Domains of Indigenous Cinema:: the problematic of the subject revisited

Detalhes bibliográficos
Autor(a) principal: Felipe, Marcos Aurélio
Data de Publicação: 2024
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/134450
Resumo: This study analyzes the place of indigenous peoples in documentary film, outlining the limits and possibilities that define their condition as subject or object of the documentary film. Based on cinema and anthropological studies, it identifies the extent to which the problem of the constitution of the subject in indigenous cinema allows us to consider a similar research question in the field of humanities. Between the historical and cosmological worlds, the audiovisual field and ante-field, permanent colonialism and counter-coloniality, the domains of power in the indigenous documentary perspective are invariably marked by tensions, fissures and limits. Who, after all, is the Other as subject and/or object of the camera?
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spelling Domains of Indigenous Cinema:: the problematic of the subject revisitedDomaines du Cinéma Indigène:: la problématique du sujet revisitéeDomínios do Cinema Indígena: : a problemática do sujeito revisitadaCinema indígenaPovos origináriosFilme documentárioContra-colonialidadeAntropologiaCinéma IndigènePeuples Originaires Film DocumentaireContre-ColonialitéAnthropologieIndigenous CinemaNative PeoplesDocumentary Film Counter-ColonialityAnthropologyThis study analyzes the place of indigenous peoples in documentary film, outlining the limits and possibilities that define their condition as subject or object of the documentary film. Based on cinema and anthropological studies, it identifies the extent to which the problem of the constitution of the subject in indigenous cinema allows us to consider a similar research question in the field of humanities. Between the historical and cosmological worlds, the audiovisual field and ante-field, permanent colonialism and counter-coloniality, the domains of power in the indigenous documentary perspective are invariably marked by tensions, fissures and limits. Who, after all, is the Other as subject and/or object of the camera?La présente étude analyse la place des peuples originaires dans le film documentaire, en mettant en évidence les limites et les possibilités qui définissent leur condition de sujet ou d’objet de la scène documentaire. A partir des études cinématographiques et anthropologiques, on identifie dans quelle mesure le problème de la constitution du sujet dans le cinéma indigène permet de réfléchir à une question de recherche similaire dans le domaine des sciences humaines. Entre le monde historique et celui cosmologique, champ et antechamp audiovisuel, colonialisme permanent et contre-colonialité, les domaines du pouvoir dans la perspective documentaire indigène sont, invariablement, marqués par des tensions, des fissures et des limites. Qui, après tout, est l’Autre en tant que sujet et/ou objet de la caméra?O presente estudo analisa o lugar dos povos originários no filme documentário, delineando os limites e possibilidades que definem sua condição de sujeito ou de objeto da cena documental. A partir dos estudos de cinema e antropológicos, identifica-se em que medida a problemática da constituição do sujeito no cinema indígena permite pensar questão semelhante de pesquisa no campo das humanidades. Entre o mundo histórico e cosmológico, o campo e o antecampo audiovisual, o colonialismo permanente e a contracolonialidade, os domínios do poder na perspectiva documental indígena, invariavelmente, são marcados por tensões, fissuras e limites. Quem, afinal, é o Outro enquanto sujeito e/ou objeto da câmera?Universidade Federal do Rio Grande do Sul2024-01-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/134450Brazilian Journal on Presence Studies; Vol. 14 No. 1 (2024): Jan./Mar. 2024Révue Brésilienne d'Études de la Présence; Vol. 14 No. 1 (2024): Jan./Mar. 2024Révue Brésilienne d'Études de la Présence; Vol. 14 No 1 (2024): Jan./Mar. 2024Revista Brasileira de Estudos da Presença; v. 14 n. 1 (2024): Jan./Mar. 20242237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/134450/91254Copyright (c) 2024 Revista Brasileira de Estudos da Presençahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFelipe, Marcos Aurélio2024-01-31T23:48:57Zoai:seer.ufrgs.br:article/134450Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2024-01-31T23:48:57Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Domains of Indigenous Cinema:: the problematic of the subject revisited
Domaines du Cinéma Indigène:: la problématique du sujet revisitée
Domínios do Cinema Indígena: : a problemática do sujeito revisitada
title Domains of Indigenous Cinema:: the problematic of the subject revisited
spellingShingle Domains of Indigenous Cinema:: the problematic of the subject revisited
Felipe, Marcos Aurélio
Cinema indígena
Povos originários
Filme documentário
Contra-colonialidade
Antropologia
Cinéma Indigène
Peuples Originaires
Film Documentaire
Contre-Colonialité
Anthropologie
Indigenous Cinema
Native Peoples
Documentary Film
Counter-Coloniality
Anthropology
title_short Domains of Indigenous Cinema:: the problematic of the subject revisited
title_full Domains of Indigenous Cinema:: the problematic of the subject revisited
title_fullStr Domains of Indigenous Cinema:: the problematic of the subject revisited
title_full_unstemmed Domains of Indigenous Cinema:: the problematic of the subject revisited
title_sort Domains of Indigenous Cinema:: the problematic of the subject revisited
author Felipe, Marcos Aurélio
author_facet Felipe, Marcos Aurélio
author_role author
dc.contributor.author.fl_str_mv Felipe, Marcos Aurélio
dc.subject.por.fl_str_mv Cinema indígena
Povos originários
Filme documentário
Contra-colonialidade
Antropologia
Cinéma Indigène
Peuples Originaires
Film Documentaire
Contre-Colonialité
Anthropologie
Indigenous Cinema
Native Peoples
Documentary Film
Counter-Coloniality
Anthropology
topic Cinema indígena
Povos originários
Filme documentário
Contra-colonialidade
Antropologia
Cinéma Indigène
Peuples Originaires
Film Documentaire
Contre-Colonialité
Anthropologie
Indigenous Cinema
Native Peoples
Documentary Film
Counter-Coloniality
Anthropology
description This study analyzes the place of indigenous peoples in documentary film, outlining the limits and possibilities that define their condition as subject or object of the documentary film. Based on cinema and anthropological studies, it identifies the extent to which the problem of the constitution of the subject in indigenous cinema allows us to consider a similar research question in the field of humanities. Between the historical and cosmological worlds, the audiovisual field and ante-field, permanent colonialism and counter-coloniality, the domains of power in the indigenous documentary perspective are invariably marked by tensions, fissures and limits. Who, after all, is the Other as subject and/or object of the camera?
publishDate 2024
dc.date.none.fl_str_mv 2024-01-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/134450
url https://seer.ufrgs.br/index.php/presenca/article/view/134450
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/134450/91254
dc.rights.driver.fl_str_mv Copyright (c) 2024 Revista Brasileira de Estudos da Presença
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2024 Revista Brasileira de Estudos da Presença
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 14 No. 1 (2024): Jan./Mar. 2024
Révue Brésilienne d'Études de la Présence; Vol. 14 No. 1 (2024): Jan./Mar. 2024
Révue Brésilienne d'Études de la Présence; Vol. 14 No 1 (2024): Jan./Mar. 2024
Revista Brasileira de Estudos da Presença; v. 14 n. 1 (2024): Jan./Mar. 2024
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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