Paloma Bianchi’s Choreographic Work Hacia as a Practice of Amerindian Perspectivism
Autor(a) principal: | |
---|---|
Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Revista Brasileira de Estudos da Presença |
Texto Completo: | https://seer.ufrgs.br/index.php/presenca/article/view/110556 |
Resumo: | This text analyzes Hacia (2019) as a critical choreographic device facing the problem of disenchantment of the world derived from the separation between nature and culture inherited from Modernity/coloniality. Hacia puts into practice two notions of Amerindian perspectivism: one that recognizes the relational agency of all entities in the world; and another which raises knowledge as a process of subjectivation that implies bodily, sensory and imaginative dimensions. This analysis proposes a dialogue between the areas of anthropology and contemporary performing arts creation in Brazil. |
id |
UFRGS-17_1d619db90670b55cd5c62dcfec935a14 |
---|---|
oai_identifier_str |
oai:seer.ufrgs.br:article/110556 |
network_acronym_str |
UFRGS-17 |
network_name_str |
Revista Brasileira de Estudos da Presença |
repository_id_str |
|
spelling |
Paloma Bianchi’s Choreographic Work Hacia as a Practice of Amerindian PerspectivismChoreographyAmerindian PerspectivismSubjectivation ProcessesRelationship ModesCorporealityThis text analyzes Hacia (2019) as a critical choreographic device facing the problem of disenchantment of the world derived from the separation between nature and culture inherited from Modernity/coloniality. Hacia puts into practice two notions of Amerindian perspectivism: one that recognizes the relational agency of all entities in the world; and another which raises knowledge as a process of subjectivation that implies bodily, sensory and imaginative dimensions. This analysis proposes a dialogue between the areas of anthropology and contemporary performing arts creation in Brazil.Universidade Federal do Rio Grande do Sul2021-04-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/110556Brazilian Journal on Presence Studies; Vol. 11 No. 2 (2021): Abr./Jun. 2021; 01-20Révue Brésilienne d'Études de la Présence; Vol. 11 No. 2 (2021): Abr./Jun. 2021; 01-20Révue Brésilienne d'Études de la Présence; Vol. 11 No 2 (2021): Abr./Jun. 2021; 01-20Revista Brasileira de Estudos da Presença; v. 11 n. 2 (2021): Abr./Jun. 2021; 01-202237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/110556/61300Copyright (c) 2021 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessDíez, Diana Delgado-Ureña2021-04-13T00:31:41Zoai:seer.ufrgs.br:article/110556Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2021-04-13T00:31:41Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
Paloma Bianchi’s Choreographic Work Hacia as a Practice of Amerindian Perspectivism |
title |
Paloma Bianchi’s Choreographic Work Hacia as a Practice of Amerindian Perspectivism |
spellingShingle |
Paloma Bianchi’s Choreographic Work Hacia as a Practice of Amerindian Perspectivism Díez, Diana Delgado-Ureña Choreography Amerindian Perspectivism Subjectivation Processes Relationship Modes Corporeality |
title_short |
Paloma Bianchi’s Choreographic Work Hacia as a Practice of Amerindian Perspectivism |
title_full |
Paloma Bianchi’s Choreographic Work Hacia as a Practice of Amerindian Perspectivism |
title_fullStr |
Paloma Bianchi’s Choreographic Work Hacia as a Practice of Amerindian Perspectivism |
title_full_unstemmed |
Paloma Bianchi’s Choreographic Work Hacia as a Practice of Amerindian Perspectivism |
title_sort |
Paloma Bianchi’s Choreographic Work Hacia as a Practice of Amerindian Perspectivism |
author |
Díez, Diana Delgado-Ureña |
author_facet |
Díez, Diana Delgado-Ureña |
author_role |
author |
dc.contributor.author.fl_str_mv |
Díez, Diana Delgado-Ureña |
dc.subject.por.fl_str_mv |
Choreography Amerindian Perspectivism Subjectivation Processes Relationship Modes Corporeality |
topic |
Choreography Amerindian Perspectivism Subjectivation Processes Relationship Modes Corporeality |
description |
This text analyzes Hacia (2019) as a critical choreographic device facing the problem of disenchantment of the world derived from the separation between nature and culture inherited from Modernity/coloniality. Hacia puts into practice two notions of Amerindian perspectivism: one that recognizes the relational agency of all entities in the world; and another which raises knowledge as a process of subjectivation that implies bodily, sensory and imaginative dimensions. This analysis proposes a dialogue between the areas of anthropology and contemporary performing arts creation in Brazil. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-04-12 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/110556 |
url |
https://seer.ufrgs.br/index.php/presenca/article/view/110556 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/110556/61300 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Revista Brasileira de Estudos da Presença info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Revista Brasileira de Estudos da Presença |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Brazilian Journal on Presence Studies; Vol. 11 No. 2 (2021): Abr./Jun. 2021; 01-20 Révue Brésilienne d'Études de la Présence; Vol. 11 No. 2 (2021): Abr./Jun. 2021; 01-20 Révue Brésilienne d'Études de la Présence; Vol. 11 No 2 (2021): Abr./Jun. 2021; 01-20 Revista Brasileira de Estudos da Presença; v. 11 n. 2 (2021): Abr./Jun. 2021; 01-20 2237-2660 reponame:Revista Brasileira de Estudos da Presença instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Revista Brasileira de Estudos da Presença |
collection |
Revista Brasileira de Estudos da Presença |
repository.name.fl_str_mv |
Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||rev.presenca@gmail.com |
_version_ |
1799766309990301696 |