Domains of Indigenous Cinema: : the problematic of the subject revisited

Detalhes bibliográficos
Autor(a) principal: Felipe, Marcos Aurélio
Data de Publicação: 2024
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/135997
Resumo: This study analyzes the place of indigenous peoples in documentary film, outlining the limits and possibilities that define their condition as subject or object of the documentary film. Based on cinema and anthropological studies, it identifies the extent to which the problem of the constitution of the subject in indigenous cinema allows us to consider a similar research question in the field of humanities. Between the historical and cosmological worlds, the audiovisual field and ante-field, permanent colonialism and counter-coloniality, the domains of power in the indigenous documentary perspective are invariably marked by tensions, fissures and limits. Who, after all, is the Other as subject and/or object of the camera?
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spelling Domains of Indigenous Cinema: : the problematic of the subject revisitedDomains of Indigenous Cinema: : the problematic of the subject revisitedIndigenous CinemaNative PeoplesCounter-ColonialityAnthropology Documentary FilmIndigenous Cinema Native Peoples Documentary FilmCounter-ColonialityAnthropologyThis study analyzes the place of indigenous peoples in documentary film, outlining the limits and possibilities that define their condition as subject or object of the documentary film. Based on cinema and anthropological studies, it identifies the extent to which the problem of the constitution of the subject in indigenous cinema allows us to consider a similar research question in the field of humanities. Between the historical and cosmological worlds, the audiovisual field and ante-field, permanent colonialism and counter-coloniality, the domains of power in the indigenous documentary perspective are invariably marked by tensions, fissures and limits. Who, after all, is the Other as subject and/or object of the camera?This study analyzes the place of indigenous peoples in documentary film, outlining the limits and possibilities that define their condition as subject or object of the documentary film. Based on cinema and anthropological studies, it identifies the extent to which the problem of the constitution of the subject in indigenous cinema allows us to consider a similar research question in the field of humanities. Between the historical and cosmological worlds, the audiovisual field and ante-field, permanent colonialism and counter-coloniality, the domains of power in the indigenous documentary perspective are invariably marked by tensions, fissures and limits. Who, after all, is the Other as subject and/or object of the camera?Universidade Federal do Rio Grande do Sul2024-01-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/135997Brazilian Journal on Presence Studies; Vol. 14 No. 1 (2024): Jan./Mar. 2024Révue Brésilienne d'Études de la Présence; Vol. 14 No. 1 (2024): Jan./Mar. 2024Révue Brésilienne d'Études de la Présence; Vol. 14 No 1 (2024): Jan./Mar. 2024Revista Brasileira de Estudos da Presença; v. 14 n. 1 (2024): Jan./Mar. 20242237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/135997/91273Copyright (c) 2023 Revista Brasileira de Estudos da Presençahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFelipe, Marcos Aurélio2024-01-31T23:48:54Zoai:seer.ufrgs.br:article/135997Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2024-01-31T23:48:54Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Domains of Indigenous Cinema: : the problematic of the subject revisited
Domains of Indigenous Cinema: : the problematic of the subject revisited
title Domains of Indigenous Cinema: : the problematic of the subject revisited
spellingShingle Domains of Indigenous Cinema: : the problematic of the subject revisited
Felipe, Marcos Aurélio
Indigenous Cinema
Native Peoples
Counter-Coloniality
Anthropology
Documentary Film
Indigenous Cinema
Native Peoples
Documentary Film
Counter-Coloniality
Anthropology
title_short Domains of Indigenous Cinema: : the problematic of the subject revisited
title_full Domains of Indigenous Cinema: : the problematic of the subject revisited
title_fullStr Domains of Indigenous Cinema: : the problematic of the subject revisited
title_full_unstemmed Domains of Indigenous Cinema: : the problematic of the subject revisited
title_sort Domains of Indigenous Cinema: : the problematic of the subject revisited
author Felipe, Marcos Aurélio
author_facet Felipe, Marcos Aurélio
author_role author
dc.contributor.author.fl_str_mv Felipe, Marcos Aurélio
dc.subject.por.fl_str_mv Indigenous Cinema
Native Peoples
Counter-Coloniality
Anthropology
Documentary Film
Indigenous Cinema
Native Peoples
Documentary Film
Counter-Coloniality
Anthropology
topic Indigenous Cinema
Native Peoples
Counter-Coloniality
Anthropology
Documentary Film
Indigenous Cinema
Native Peoples
Documentary Film
Counter-Coloniality
Anthropology
description This study analyzes the place of indigenous peoples in documentary film, outlining the limits and possibilities that define their condition as subject or object of the documentary film. Based on cinema and anthropological studies, it identifies the extent to which the problem of the constitution of the subject in indigenous cinema allows us to consider a similar research question in the field of humanities. Between the historical and cosmological worlds, the audiovisual field and ante-field, permanent colonialism and counter-coloniality, the domains of power in the indigenous documentary perspective are invariably marked by tensions, fissures and limits. Who, after all, is the Other as subject and/or object of the camera?
publishDate 2024
dc.date.none.fl_str_mv 2024-01-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/135997
url https://seer.ufrgs.br/index.php/presenca/article/view/135997
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/135997/91273
dc.rights.driver.fl_str_mv Copyright (c) 2023 Revista Brasileira de Estudos da Presença
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Revista Brasileira de Estudos da Presença
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 14 No. 1 (2024): Jan./Mar. 2024
Révue Brésilienne d'Études de la Présence; Vol. 14 No. 1 (2024): Jan./Mar. 2024
Révue Brésilienne d'Études de la Présence; Vol. 14 No 1 (2024): Jan./Mar. 2024
Revista Brasileira de Estudos da Presença; v. 14 n. 1 (2024): Jan./Mar. 2024
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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