“Renzi y yo”: the performatic self-writing of Ricardo Piglia in Formative years

Detalhes bibliográficos
Autor(a) principal: Barreto, Carla Carolina Moura
Data de Publicação: 2024
Tipo de documento: Artigo
Idioma: por
Título da fonte: Cadernos do IL (Online)
DOI: 10.22456/2236-6385.134242
Texto Completo: https://seer.ufrgs.br/index.php/cadernosdoil/article/view/134242
Resumo: The main objective of this work is to analyze the first volume of the trilogy of diaries written by Argentine writer Ricardo Piglia, Formative years (2015), based on the concept of “performative self-writing” of the diary by Seligmann-Silva (2009;2022). I seek to debate how the author re-elaborates his life within his literature through remembrance and performative reinvention of the self. Additionally, the study also promotes a discussion about the role of testimony in the narrative, observing how reality/fiction and self/other intertwine in Piglia’s text. To achieve this, I have used as the main theoretical/critical basis Lejeune (2007; 2014), Blanchot (2005), Seligmann-Silva (2009; 2010; 2022), Derrida (2015), among others.
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spelling “Renzi y yo”: the performatic self-writing of Ricardo Piglia in Formative years“Renzi y yo”: a autoescritura performática de Ricardo Piglia em Años de formaciónThe main objective of this work is to analyze the first volume of the trilogy of diaries written by Argentine writer Ricardo Piglia, Formative years (2015), based on the concept of “performative self-writing” of the diary by Seligmann-Silva (2009;2022). I seek to debate how the author re-elaborates his life within his literature through remembrance and performative reinvention of the self. Additionally, the study also promotes a discussion about the role of testimony in the narrative, observing how reality/fiction and self/other intertwine in Piglia’s text. To achieve this, I have used as the main theoretical/critical basis Lejeune (2007; 2014), Blanchot (2005), Seligmann-Silva (2009; 2010; 2022), Derrida (2015), among others.O presente trabalho tem como principal objetivo analisar o primeiro volume da trilogia de diários do escritor argentino Ricardo Piglia, Años de formación (2015), partindo do conceito de “autoescritura performática” do diário, de Seligmann-Silva (2009; 2022). Busco aqui debater de que forma o autor reelabora, por meio da rememoração e da reinvenção performática de si, sua vida dentro de sua literatura. Além disso, o estudo também promove uma discussão sobre o lugar do testemunho na narrativa, observando como realidade/ficção e eu/outro se entrelaçam no texto pigliano. Para tanto, utilizei como principal base teórica/crítica Lejeune (2007; 2014), Blanchot (2005), Seligmann-Silva (2009; 2010; 2022), Derrida (2015), entre outros.UFRGS (Universidade Federal do Rio Grande do Sul)2024-03-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/cadernosdoil/article/view/13424210.22456/2236-6385.134242Cadernos do IL; n. 66 (2023); 355-3712236-6385reponame:Cadernos do IL (Online)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/cadernosdoil/article/view/134242/91676Copyright (c) 2024 Carla Carolina Moura Barretohttp://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccess Barreto, Carla Carolina Moura2024-03-26T13:44:42Zoai:seer.ufrgs.br:article/134242Revistahttps://seer.ufrgs.br/index.php/cadernosdoil/PUBhttps://seer.ufrgs.br/index.php/cadernosdoil/oaicadiletras@gmail.com||cadernosdoil@ufrgs.br||cadiletras@gmail.com|| cadernosdoil@ufrgs.br2236-63850104-1886opendoar:2024-03-26T13:44:42Cadernos do IL (Online) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv “Renzi y yo”: the performatic self-writing of Ricardo Piglia in Formative years
“Renzi y yo”: a autoescritura performática de Ricardo Piglia em Años de formación
title “Renzi y yo”: the performatic self-writing of Ricardo Piglia in Formative years
spellingShingle “Renzi y yo”: the performatic self-writing of Ricardo Piglia in Formative years
“Renzi y yo”: the performatic self-writing of Ricardo Piglia in Formative years
Barreto, Carla Carolina Moura
Barreto, Carla Carolina Moura
title_short “Renzi y yo”: the performatic self-writing of Ricardo Piglia in Formative years
title_full “Renzi y yo”: the performatic self-writing of Ricardo Piglia in Formative years
title_fullStr “Renzi y yo”: the performatic self-writing of Ricardo Piglia in Formative years
“Renzi y yo”: the performatic self-writing of Ricardo Piglia in Formative years
title_full_unstemmed “Renzi y yo”: the performatic self-writing of Ricardo Piglia in Formative years
“Renzi y yo”: the performatic self-writing of Ricardo Piglia in Formative years
title_sort “Renzi y yo”: the performatic self-writing of Ricardo Piglia in Formative years
author Barreto, Carla Carolina Moura
author_facet Barreto, Carla Carolina Moura
Barreto, Carla Carolina Moura
author_role author
dc.contributor.author.fl_str_mv Barreto, Carla Carolina Moura
description The main objective of this work is to analyze the first volume of the trilogy of diaries written by Argentine writer Ricardo Piglia, Formative years (2015), based on the concept of “performative self-writing” of the diary by Seligmann-Silva (2009;2022). I seek to debate how the author re-elaborates his life within his literature through remembrance and performative reinvention of the self. Additionally, the study also promotes a discussion about the role of testimony in the narrative, observing how reality/fiction and self/other intertwine in Piglia’s text. To achieve this, I have used as the main theoretical/critical basis Lejeune (2007; 2014), Blanchot (2005), Seligmann-Silva (2009; 2010; 2022), Derrida (2015), among others.
publishDate 2024
dc.date.none.fl_str_mv 2024-03-26
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/cadernosdoil/article/view/134242
10.22456/2236-6385.134242
url https://seer.ufrgs.br/index.php/cadernosdoil/article/view/134242
identifier_str_mv 10.22456/2236-6385.134242
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/cadernosdoil/article/view/134242/91676
dc.rights.driver.fl_str_mv Copyright (c) 2024 Carla Carolina Moura Barreto
http://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2024 Carla Carolina Moura Barreto
http://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFRGS (Universidade Federal do Rio Grande do Sul)
publisher.none.fl_str_mv UFRGS (Universidade Federal do Rio Grande do Sul)
dc.source.none.fl_str_mv Cadernos do IL; n. 66 (2023); 355-371
2236-6385
reponame:Cadernos do IL (Online)
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Cadernos do IL (Online)
collection Cadernos do IL (Online)
repository.name.fl_str_mv Cadernos do IL (Online) - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv cadiletras@gmail.com||cadernosdoil@ufrgs.br||cadiletras@gmail.com|| cadernosdoil@ufrgs.br
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dc.identifier.doi.none.fl_str_mv 10.22456/2236-6385.134242