PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Revista Brasileira de Estudos da Presença |
Texto Completo: | https://seer.ufrgs.br/index.php/presenca/article/view/54060 |
Resumo: | The article proposes an enlargement of Pablo Helguera’s concept of socially engaged art, used to describe artistic works that blur the boundaries between social project and artistic project. From the analysis of the creation process of the performance “Bate-Papo na Cama” (Bed Time Talking), which consists in putting my bed in public spaces of different countries in the world, the article aims at thinking how the artistic practice can be intensified and deepened by the resources offered by Somatic Experiencing (SE). The practice, developed by Peter Levine, helps to think, design, and implement artistic border projects, not only between artistic and social projects, but that blurs frontiers with therapeutic plans, whether individual or collective, generating the concept of Relational Art Performance as Healing – RAPH. |
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PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencingPARC (Performances d’Art Relationnel comme Soin): art de la performance et somatic experiencingPARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencingPerformanceRelational ArtSomatic ExperiencingSocially Engaged ArtPublic SpacesPerformanceRelational ArtSomatic ExperiencingSocially Engaged ArtPublic SpacesThe article proposes an enlargement of Pablo Helguera’s concept of socially engaged art, used to describe artistic works that blur the boundaries between social project and artistic project. From the analysis of the creation process of the performance “Bate-Papo na Cama” (Bed Time Talking), which consists in putting my bed in public spaces of different countries in the world, the article aims at thinking how the artistic practice can be intensified and deepened by the resources offered by Somatic Experiencing (SE). The practice, developed by Peter Levine, helps to think, design, and implement artistic border projects, not only between artistic and social projects, but that blurs frontiers with therapeutic plans, whether individual or collective, generating the concept of Relational Art Performance as Healing – RAPH.L’article propose un élargissement du concept d’art socialement engagé de Pablo Helguera, utilisé pour décrire des travaux artistiques qui brouillent les frontières entre projet social et projet artistique. En partant de l’analyse du processus de création de la performance Discussion au Lit et qui consiste a placer mon lit dans des espaces publics de divers pays du monde, l’article propose une réflexion sur la manière dont une performance peut être approfondie et enrichie par les ressources offertes par l’expérience somatique (SE) de Peter Levine, conduisant ainsi à la possibilité de concevoir, élaborer et réaliser des projets qui seraient non seulement à la frontière du projet social et du projet artistique, mais qui incluraient également, ce faisant, le projet thérapeutique individuel ou collectif, gérant le concept de PARC (Performances de Arte Relacional como Cura) – Performances d’Art Relationnel comme Soin.The article proposes an enlargement of Pablo Helguera’s concept of sociallyengaged art, used to describe artistic works that blur the boundaries between social project andartistic project. From the analysis of the creation process of the performance “Bate-Papo na Cama”(Bed Time Talking), which consists in putting my bed in public spaces of different countries inthe world, the article aims at thinking how the artistic practice can be intensified and deepenedby the resources offered by Somatic Experiencing (SE). The practice, developed by Peter Levine,helps to think, design, and implement artistic border projects, not only between artistic and socialprojects, but that blurs frontiers with therapeutic plans, whether individual or collective, generatingthe concept of Relational Art Performance as Healing – RAPH.Universidade Federal do Rio Grande do Sul2022-10-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/54060Brazilian Journal on Presence Studies; Vol. 5 No. 2 (2015): maio/ago. 2015; 396-412Révue Brésilienne d'Études de la Présence; Vol. 5 No. 2 (2015): maio/ago. 2015; 396-412Révue Brésilienne d'Études de la Présence; Vol. 5 No 2 (2015): maio/ago. 2015; 396-412Revista Brasileira de Estudos da Presença; v. 5 n. 2 (2015): maio/ago. 2015; 396-4122237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/54060/50547Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessAlice (Universidade Federal do Estado do Rio de Janeiro, Rio de Janeiro, Brazil), Tania2022-10-13T18:30:45Zoai:seer.ufrgs.br:article/54060Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-13T18:30:45Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing PARC (Performances d’Art Relationnel comme Soin): art de la performance et somatic experiencing PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing |
title |
PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing |
spellingShingle |
PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing Alice (Universidade Federal do Estado do Rio de Janeiro, Rio de Janeiro, Brazil), Tania Performance Relational Art Somatic Experiencing Socially Engaged Art Public Spaces Performance Relational Art Somatic Experiencing Socially Engaged Art Public Spaces |
title_short |
PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing |
title_full |
PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing |
title_fullStr |
PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing |
title_full_unstemmed |
PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing |
title_sort |
PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing |
author |
Alice (Universidade Federal do Estado do Rio de Janeiro, Rio de Janeiro, Brazil), Tania |
author_facet |
Alice (Universidade Federal do Estado do Rio de Janeiro, Rio de Janeiro, Brazil), Tania |
author_role |
author |
dc.contributor.author.fl_str_mv |
Alice (Universidade Federal do Estado do Rio de Janeiro, Rio de Janeiro, Brazil), Tania |
dc.subject.por.fl_str_mv |
Performance Relational Art Somatic Experiencing Socially Engaged Art Public Spaces Performance Relational Art Somatic Experiencing Socially Engaged Art Public Spaces |
topic |
Performance Relational Art Somatic Experiencing Socially Engaged Art Public Spaces Performance Relational Art Somatic Experiencing Socially Engaged Art Public Spaces |
description |
The article proposes an enlargement of Pablo Helguera’s concept of socially engaged art, used to describe artistic works that blur the boundaries between social project and artistic project. From the analysis of the creation process of the performance “Bate-Papo na Cama” (Bed Time Talking), which consists in putting my bed in public spaces of different countries in the world, the article aims at thinking how the artistic practice can be intensified and deepened by the resources offered by Somatic Experiencing (SE). The practice, developed by Peter Levine, helps to think, design, and implement artistic border projects, not only between artistic and social projects, but that blurs frontiers with therapeutic plans, whether individual or collective, generating the concept of Relational Art Performance as Healing – RAPH. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-10-13 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/54060 |
url |
https://seer.ufrgs.br/index.php/presenca/article/view/54060 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/54060/50547 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Revista Brasileira de Estudos da Presença info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Revista Brasileira de Estudos da Presença |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Brazilian Journal on Presence Studies; Vol. 5 No. 2 (2015): maio/ago. 2015; 396-412 Révue Brésilienne d'Études de la Présence; Vol. 5 No. 2 (2015): maio/ago. 2015; 396-412 Révue Brésilienne d'Études de la Présence; Vol. 5 No 2 (2015): maio/ago. 2015; 396-412 Revista Brasileira de Estudos da Presença; v. 5 n. 2 (2015): maio/ago. 2015; 396-412 2237-2660 reponame:Revista Brasileira de Estudos da Presença instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Revista Brasileira de Estudos da Presença |
collection |
Revista Brasileira de Estudos da Presença |
repository.name.fl_str_mv |
Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||rev.presenca@gmail.com |
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1799766307697065984 |