Concrete poetry, dramaturgy and performance: Reflections for the materialization of words and presences

Detalhes bibliográficos
Autor(a) principal: Alves, Beatriz Nauali do Nascimento
Data de Publicação: 2023
Outros Autores: Kopelman, Isa Etel
Tipo de documento: Artigo
Idioma: por
Título da fonte: Pós (Universidade Federal de Minas Gerais. Online)
Texto Completo: https://periodicos.ufmg.br/index.php/revistapos/article/view/41364
Resumo: This article dwells on the dramaturgy, spatiality and scenic materialization from the book-object “Viva Vaia: Poesia 1949-1979” by Augusto de Campos, one of the forerunners of Concrete Poetry in Brazil. The reflections herein are also guided by the materialization of some poems from the anthology through a creative process carried out between 2020 and 2021 by undergraduate students in Performing Arts at Unicamp, using the object-book as a performative dramaturgy. In this process of creation and transcreation, several intersections were observed between performance art, the Performative Theatre and the Presence Studies.
id UFMG-12_f7b7514014df560c8119d8a63cb46fd1
oai_identifier_str oai:periodicos.ufmg.br:article/41364
network_acronym_str UFMG-12
network_name_str Pós (Universidade Federal de Minas Gerais. Online)
repository_id_str
spelling Concrete poetry, dramaturgy and performance: Reflections for the materialization of words and presencesPoésie concrète, dramaturgie et performance: Réflexions pour la matérialisation des mots et des présencesPoesia concreta, dramaturgia e performance: Reflexões para a materialização de palavras e presençasDramaturgiaPoesia ConcretaPerformanceTeatro PerformativoEstudos da PresençaDramaturgyConcrete PoetryPerformancePerformative TheaterPresence StudiesDramaturgiePoésie ConcrètePerformanceThéâtre PerformatifÉtudes de PrésenceThis article dwells on the dramaturgy, spatiality and scenic materialization from the book-object “Viva Vaia: Poesia 1949-1979” by Augusto de Campos, one of the forerunners of Concrete Poetry in Brazil. The reflections herein are also guided by the materialization of some poems from the anthology through a creative process carried out between 2020 and 2021 by undergraduate students in Performing Arts at Unicamp, using the object-book as a performative dramaturgy. In this process of creation and transcreation, several intersections were observed between performance art, the Performative Theatre and the Presence Studies.Cet article s'attarde sur la dramaturgie, la spatialité et la matérialisation scénique du livre-objet “Viva Vaia: Poesia 1949-1979” d'Augusto de Campos, l'un des précurseurs de la poésie concrète au Brésil. Les réflexions ici sont également guidées par la matérialisation de certains poèmes de l'anthologie à travers un processus de création mené entre 2020 et 2021 par des étudiants de premier cycle en arts de la scène à Unicamp, utilisant l'objet-livre comme dramaturgie performative. Dans ce processus de création et de transcréation, plusieurs intersections ont été observées entre l'art de la performance, le théâtre performatif et les études de présence.Pensar a dramaturgia, a espacialidade e a materialização cênica a partir do livro-objeto “Viva Vaia: Poesia 1949-1979” de Augusto de Campos, um dos precursores da Poesia Concreta no Brasil. As reflexões contidas neste artigo orientam-se também pelo processo criativo de materialização de alguns poemas da antologia, realizado entre 2020 e 2021 por alunos da graduação em Artes Cênicas da Unicamp, utilizando o livro-objeto como dramaturgia performativa. Nesse processo de criação e transcriação foram observadas várias intersecções com a performance art, o Teatro Performativo, e os Estudos da Presença.Universidade Federal de Minas Gerais2023-04-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/revistapos/article/view/4136410.35699/2237-5864.2023.41364PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 13 No. 27 (2023): Jan-Abril - Teoria Queer/cuir e o ensino de Arte; 325-343PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 13 Núm. 27 (2023): Jan-Abril - Teoria Queer/cuir e o ensino de Arte; 325-343PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 13 n. 27 (2023): Jan-Abril - Teoria Queer/cuir e o ensino de Arte; 325-3432238-20461982-9507reponame:Pós (Universidade Federal de Minas Gerais. Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/revistapos/article/view/41364/37625Copyright (c) 2023 Beatriz Nauali do Nascimento Alves, Isa Etel Kopelmanhttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessAlves, Beatriz Nauali do NascimentoKopelman, Isa Etel 2023-05-04T09:55:34Zoai:periodicos.ufmg.br:article/41364Revistahttps://periodicos.ufmg.br/index.php/revistaposPUBhttps://periodicos.ufmg.br/index.php/revistapos/oairevistapos.ppga@gmail.com2238-20461982-9507opendoar:2023-05-04T09:55:34Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Concrete poetry, dramaturgy and performance: Reflections for the materialization of words and presences
Poésie concrète, dramaturgie et performance: Réflexions pour la matérialisation des mots et des présences
Poesia concreta, dramaturgia e performance: Reflexões para a materialização de palavras e presenças
title Concrete poetry, dramaturgy and performance: Reflections for the materialization of words and presences
spellingShingle Concrete poetry, dramaturgy and performance: Reflections for the materialization of words and presences
Alves, Beatriz Nauali do Nascimento
Dramaturgia
Poesia Concreta
Performance
Teatro Performativo
Estudos da Presença
Dramaturgy
Concrete Poetry
Performance
Performative Theater
Presence Studies
Dramaturgie
Poésie Concrète
Performance
Théâtre Performatif
Études de Présence
title_short Concrete poetry, dramaturgy and performance: Reflections for the materialization of words and presences
title_full Concrete poetry, dramaturgy and performance: Reflections for the materialization of words and presences
title_fullStr Concrete poetry, dramaturgy and performance: Reflections for the materialization of words and presences
title_full_unstemmed Concrete poetry, dramaturgy and performance: Reflections for the materialization of words and presences
title_sort Concrete poetry, dramaturgy and performance: Reflections for the materialization of words and presences
author Alves, Beatriz Nauali do Nascimento
author_facet Alves, Beatriz Nauali do Nascimento
Kopelman, Isa Etel
author_role author
author2 Kopelman, Isa Etel
author2_role author
dc.contributor.author.fl_str_mv Alves, Beatriz Nauali do Nascimento
Kopelman, Isa Etel
dc.subject.por.fl_str_mv Dramaturgia
Poesia Concreta
Performance
Teatro Performativo
Estudos da Presença
Dramaturgy
Concrete Poetry
Performance
Performative Theater
Presence Studies
Dramaturgie
Poésie Concrète
Performance
Théâtre Performatif
Études de Présence
topic Dramaturgia
Poesia Concreta
Performance
Teatro Performativo
Estudos da Presença
Dramaturgy
Concrete Poetry
Performance
Performative Theater
Presence Studies
Dramaturgie
Poésie Concrète
Performance
Théâtre Performatif
Études de Présence
description This article dwells on the dramaturgy, spatiality and scenic materialization from the book-object “Viva Vaia: Poesia 1949-1979” by Augusto de Campos, one of the forerunners of Concrete Poetry in Brazil. The reflections herein are also guided by the materialization of some poems from the anthology through a creative process carried out between 2020 and 2021 by undergraduate students in Performing Arts at Unicamp, using the object-book as a performative dramaturgy. In this process of creation and transcreation, several intersections were observed between performance art, the Performative Theatre and the Presence Studies.
publishDate 2023
dc.date.none.fl_str_mv 2023-04-06
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/41364
10.35699/2237-5864.2023.41364
url https://periodicos.ufmg.br/index.php/revistapos/article/view/41364
identifier_str_mv 10.35699/2237-5864.2023.41364
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/41364/37625
dc.rights.driver.fl_str_mv Copyright (c) 2023 Beatriz Nauali do Nascimento Alves, Isa Etel Kopelman
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Beatriz Nauali do Nascimento Alves, Isa Etel Kopelman
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 13 No. 27 (2023): Jan-Abril - Teoria Queer/cuir e o ensino de Arte; 325-343
PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 13 Núm. 27 (2023): Jan-Abril - Teoria Queer/cuir e o ensino de Arte; 325-343
PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 13 n. 27 (2023): Jan-Abril - Teoria Queer/cuir e o ensino de Arte; 325-343
2238-2046
1982-9507
reponame:Pós (Universidade Federal de Minas Gerais. Online)
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Pós (Universidade Federal de Minas Gerais. Online)
collection Pós (Universidade Federal de Minas Gerais. Online)
repository.name.fl_str_mv Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv revistapos.ppga@gmail.com
_version_ 1797049079953358848

Registros relacionados