PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing

Detalhes bibliográficos
Autor(a) principal: Alice (Universidade Federal do Estado do Rio de Janeiro, Rio de Janeiro, Brazil), Tania
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/54060
Resumo: The article proposes an enlargement of Pablo Helguera’s concept of socially engaged art, used to describe artistic works that blur the boundaries between social project and artistic project. From the analysis of the creation process of the performance “Bate-Papo na Cama” (Bed Time Talking), which consists in putting my bed in public spaces of different countries in the world, the article aims at thinking how the artistic practice can be intensified and deepened by the resources offered by Somatic Experiencing (SE). The practice, developed by Peter Levine, helps to think, design, and implement artistic border projects, not only between artistic and social projects, but that blurs frontiers with therapeutic plans, whether individual or collective, generating the concept of Relational Art Performance as Healing – RAPH.
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spelling PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencingPARC (Performances d’Art Relationnel comme Soin): art de la performance et somatic experiencingPARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencingPerformanceRelational ArtSomatic ExperiencingSocially Engaged ArtPublic SpacesPerformanceRelational ArtSomatic ExperiencingSocially Engaged ArtPublic SpacesThe article proposes an enlargement of Pablo Helguera’s concept of socially engaged art, used to describe artistic works that blur the boundaries between social project and artistic project. From the analysis of the creation process of the performance “Bate-Papo na Cama” (Bed Time Talking), which consists in putting my bed in public spaces of different countries in the world, the article aims at thinking how the artistic practice can be intensified and deepened by the resources offered by Somatic Experiencing (SE). The practice, developed by Peter Levine, helps to think, design, and implement artistic border projects, not only between artistic and social projects, but that blurs frontiers with therapeutic plans, whether individual or collective, generating the concept of Relational Art Performance as Healing – RAPH.L’article propose un élargissement du concept d’art socialement engagé de Pablo Helguera, utilisé pour décrire des travaux artistiques qui brouillent les frontières entre projet social et projet artistique. En partant de l’analyse du processus de création de la performance Discussion au Lit et qui consiste a placer mon lit dans des espaces publics de divers pays du monde, l’article propose une réflexion sur la manière dont une performance peut être approfondie et enrichie par les ressources offertes par l’expérience somatique (SE) de Peter Levine, conduisant ainsi à la possibilité de concevoir, élaborer et réaliser des projets qui seraient non seulement à la frontière du projet social et du projet artistique, mais qui incluraient également, ce faisant, le projet thérapeutique individuel ou collectif, gérant le concept de PARC (Performances de Arte Relacional como Cura) – Performances d’Art Relationnel comme Soin.The article proposes an enlargement of Pablo Helguera’s concept of sociallyengaged art, used to describe artistic works that blur the boundaries between social project andartistic project. From the analysis of the creation process of the performance “Bate-Papo na Cama”(Bed Time Talking), which consists in putting my bed in public spaces of different countries inthe world, the article aims at thinking how the artistic practice can be intensified and deepenedby the resources offered by Somatic Experiencing (SE). The practice, developed by Peter Levine,helps to think, design, and implement artistic border projects, not only between artistic and socialprojects, but that blurs frontiers with therapeutic plans, whether individual or collective, generatingthe concept of Relational Art Performance as Healing – RAPH.Universidade Federal do Rio Grande do Sul2022-10-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/54060Brazilian Journal on Presence Studies; Vol. 5 No. 2 (2015): maio/ago. 2015; 396-412Révue Brésilienne d'Études de la Présence; Vol. 5 No. 2 (2015): maio/ago. 2015; 396-412Révue Brésilienne d'Études de la Présence; Vol. 5 No 2 (2015): maio/ago. 2015; 396-412Revista Brasileira de Estudos da Presença; v. 5 n. 2 (2015): maio/ago. 2015; 396-4122237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/54060/50547Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessAlice (Universidade Federal do Estado do Rio de Janeiro, Rio de Janeiro, Brazil), Tania2022-10-13T18:30:45Zoai:seer.ufrgs.br:article/54060Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-13T18:30:45Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing
PARC (Performances d’Art Relationnel comme Soin): art de la performance et somatic experiencing
PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing
title PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing
spellingShingle PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing
Alice (Universidade Federal do Estado do Rio de Janeiro, Rio de Janeiro, Brazil), Tania
Performance
Relational Art
Somatic Experiencing
Socially Engaged Art
Public Spaces
Performance
Relational Art
Somatic Experiencing
Socially Engaged Art
Public Spaces
title_short PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing
title_full PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing
title_fullStr PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing
title_full_unstemmed PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing
title_sort PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing
author Alice (Universidade Federal do Estado do Rio de Janeiro, Rio de Janeiro, Brazil), Tania
author_facet Alice (Universidade Federal do Estado do Rio de Janeiro, Rio de Janeiro, Brazil), Tania
author_role author
dc.contributor.author.fl_str_mv Alice (Universidade Federal do Estado do Rio de Janeiro, Rio de Janeiro, Brazil), Tania
dc.subject.por.fl_str_mv Performance
Relational Art
Somatic Experiencing
Socially Engaged Art
Public Spaces
Performance
Relational Art
Somatic Experiencing
Socially Engaged Art
Public Spaces
topic Performance
Relational Art
Somatic Experiencing
Socially Engaged Art
Public Spaces
Performance
Relational Art
Somatic Experiencing
Socially Engaged Art
Public Spaces
description The article proposes an enlargement of Pablo Helguera’s concept of socially engaged art, used to describe artistic works that blur the boundaries between social project and artistic project. From the analysis of the creation process of the performance “Bate-Papo na Cama” (Bed Time Talking), which consists in putting my bed in public spaces of different countries in the world, the article aims at thinking how the artistic practice can be intensified and deepened by the resources offered by Somatic Experiencing (SE). The practice, developed by Peter Levine, helps to think, design, and implement artistic border projects, not only between artistic and social projects, but that blurs frontiers with therapeutic plans, whether individual or collective, generating the concept of Relational Art Performance as Healing – RAPH.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/54060
url https://seer.ufrgs.br/index.php/presenca/article/view/54060
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/54060/50547
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 5 No. 2 (2015): maio/ago. 2015; 396-412
Révue Brésilienne d'Études de la Présence; Vol. 5 No. 2 (2015): maio/ago. 2015; 396-412
Révue Brésilienne d'Études de la Présence; Vol. 5 No 2 (2015): maio/ago. 2015; 396-412
Revista Brasileira de Estudos da Presença; v. 5 n. 2 (2015): maio/ago. 2015; 396-412
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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