The The Mystery of the German Writer’s Vessel:: provocations from literary and film montage to research in Human Sciences

Detalhes bibliográficos
Autor(a) principal: dos Santos Baptista, Luis Antonio
Data de Publicação: 2024
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/135907
Resumo: This article investigates the politics of the image and montage in the literature and filmmaking as an experimentation with an ethical bet on research in Human Sciences. In the light of Walter Benjamin’s concept of montage, as well as DidiHuberman’s analysis of image as taking a position, it problematizes the insurmountable distance between the subject and the object, the fracture between form and content, ethics and aesthetics in research in the face of the intolerable of an ordinary world. The questions are presented through fragments that deal with the intertwining between body, memory, revolt, and creation, to emphasize the ethical bet of the montage not only as a balm for the body suffocated by the abject, but as the oxygen necessary for the multiplication of paths, senses, overcoming limits for the creation of resistance to the numbness of thought.
id UFRGS-17_2f390b8638bdbd4a24ca89edb0c7f07d
oai_identifier_str oai:seer.ufrgs.br:article/135907
network_acronym_str UFRGS-17
network_name_str Revista Brasileira de Estudos da Presença
repository_id_str
spelling The The Mystery of the German Writer’s Vessel:: provocations from literary and film montage to research in Human SciencesMontageLiteratureCinemaResearchEthicsThis article investigates the politics of the image and montage in the literature and filmmaking as an experimentation with an ethical bet on research in Human Sciences. In the light of Walter Benjamin’s concept of montage, as well as DidiHuberman’s analysis of image as taking a position, it problematizes the insurmountable distance between the subject and the object, the fracture between form and content, ethics and aesthetics in research in the face of the intolerable of an ordinary world. The questions are presented through fragments that deal with the intertwining between body, memory, revolt, and creation, to emphasize the ethical bet of the montage not only as a balm for the body suffocated by the abject, but as the oxygen necessary for the multiplication of paths, senses, overcoming limits for the creation of resistance to the numbness of thought.RÉSUMÉ – Le Mystère du Pot de L'Écrivain Allemand: provocations du montage cinématographique et littéraire pour la recherche en sciences humaines – L'article analyse les politiques de l'image et du montage dans la littérature et le cinéma en tant qu'expérimentation d'un pari éthique sur la recherche en sciences humaines. D’après le concept de montage de Walter Benjamin et des analyses de Didi-Huberman sur l'image en tant que position, il analyse la distance infranchissable entre le sujet et l'objet, la fracture entre la forme et le contenu, l'éthique et l'esthétique dans la recherche face à l'intolérable d'un monde commun. Les questions sont soulevées à travers des fragments qui traitent l'entrelacement du corps, la mémoire, la révolte et la création, afin de souligner le pari éthique du montage non pas comme un baume pour le corps étouffé par l'abject, mais comme l'oxygène nécessaire à la multiplication des voies, des sens, au dépassement des limites pour la création de résistances à la torpeur de la pensée.  Mots-clés: Montage. Littérature. Cinema. Recherche. Éthique.  Universidade Federal do Rio Grande do Sul2024-01-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/135907Brazilian Journal on Presence Studies; Vol. 14 No. 1 (2024): Jan./Mar. 2024Révue Brésilienne d'Études de la Présence; Vol. 14 No. 1 (2024): Jan./Mar. 2024Révue Brésilienne d'Études de la Présence; Vol. 14 No 1 (2024): Jan./Mar. 2024Revista Brasileira de Estudos da Presença; v. 14 n. 1 (2024): Jan./Mar. 20242237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/135907/91271Copyright (c) 2024 Revista Brasileira de Estudos da Presençahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessdos Santos Baptista, Luis Antonio2024-01-31T23:48:55Zoai:seer.ufrgs.br:article/135907Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2024-01-31T23:48:55Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv The The Mystery of the German Writer’s Vessel:: provocations from literary and film montage to research in Human Sciences
title The The Mystery of the German Writer’s Vessel:: provocations from literary and film montage to research in Human Sciences
spellingShingle The The Mystery of the German Writer’s Vessel:: provocations from literary and film montage to research in Human Sciences
dos Santos Baptista, Luis Antonio
Montage
Literature
Cinema
Research
Ethics
title_short The The Mystery of the German Writer’s Vessel:: provocations from literary and film montage to research in Human Sciences
title_full The The Mystery of the German Writer’s Vessel:: provocations from literary and film montage to research in Human Sciences
title_fullStr The The Mystery of the German Writer’s Vessel:: provocations from literary and film montage to research in Human Sciences
title_full_unstemmed The The Mystery of the German Writer’s Vessel:: provocations from literary and film montage to research in Human Sciences
title_sort The The Mystery of the German Writer’s Vessel:: provocations from literary and film montage to research in Human Sciences
author dos Santos Baptista, Luis Antonio
author_facet dos Santos Baptista, Luis Antonio
author_role author
dc.contributor.author.fl_str_mv dos Santos Baptista, Luis Antonio
dc.subject.por.fl_str_mv Montage
Literature
Cinema
Research
Ethics
topic Montage
Literature
Cinema
Research
Ethics
description This article investigates the politics of the image and montage in the literature and filmmaking as an experimentation with an ethical bet on research in Human Sciences. In the light of Walter Benjamin’s concept of montage, as well as DidiHuberman’s analysis of image as taking a position, it problematizes the insurmountable distance between the subject and the object, the fracture between form and content, ethics and aesthetics in research in the face of the intolerable of an ordinary world. The questions are presented through fragments that deal with the intertwining between body, memory, revolt, and creation, to emphasize the ethical bet of the montage not only as a balm for the body suffocated by the abject, but as the oxygen necessary for the multiplication of paths, senses, overcoming limits for the creation of resistance to the numbness of thought.
publishDate 2024
dc.date.none.fl_str_mv 2024-01-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/135907
url https://seer.ufrgs.br/index.php/presenca/article/view/135907
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/135907/91271
dc.rights.driver.fl_str_mv Copyright (c) 2024 Revista Brasileira de Estudos da Presença
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2024 Revista Brasileira de Estudos da Presença
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 14 No. 1 (2024): Jan./Mar. 2024
Révue Brésilienne d'Études de la Présence; Vol. 14 No. 1 (2024): Jan./Mar. 2024
Révue Brésilienne d'Études de la Présence; Vol. 14 No 1 (2024): Jan./Mar. 2024
Revista Brasileira de Estudos da Presença; v. 14 n. 1 (2024): Jan./Mar. 2024
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
_version_ 1799766306667364352