Marguerite Duras/Claude Régy: L’Amante Anglaise, the genesis of a text, the gestation of a theatre
Autor(a) principal: | |
---|---|
Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Brasileira de Estudos da Presença |
Texto Completo: | https://seer.ufrgs.br/index.php/presenca/article/view/38117 |
Resumo: | This article focuses on the genesis of the first staging of Margerite Duras’s L’Amante Anglaise, by Claude Régy, a well succeeded genesis, carried out based on the interplay between dramaturgy and the stage. Without any satisfying answer, we are facing an important theoretical issue of genetic criticism applied to theatre: is the work a dramatic text or a spectacle? Depending on the stress on the first or on the second answer, the organizing axis of the genetic dossier can be the author’s writing and all stagings of L’Amante Anglaise, forming a theoretically unified set; or the director’s notes and all of his creations. This study explores a third possibility, stipulating the indispensable intersection between both hypotheses. |
id |
UFRGS-17_3a4434be9d71015ffbdc737ab39c3f31 |
---|---|
oai_identifier_str |
oai:seer.ufrgs.br:article/38117 |
network_acronym_str |
UFRGS-17 |
network_name_str |
Revista Brasileira de Estudos da Presença |
repository_id_str |
|
spelling |
Marguerite Duras/Claude Régy: L’Amante Anglaise, the genesis of a text, the gestation of a theatreMarguerite Duras/Claude Régy: L’Amante Anglaise, genèse d’une écriture, gésine d’un théâtreMarguerite Duras/Claude Régy: L’Amante Anglaise, gênese de uma escrita, gestação de um teatroGenèseTexteScèneProductionInachèvementGêneseTextoCenaProdução TeatralInacabamentoGenesisTextSceneTheatrical ProductionUnfinishednessThis article focuses on the genesis of the first staging of Margerite Duras’s L’Amante Anglaise, by Claude Régy, a well succeeded genesis, carried out based on the interplay between dramaturgy and the stage. Without any satisfying answer, we are facing an important theoretical issue of genetic criticism applied to theatre: is the work a dramatic text or a spectacle? Depending on the stress on the first or on the second answer, the organizing axis of the genetic dossier can be the author’s writing and all stagings of L’Amante Anglaise, forming a theoretically unified set; or the director’s notes and all of his creations. This study explores a third possibility, stipulating the indispensable intersection between both hypotheses.L’article prend pour objet la genèse de la première mise en scène de L’Amante Anglaise de Marguerite Duras due à Claude Régy, une genèse heureuse, du fait de l’influence réciproque entre l’écriture et la scène. Il affronte, sans la résoudre, une question théorique majeure de la critique génétique appliquée au théâtre: l’œuvre à étudier est-elle le texte dramatique, ou bien le spectacle? Selon que l’on privilégie la première réponse ou la seconde, l’axe organisateur du dossier génétique est le travail scriptural de l’auteur, toutes les mises en scène de L’Amante anglaise formant alors un ensemble théoriquement unifié, ou bien celui du metteur en scène, l’ensemble cohérent étant constitué par toutes les créations de ce dernier. L’étude explore une troisième voie en stipulant un nécessaire croisement des deux hypothèses.Este artigo tem como objetivo a gênese da primeira encenação de L’Amante Anglaise de Margarite Duras, por Claude Régy, uma feliz gênese, realizada a partir da influência recíproca entre a dramaturgia e a cena. Afronta-se, sem uma resposta exata, uma questão teórica importante para a crítica genética aplicada ao teatro: a obra estudada seria o texto dramático ou o espetáculo? Dependendo do acento na primeira ou na segunda resposta, o eixo organizador do dossiê genético pode ser o trabalho de escritura do autor e todas as encenações de L’Amante Anglaise, formando um conjunto teoricamente unificado; ou, os registros do diretor e o conjunto de suas criações. Este estudo explora uma terceira possibilidade, estipulando um necessário cruzamento entre as duas hipóteses.Universidade Federal do Rio Grande do Sul2022-10-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/38117Brazilian Journal on Presence Studies; Vol. 3 No. 2 (2013): maio/ago. 2013; 496-515Révue Brésilienne d'Études de la Présence; Vol. 3 No. 2 (2013): maio/ago. 2013; 496-515Révue Brésilienne d'Études de la Présence; Vol. 3 No 2 (2013): maio/ago. 2013; 496-515Revista Brasileira de Estudos da Presença; v. 3 n. 2 (2013): maio/ago. 2013; 496-5152237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/38117/50971Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessGrésillon, AlmuthMervant-Roux (Centre National de la Recherche Scientifique, CNRS – Paris, França), Marie-Madeleine2022-10-16T21:37:09Zoai:seer.ufrgs.br:article/38117Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-16T21:37:09Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
Marguerite Duras/Claude Régy: L’Amante Anglaise, the genesis of a text, the gestation of a theatre Marguerite Duras/Claude Régy: L’Amante Anglaise, genèse d’une écriture, gésine d’un théâtre Marguerite Duras/Claude Régy: L’Amante Anglaise, gênese de uma escrita, gestação de um teatro |
title |
Marguerite Duras/Claude Régy: L’Amante Anglaise, the genesis of a text, the gestation of a theatre |
spellingShingle |
Marguerite Duras/Claude Régy: L’Amante Anglaise, the genesis of a text, the gestation of a theatre Grésillon, Almuth Genèse Texte Scène Production Inachèvement Gênese Texto Cena Produção Teatral Inacabamento Genesis Text Scene Theatrical Production Unfinishedness |
title_short |
Marguerite Duras/Claude Régy: L’Amante Anglaise, the genesis of a text, the gestation of a theatre |
title_full |
Marguerite Duras/Claude Régy: L’Amante Anglaise, the genesis of a text, the gestation of a theatre |
title_fullStr |
Marguerite Duras/Claude Régy: L’Amante Anglaise, the genesis of a text, the gestation of a theatre |
title_full_unstemmed |
Marguerite Duras/Claude Régy: L’Amante Anglaise, the genesis of a text, the gestation of a theatre |
title_sort |
Marguerite Duras/Claude Régy: L’Amante Anglaise, the genesis of a text, the gestation of a theatre |
author |
Grésillon, Almuth |
author_facet |
Grésillon, Almuth Mervant-Roux (Centre National de la Recherche Scientifique, CNRS – Paris, França), Marie-Madeleine |
author_role |
author |
author2 |
Mervant-Roux (Centre National de la Recherche Scientifique, CNRS – Paris, França), Marie-Madeleine |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Grésillon, Almuth Mervant-Roux (Centre National de la Recherche Scientifique, CNRS – Paris, França), Marie-Madeleine |
dc.subject.por.fl_str_mv |
Genèse Texte Scène Production Inachèvement Gênese Texto Cena Produção Teatral Inacabamento Genesis Text Scene Theatrical Production Unfinishedness |
topic |
Genèse Texte Scène Production Inachèvement Gênese Texto Cena Produção Teatral Inacabamento Genesis Text Scene Theatrical Production Unfinishedness |
description |
This article focuses on the genesis of the first staging of Margerite Duras’s L’Amante Anglaise, by Claude Régy, a well succeeded genesis, carried out based on the interplay between dramaturgy and the stage. Without any satisfying answer, we are facing an important theoretical issue of genetic criticism applied to theatre: is the work a dramatic text or a spectacle? Depending on the stress on the first or on the second answer, the organizing axis of the genetic dossier can be the author’s writing and all stagings of L’Amante Anglaise, forming a theoretically unified set; or the director’s notes and all of his creations. This study explores a third possibility, stipulating the indispensable intersection between both hypotheses. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-10-16 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/38117 |
url |
https://seer.ufrgs.br/index.php/presenca/article/view/38117 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/38117/50971 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Revista Brasileira de Estudos da Presença info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Revista Brasileira de Estudos da Presença |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Brazilian Journal on Presence Studies; Vol. 3 No. 2 (2013): maio/ago. 2013; 496-515 Révue Brésilienne d'Études de la Présence; Vol. 3 No. 2 (2013): maio/ago. 2013; 496-515 Révue Brésilienne d'Études de la Présence; Vol. 3 No 2 (2013): maio/ago. 2013; 496-515 Revista Brasileira de Estudos da Presença; v. 3 n. 2 (2013): maio/ago. 2013; 496-515 2237-2660 reponame:Revista Brasileira de Estudos da Presença instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Revista Brasileira de Estudos da Presença |
collection |
Revista Brasileira de Estudos da Presença |
repository.name.fl_str_mv |
Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||rev.presenca@gmail.com |
_version_ |
1799766307165437952 |