‘Maráia Quéri’ and the Queer Future of Contemporary Theater
Autor(a) principal: | |
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Data de Publicação: | 2024 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Revista Brasileira de Estudos da Presença |
Texto Completo: | https://seer.ufrgs.br/index.php/presenca/article/view/131780 |
Resumo: | The Feminist Scenics: theorizations about science and practice of the feminist theater scene and the space and importance of feminist epistemologies in the theatrical field1 – This article describes a feminist scenic, resulting from the application of feminist epistemologies to theater, synthesizing the criticism they make of the canonical demarcations linked to the act of knowing, which contribute to the invalidation of women's experience. Its way of functioning is associated with the awareness of gender hierarchies, to which it reacts through the formulation of poetic and political strategies to confront discriminatory and sexist social models and their symbolic supports. It is concluded that this feminist scenic finds centrality in pedagogy, where emancipatory forms of knowledge and territories of resistance and creation emerge, which give new meaning to being. |
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‘Maráia Quéri’ and the Queer Future of Contemporary TheaterMaráia Quéri’ et le Futur Queer de la Scène Contemporaine‘Maráia Quéri’ and the Queer Future of Contemporary TheaterMaráia QuériPeça-ConferênciaTeatro ContemporâneoTemporalidade QueerPolíticas de SubjetivaçãoMaráia QuériPièce de ConférenceThéâtre ContemporainTemporalité QueerPolitiques de SubjectivationMaráia QuériConference RequestContemporary TheatreQueer TemporalitySubjectivation PoliciesThe Feminist Scenics: theorizations about science and practice of the feminist theater scene and the space and importance of feminist epistemologies in the theatrical field1 – This article describes a feminist scenic, resulting from the application of feminist epistemologies to theater, synthesizing the criticism they make of the canonical demarcations linked to the act of knowing, which contribute to the invalidation of women's experience. Its way of functioning is associated with the awareness of gender hierarchies, to which it reacts through the formulation of poetic and political strategies to confront discriminatory and sexist social models and their symbolic supports. It is concluded that this feminist scenic finds centrality in pedagogy, where emancipatory forms of knowledge and territories of resistance and creation emerge, which give new meaning to being.Maráia Quéri’ et le Futur Queer de la Scène Contemporaine – L'essai met en évidence les éléments de la mise en scène de Maráia Quéri – une pièce dramaturgique de Raquel S., créée en 2022 au Teatro Nacional D. Maria II, à Lisbonne, interprétée et mise en scène par l'acteur d'Aveiro Romeu Costa – qui justifient sa classification comme pièce de conférence. Lorsqu’on se demande quelles sont ses implications esthétiques et éthiques sur les questions liées au genre et à la sexualité, il est souligné que le spectacle établit d’importants liens interdisciplinaires, comme avec les politiques de subjectivation et de temporalité queer. Finalement, la réponse est que des pièces de théâtre comme Maráia Quéri sont d’importantes productions de déprogrammation coloniale.The Feminist Scenics: theorizations about science and practice of the feminist theater scene and the space and importance of feminist epistemologies in the theatrical field1 – This article describes a feminist scenic, resulting from the application of feminist epistemologies to theater, synthesizing the criticism they make of the canonical demarcations linked to the act of knowing, which contribute to the invalidation of women's experience. Its way of functioning is associated with the awareness of gender hierarchies, to which it reacts through the formulation of poetic and political strategies to confront discriminatory and sexist social models and their symbolic supports. It is concluded that this feminist scenic finds centrality in pedagogy, where emancipatory forms of knowledge and territories of resistance and creation emerge, which give new meaning to being.Universidade Federal do Rio Grande do Sul2024-04-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/131780Brazilian Journal on Presence Studies; Vol. 14 No. 2 (2024): Abr./Jun. 2024Révue Brésilienne d'Études de la Présence; Vol. 14 No. 2 (2024): Abr./Jun. 2024Révue Brésilienne d'Études de la Présence; Vol. 14 No 2 (2024): Abr./Jun. 2024Revista Brasileira de Estudos da Presença; v. 14 n. 2 (2024): Abr./Jun. 20242237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/131780/91798Copyright (c) 2024 Revista Brasileira de Estudos da Presençahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessThürler, DjalmaWoyda, Duda2024-04-30T00:40:59Zoai:seer.ufrgs.br:article/131780Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2024-04-30T00:40:59Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
‘Maráia Quéri’ and the Queer Future of Contemporary Theater Maráia Quéri’ et le Futur Queer de la Scène Contemporaine ‘Maráia Quéri’ and the Queer Future of Contemporary Theater |
title |
‘Maráia Quéri’ and the Queer Future of Contemporary Theater |
spellingShingle |
‘Maráia Quéri’ and the Queer Future of Contemporary Theater Thürler, Djalma Maráia Quéri Peça-Conferência Teatro Contemporâneo Temporalidade Queer Políticas de Subjetivação Maráia Quéri Pièce de Conférence Théâtre Contemporain Temporalité Queer Politiques de Subjectivation Maráia Quéri Conference Request Contemporary Theatre Queer Temporality Subjectivation Policies |
title_short |
‘Maráia Quéri’ and the Queer Future of Contemporary Theater |
title_full |
‘Maráia Quéri’ and the Queer Future of Contemporary Theater |
title_fullStr |
‘Maráia Quéri’ and the Queer Future of Contemporary Theater |
title_full_unstemmed |
‘Maráia Quéri’ and the Queer Future of Contemporary Theater |
title_sort |
‘Maráia Quéri’ and the Queer Future of Contemporary Theater |
author |
Thürler, Djalma |
author_facet |
Thürler, Djalma Woyda, Duda |
author_role |
author |
author2 |
Woyda, Duda |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Thürler, Djalma Woyda, Duda |
dc.subject.por.fl_str_mv |
Maráia Quéri Peça-Conferência Teatro Contemporâneo Temporalidade Queer Políticas de Subjetivação Maráia Quéri Pièce de Conférence Théâtre Contemporain Temporalité Queer Politiques de Subjectivation Maráia Quéri Conference Request Contemporary Theatre Queer Temporality Subjectivation Policies |
topic |
Maráia Quéri Peça-Conferência Teatro Contemporâneo Temporalidade Queer Políticas de Subjetivação Maráia Quéri Pièce de Conférence Théâtre Contemporain Temporalité Queer Politiques de Subjectivation Maráia Quéri Conference Request Contemporary Theatre Queer Temporality Subjectivation Policies |
description |
The Feminist Scenics: theorizations about science and practice of the feminist theater scene and the space and importance of feminist epistemologies in the theatrical field1 – This article describes a feminist scenic, resulting from the application of feminist epistemologies to theater, synthesizing the criticism they make of the canonical demarcations linked to the act of knowing, which contribute to the invalidation of women's experience. Its way of functioning is associated with the awareness of gender hierarchies, to which it reacts through the formulation of poetic and political strategies to confront discriminatory and sexist social models and their symbolic supports. It is concluded that this feminist scenic finds centrality in pedagogy, where emancipatory forms of knowledge and territories of resistance and creation emerge, which give new meaning to being. |
publishDate |
2024 |
dc.date.none.fl_str_mv |
2024-04-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/131780 |
url |
https://seer.ufrgs.br/index.php/presenca/article/view/131780 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/131780/91798 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2024 Revista Brasileira de Estudos da Presença https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2024 Revista Brasileira de Estudos da Presença https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Brazilian Journal on Presence Studies; Vol. 14 No. 2 (2024): Abr./Jun. 2024 Révue Brésilienne d'Études de la Présence; Vol. 14 No. 2 (2024): Abr./Jun. 2024 Révue Brésilienne d'Études de la Présence; Vol. 14 No 2 (2024): Abr./Jun. 2024 Revista Brasileira de Estudos da Presença; v. 14 n. 2 (2024): Abr./Jun. 2024 2237-2660 reponame:Revista Brasileira de Estudos da Presença instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Revista Brasileira de Estudos da Presença |
collection |
Revista Brasileira de Estudos da Presença |
repository.name.fl_str_mv |
Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||rev.presenca@gmail.com |
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1799766306627518464 |