seer.ufrgs.br/index.php/cadernosdoil/PUBhttps://seer.ufrgs.br/index.php/cadernosdoil/oaicadiletras@gmail.com||cadernosdoil@ufrgs.br||cadiletras@gmail.com|| cadernosdoil@ufrgs.br2236-63850104-1886opendoar:2023-07-17T22:45:48Cadernos do IL (Online) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Life on the scene: the short novel Moho, by Paulette Jonguitud Acosta, and the tragedy
A vida em cena: a novela corta Moho, de Paulette Jonguitud Acosta, e a tragédia
title Life on the scene: the short novel Moho, by Paulette Jonguitud Acosta, and the tragedy
spellingShingle Life on the scene: the short novel Moho, by Paulette Jonguitud Acosta, and the tragedy
Nascimento, Naira Almeida
title_short Life on the scene: the short novel Moho, by Paulette Jonguitud Acosta, and the tragedy
title_full Life on the scene: the short novel Moho, by Paulette Jonguitud Acosta, and the tragedy
title_fullStr Life on the scene: the short novel Moho, by Paulette Jonguitud Acosta, and the tragedy
title_full_unstemmed Life on the scene: the short novel Moho, by Paulette Jonguitud Acosta, and the tragedy
title_sort Life on the scene: the short novel Moho, by Paulette Jonguitud Acosta, and the tragedy
author Nascimento, Naira Almeida
author_facet Nascimento, Naira Almeida
Zavala Medina, Daniel
author_role author
author2 Zavala Medina, Daniel
author2_role author
dc.contributor.author.fl_str_mv Nascimento, Naira Almeida
Zavala Medina, Daniel
description The narrative sub-genre known as novela corta, which corresponds, in Portuguese language literatures, to the novela simply, has a long tradition in Spanish-American literary production. Usually characterized by its extension, the novela corta resents, however, other markers. One of the issues pointed out by critics is its approach to other literary genres. The present study turns to a reading of the novela corta Moho (2010), by Paulette Jonguitud Acosta, defending a clear dialogue with the dramatic genre, in particular, with tragedy. Through the concept of “rostity” from Deleuze and Guattari, as well as Nietzsche’s reading of the tragedy, it is intended to understand the meanings built in Moho in conjunction with the dramatic genre.
publishDate 2023
dc.date.none.fl_str_mv 2023-07-17
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/cadernosdoil/article/view/128479
10.22456/2236-6385.128479
url https://seer.ufrgs.br/index.php/cadernosdoil/article/view/128479
identifier_str_mv 10.22456/2236-6385.128479
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/cadernosdoil/article/view/128479/89057
dc.rights.driver.fl_str_mv Copyright (c) 2023 Naira Almeida Nascimento, Daniel Zavala Medina
http://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Naira Almeida Nascimento, Daniel Zavala Medina
http://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFRGS (Universidade Federal do Rio Grande do Sul)
publisher.none.fl_str_mv UFRGS (Universidade Federal do Rio Grande do Sul)
dc.source.none.fl_str_mv Cadernos do IL; n. 64 (2022); 214-238
2236-6385
reponame:Cadernos do IL (Online)
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Cadernos do IL (Online)
collection Cadernos do IL (Online)
repository.name.fl_str_mv Cadernos do IL (Online) - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv cadiletras@gmail.com||cadernosdoil@ufrgs.br||cadiletras@gmail.com|| cadernosdoil@ufrgs.br
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