The The Mystery of the German Writer’s Vessel:: provocations from literary and film montage to research in Human Sciences
Autor(a) principal: | |
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Data de Publicação: | 2024 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Revista Brasileira de Estudos da Presença |
Texto Completo: | https://seer.ufrgs.br/index.php/presenca/article/view/135907 |
Resumo: | This article investigates the politics of the image and montage in the literature and filmmaking as an experimentation with an ethical bet on research in Human Sciences. In the light of Walter Benjamin’s concept of montage, as well as DidiHuberman’s analysis of image as taking a position, it problematizes the insurmountable distance between the subject and the object, the fracture between form and content, ethics and aesthetics in research in the face of the intolerable of an ordinary world. The questions are presented through fragments that deal with the intertwining between body, memory, revolt, and creation, to emphasize the ethical bet of the montage not only as a balm for the body suffocated by the abject, but as the oxygen necessary for the multiplication of paths, senses, overcoming limits for the creation of resistance to the numbness of thought. |
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The The Mystery of the German Writer’s Vessel:: provocations from literary and film montage to research in Human SciencesMontageLiteratureCinemaResearchEthicsThis article investigates the politics of the image and montage in the literature and filmmaking as an experimentation with an ethical bet on research in Human Sciences. In the light of Walter Benjamin’s concept of montage, as well as DidiHuberman’s analysis of image as taking a position, it problematizes the insurmountable distance between the subject and the object, the fracture between form and content, ethics and aesthetics in research in the face of the intolerable of an ordinary world. The questions are presented through fragments that deal with the intertwining between body, memory, revolt, and creation, to emphasize the ethical bet of the montage not only as a balm for the body suffocated by the abject, but as the oxygen necessary for the multiplication of paths, senses, overcoming limits for the creation of resistance to the numbness of thought.RÉSUMÉ – Le Mystère du Pot de L'Écrivain Allemand: provocations du montage cinématographique et littéraire pour la recherche en sciences humaines – L'article analyse les politiques de l'image et du montage dans la littérature et le cinéma en tant qu'expérimentation d'un pari éthique sur la recherche en sciences humaines. D’après le concept de montage de Walter Benjamin et des analyses de Didi-Huberman sur l'image en tant que position, il analyse la distance infranchissable entre le sujet et l'objet, la fracture entre la forme et le contenu, l'éthique et l'esthétique dans la recherche face à l'intolérable d'un monde commun. Les questions sont soulevées à travers des fragments qui traitent l'entrelacement du corps, la mémoire, la révolte et la création, afin de souligner le pari éthique du montage non pas comme un baume pour le corps étouffé par l'abject, mais comme l'oxygène nécessaire à la multiplication des voies, des sens, au dépassement des limites pour la création de résistances à la torpeur de la pensée. Mots-clés: Montage. Littérature. Cinema. Recherche. Éthique. Universidade Federal do Rio Grande do Sul2024-01-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/135907Brazilian Journal on Presence Studies; Vol. 14 No. 1 (2024): Jan./Mar. 2024Révue Brésilienne d'Études de la Présence; Vol. 14 No. 1 (2024): Jan./Mar. 2024Révue Brésilienne d'Études de la Présence; Vol. 14 No 1 (2024): Jan./Mar. 2024Revista Brasileira de Estudos da Presença; v. 14 n. 1 (2024): Jan./Mar. 20242237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/135907/91271Copyright (c) 2024 Revista Brasileira de Estudos da Presençahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessdos Santos Baptista, Luis Antonio2024-01-31T23:48:55Zoai:seer.ufrgs.br:article/135907Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2024-01-31T23:48:55Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
The The Mystery of the German Writer’s Vessel:: provocations from literary and film montage to research in Human Sciences |
title |
The The Mystery of the German Writer’s Vessel:: provocations from literary and film montage to research in Human Sciences |
spellingShingle |
The The Mystery of the German Writer’s Vessel:: provocations from literary and film montage to research in Human Sciences dos Santos Baptista, Luis Antonio Montage Literature Cinema Research Ethics |
title_short |
The The Mystery of the German Writer’s Vessel:: provocations from literary and film montage to research in Human Sciences |
title_full |
The The Mystery of the German Writer’s Vessel:: provocations from literary and film montage to research in Human Sciences |
title_fullStr |
The The Mystery of the German Writer’s Vessel:: provocations from literary and film montage to research in Human Sciences |
title_full_unstemmed |
The The Mystery of the German Writer’s Vessel:: provocations from literary and film montage to research in Human Sciences |
title_sort |
The The Mystery of the German Writer’s Vessel:: provocations from literary and film montage to research in Human Sciences |
author |
dos Santos Baptista, Luis Antonio |
author_facet |
dos Santos Baptista, Luis Antonio |
author_role |
author |
dc.contributor.author.fl_str_mv |
dos Santos Baptista, Luis Antonio |
dc.subject.por.fl_str_mv |
Montage Literature Cinema Research Ethics |
topic |
Montage Literature Cinema Research Ethics |
description |
This article investigates the politics of the image and montage in the literature and filmmaking as an experimentation with an ethical bet on research in Human Sciences. In the light of Walter Benjamin’s concept of montage, as well as DidiHuberman’s analysis of image as taking a position, it problematizes the insurmountable distance between the subject and the object, the fracture between form and content, ethics and aesthetics in research in the face of the intolerable of an ordinary world. The questions are presented through fragments that deal with the intertwining between body, memory, revolt, and creation, to emphasize the ethical bet of the montage not only as a balm for the body suffocated by the abject, but as the oxygen necessary for the multiplication of paths, senses, overcoming limits for the creation of resistance to the numbness of thought. |
publishDate |
2024 |
dc.date.none.fl_str_mv |
2024-01-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/135907 |
url |
https://seer.ufrgs.br/index.php/presenca/article/view/135907 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/135907/91271 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2024 Revista Brasileira de Estudos da Presença https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2024 Revista Brasileira de Estudos da Presença https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Brazilian Journal on Presence Studies; Vol. 14 No. 1 (2024): Jan./Mar. 2024 Révue Brésilienne d'Études de la Présence; Vol. 14 No. 1 (2024): Jan./Mar. 2024 Révue Brésilienne d'Études de la Présence; Vol. 14 No 1 (2024): Jan./Mar. 2024 Revista Brasileira de Estudos da Presença; v. 14 n. 1 (2024): Jan./Mar. 2024 2237-2660 reponame:Revista Brasileira de Estudos da Presença instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Revista Brasileira de Estudos da Presença |
collection |
Revista Brasileira de Estudos da Presença |
repository.name.fl_str_mv |
Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||rev.presenca@gmail.com |
_version_ |
1799766306667364352 |