Innovation and Meaning in the Performing Arts

Detalhes bibliográficos
Autor(a) principal: Tonezzi (Universidade Federal da Paraíba – João Pessoa/PB, Brasil), José
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: fra
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/45374
Resumo: Based on the historical process of the relation between art and technological implements, the concept and the possible understanding of the classical terms of presence and scenic area is discussed. Some Brazilian productions are cited to illustrate the evolution of the use of technical implements by the performing arts, and to set examples of its possible application and purposes. Several authors are brought in as a reference to the debate about the importance and the role of this practice in the production of the contemporary scene.
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spelling Innovation and Meaning in the Performing ArtsInnovation et Signification sur ScèneInnovation et Signification sur ScèneScenePerceptionPresenceSpaceScenic TechnologyScènePerceptionPrésenceEspaceTechnologie ScéniqueImplementos tecnológicos em cenaScènePerceptionPrésenceEspaceTechnologie ScéniqueBased on the historical process of the relation between art and technological implements, the concept and the possible understanding of the classical terms of presence and scenic area is discussed. Some Brazilian productions are cited to illustrate the evolution of the use of technical implements by the performing arts, and to set examples of its possible application and purposes. Several authors are brought in as a reference to the debate about the importance and the role of this practice in the production of the contemporary scene.À partir du processus historique des rapports entre l’art et les outils technologiques, cet article propose une réflexion etun point de vue sur les concepts classiques de présence et d’espace scénique. Quelques productions théâtrales résiliennes sont citées afin d’illustrer l’évolution de l’utilisation d’outils technologiques sur scène, ses applications et ses finalités. Plusieurs auteurs sont évoqués en tant que référence dans ce débat sur l’importance et le rôle de cette pratique dans la production de la scène contemporaine.À partir du processus historique des rapports entre l’art et les outils technologiques, cet article propose une réflexion etun point de vue sur les concepts classiques de présence et d’espace scénique. Quelques productions théâtrales résiliennes sont citées afin d’illustrer l’évolution de l’utilisation d’outils technologiques sur scène, ses applications et ses finalités. Plusieurs auteurs sont évoqués en tant que référence dans ce débat sur l’importance et le rôle de cette pratique dans la production de la scène contemporaine.Universidade Federal do Rio Grande do Sul2022-10-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/45374Brazilian Journal on Presence Studies; Vol. 4 No. 2 (2014): maio/ago. 2014; 333-350Révue Brésilienne d'Études de la Présence; Vol. 4 No. 2 (2014): maio/ago. 2014; 333-350Révue Brésilienne d'Études de la Présence; Vol. 4 No 2 (2014): maio/ago. 2014; 333-350Revista Brasileira de Estudos da Presença; v. 4 n. 2 (2014): maio/ago. 2014; 333-3502237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSfrahttps://seer.ufrgs.br/index.php/presenca/article/view/45374/50632Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessTonezzi (Universidade Federal da Paraíba – João Pessoa/PB, Brasil), José2022-10-16T20:42:36Zoai:seer.ufrgs.br:article/45374Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-16T20:42:36Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Innovation and Meaning in the Performing Arts
Innovation et Signification sur Scène
Innovation et Signification sur Scène
title Innovation and Meaning in the Performing Arts
spellingShingle Innovation and Meaning in the Performing Arts
Tonezzi (Universidade Federal da Paraíba – João Pessoa/PB, Brasil), José
Scene
Perception
Presence
Space
Scenic Technology
Scène
Perception
Présence
Espace
Technologie Scénique
Implementos tecnológicos em cena
Scène
Perception
Présence
Espace
Technologie Scénique
title_short Innovation and Meaning in the Performing Arts
title_full Innovation and Meaning in the Performing Arts
title_fullStr Innovation and Meaning in the Performing Arts
title_full_unstemmed Innovation and Meaning in the Performing Arts
title_sort Innovation and Meaning in the Performing Arts
author Tonezzi (Universidade Federal da Paraíba – João Pessoa/PB, Brasil), José
author_facet Tonezzi (Universidade Federal da Paraíba – João Pessoa/PB, Brasil), José
author_role author
dc.contributor.author.fl_str_mv Tonezzi (Universidade Federal da Paraíba – João Pessoa/PB, Brasil), José
dc.subject.por.fl_str_mv Scene
Perception
Presence
Space
Scenic Technology
Scène
Perception
Présence
Espace
Technologie Scénique
Implementos tecnológicos em cena
Scène
Perception
Présence
Espace
Technologie Scénique
topic Scene
Perception
Presence
Space
Scenic Technology
Scène
Perception
Présence
Espace
Technologie Scénique
Implementos tecnológicos em cena
Scène
Perception
Présence
Espace
Technologie Scénique
description Based on the historical process of the relation between art and technological implements, the concept and the possible understanding of the classical terms of presence and scenic area is discussed. Some Brazilian productions are cited to illustrate the evolution of the use of technical implements by the performing arts, and to set examples of its possible application and purposes. Several authors are brought in as a reference to the debate about the importance and the role of this practice in the production of the contemporary scene.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/45374
url https://seer.ufrgs.br/index.php/presenca/article/view/45374
dc.language.iso.fl_str_mv fra
language fra
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/45374/50632
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 4 No. 2 (2014): maio/ago. 2014; 333-350
Révue Brésilienne d'Études de la Présence; Vol. 4 No. 2 (2014): maio/ago. 2014; 333-350
Révue Brésilienne d'Études de la Présence; Vol. 4 No 2 (2014): maio/ago. 2014; 333-350
Revista Brasileira de Estudos da Presença; v. 4 n. 2 (2014): maio/ago. 2014; 333-350
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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