Acting in Argentine Postdramatic Theatre

Detalhes bibliográficos
Autor(a) principal: Mauro (Universidad de Buenos Aires - Buenos Aires, Argentina), Karina
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/39226
Resumo: This paper addresses the influences of postdramatic theatre in Buenos Aires from the 1990s. Therefore, the appropriation of such technical/aesthetic universe by the theatre of the city and the transformations it provoked in acting and actor's training will be analysed. These elements, based on the physical presence of the actor and initially used in the transgressive proposals of the 1980s, became part of the repertoire available for the development of a poetics of direction and dramaturgy in the following decade, shaping the Buenos Aires expression of the postdramatic phenomenon.
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spelling Acting in Argentine Postdramatic TheatreLes Acteurs dans le Théâtre Postdramatique ArgentinLa Actuación en el Teatro Posdramático ArgentinoPerformanceTheatrePosdramaticPresenceDramaturgyActuaciónTeatroPosdramáticoPresenciaDramaturgiaActeursThéâtrePostdramatiquePrésenceDramaturgieThis paper addresses the influences of postdramatic theatre in Buenos Aires from the 1990s. Therefore, the appropriation of such technical/aesthetic universe by the theatre of the city and the transformations it provoked in acting and actor's training will be analysed. These elements, based on the physical presence of the actor and initially used in the transgressive proposals of the 1980s, became part of the repertoire available for the development of a poetics of direction and dramaturgy in the following decade, shaping the Buenos Aires expression of the postdramatic phenomenon.L’article portera un regard sur les transformations subies par le jeu d’acteur à Buenos Aires lors de l’irruption d’éléments du théâtre postdramatique au cours des années 1990. Il s’agira d’analyser l’appropriation de cet univers technique/esthétique par le champ théâtral porteño et les changements suscitées aussi bien dans le jeu des acteurs que dans leur formation. Ces éléments, fondés sur la présence physique de l’acteur et initialement utilisés dans lespropositions transgressives des années 1980, deviennent partie intégrante du répertoire, participant au développement de poétiques de mise en scène et de dramaturgie durant la décennie suivante et confortant ainsi l’expression porteña du phénomène postdramatique.Se abordarán las características que adquiere la actuación porteña a partir de la inclusión de elementos del Teatro Posdramático durante la década del 1990. Para ello, se analizará la apropiación de dicho universo técnico/estético por el campo teatral porteño y las transformaciones que suscitó tanto en el desempeño actoral como en la formación para la actuación. Estos elementos, basados en la presencia física del actor e inicialmente utilizados en las propuestas transgresoras de los 80, pasan a formar parte del repertorio disponible para el desarrollo de poéticas de dirección y de dramaturgia durante la década siguiente, conformando la expresión porteña del fenómeno Posdramático.Universidade Federal do Rio Grande do Sul2022-10-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/39226Brazilian Journal on Presence Studies; Vol. 3 No. 3 (2013): set./dez. 2013; 671-693Révue Brésilienne d'Études de la Présence; Vol. 3 No. 3 (2013): set./dez. 2013; 671-693Révue Brésilienne d'Études de la Présence; Vol. 3 No 3 (2013): set./dez. 2013; 671-693Revista Brasileira de Estudos da Presença; v. 3 n. 3 (2013): set./dez. 2013; 671-6932237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSspahttps://seer.ufrgs.br/index.php/presenca/article/view/39226/50859Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessMauro (Universidad de Buenos Aires - Buenos Aires, Argentina), Karina2022-10-16T21:15:58Zoai:seer.ufrgs.br:article/39226Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-16T21:15:58Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Acting in Argentine Postdramatic Theatre
Les Acteurs dans le Théâtre Postdramatique Argentin
La Actuación en el Teatro Posdramático Argentino
title Acting in Argentine Postdramatic Theatre
spellingShingle Acting in Argentine Postdramatic Theatre
Mauro (Universidad de Buenos Aires - Buenos Aires, Argentina), Karina
Performance
Theatre
Posdramatic
Presence
Dramaturgy
Actuación
Teatro
Posdramático
Presencia
Dramaturgia
Acteurs
Théâtre
Postdramatique
Présence
Dramaturgie
title_short Acting in Argentine Postdramatic Theatre
title_full Acting in Argentine Postdramatic Theatre
title_fullStr Acting in Argentine Postdramatic Theatre
title_full_unstemmed Acting in Argentine Postdramatic Theatre
title_sort Acting in Argentine Postdramatic Theatre
author Mauro (Universidad de Buenos Aires - Buenos Aires, Argentina), Karina
author_facet Mauro (Universidad de Buenos Aires - Buenos Aires, Argentina), Karina
author_role author
dc.contributor.author.fl_str_mv Mauro (Universidad de Buenos Aires - Buenos Aires, Argentina), Karina
dc.subject.por.fl_str_mv Performance
Theatre
Posdramatic
Presence
Dramaturgy
Actuación
Teatro
Posdramático
Presencia
Dramaturgia
Acteurs
Théâtre
Postdramatique
Présence
Dramaturgie
topic Performance
Theatre
Posdramatic
Presence
Dramaturgy
Actuación
Teatro
Posdramático
Presencia
Dramaturgia
Acteurs
Théâtre
Postdramatique
Présence
Dramaturgie
description This paper addresses the influences of postdramatic theatre in Buenos Aires from the 1990s. Therefore, the appropriation of such technical/aesthetic universe by the theatre of the city and the transformations it provoked in acting and actor's training will be analysed. These elements, based on the physical presence of the actor and initially used in the transgressive proposals of the 1980s, became part of the repertoire available for the development of a poetics of direction and dramaturgy in the following decade, shaping the Buenos Aires expression of the postdramatic phenomenon.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/39226
url https://seer.ufrgs.br/index.php/presenca/article/view/39226
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/39226/50859
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 3 No. 3 (2013): set./dez. 2013; 671-693
Révue Brésilienne d'Études de la Présence; Vol. 3 No. 3 (2013): set./dez. 2013; 671-693
Révue Brésilienne d'Études de la Présence; Vol. 3 No 3 (2013): set./dez. 2013; 671-693
Revista Brasileira de Estudos da Presença; v. 3 n. 3 (2013): set./dez. 2013; 671-693
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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