Diluted Presence in Rouge Mékong: a proposition for the intermedial scene

Detalhes bibliográficos
Autor(a) principal: Oliveira (Universidade Federal do Maranhão – UFMA, São Luís/MA, Brazil), Fernanda Areias
Data de Publicação: 2022
Outros Autores: Isaacsson, Marta, Biasuz (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre/RS, Brazil), Maria Cristina
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/75270
Resumo: In this paper it is described the presence mediated by imaging devices. It is focused on the contemporary intermedial scene, emerging as the highlighted study Rouge Mékong, an immersive spectacle developed by Collectif Lebovitz, a Canadian interdisciplinary collective of artists. This experience will guide us as a systematization of the presence effect concept, developed by Josette Féral, and investigated here as a constituent of the dramaturgy of this spectacle. It is also investigated the presentation of discussions focused on the presence of the actor mediated by virtual image technology and the expectations of perception on the audience raised by Auslander (2008), Féral (2012) and Lehmann (2007) when in relation to the intermedial scene.
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spelling Diluted Presence in Rouge Mékong: a proposition for the intermedial scenePrésence Diluée dans Rouge Mékong: une proposition pour la scène intermédialeDiluted Presence in Rouge Mékong: a proposition for the intermedial scenePresence EffectIntermedial ScenePerceptionImmersion and InterdisciplinarityPresence EffectIntermedial ScenePerceptionImmersion and InterdisciplinarityEffet de PrésenceScène IntermédialePerceptionImmersion et InterdisciplinaritéIn this paper it is described the presence mediated by imaging devices. It is focused on the contemporary intermedial scene, emerging as the highlighted study Rouge Mékong, an immersive spectacle developed by Collectif Lebovitz, a Canadian interdisciplinary collective of artists. This experience will guide us as a systematization of the presence effect concept, developed by Josette Féral, and investigated here as a constituent of the dramaturgy of this spectacle. It is also investigated the presentation of discussions focused on the presence of the actor mediated by virtual image technology and the expectations of perception on the audience raised by Auslander (2008), Féral (2012) and Lehmann (2007) when in relation to the intermedial scene.Nous avons l’intention de discuter dans cet article les dispositifs d’image et la présence médiée par eux. Notre accent est mis sur la scène contemporaine intermédiale, émergeant comme étude de premier plan le spectacle immersif Rouge Mékong développé par le collectif Canadien des artistes interdisciplinaires, Collectif Lebovitz. Cette expérience va nous guider comme une œuvre de systématisation du concept effet de présence développé par Josette Feral, étudié ici en tant que constituant de la dramaturgie de ce spectacle. On y étudie encore la présentation de discussions tournées vers la présence de l’acteur associé à la médiation par la technologie de l’image virtuelle et les attentes de perception de l’audience soulevées par Auslander (2008), Féral (2012) et Lehmann (2007) en ce qui concerne la scène intermédiale.In this paper it is described the presence mediated by imaging devices. It is focused on the contemporary intermedial scene, emerging as the highlighted study Rouge Mékong, an immersive spectacle developed by Collectif Lebovitz, a Canadian interdisciplinary collective of artists. This experience will guide us as a systematization of the presence effect concept, developed by Josette Féral, and investigated here as a constituent of the dramaturgy of this spectacle. It is also investigated the presentation of discussions focused on the presence of the actor mediated by virtual image technology and the expectations of perception on the audience raised by Auslander (2008), Féral (2012) and Lehmann (2007) when in relation to the intermedial scene.Universidade Federal do Rio Grande do Sul2022-10-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/75270Brazilian Journal on Presence Studies; Vol. 7 No. 3 (2017): Set./Dez. 2017; 601-625Révue Brésilienne d'Études de la Présence; Vol. 7 No. 3 (2017): Set./Dez. 2017; 601-625Révue Brésilienne d'Études de la Présence; Vol. 7 No 3 (2017): Set./Dez. 2017; 601-625Revista Brasileira de Estudos da Presença; v. 7 n. 3 (2017): Set./Dez. 2017; 601-6252237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/75270/50325Copyright (c) 2017 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessOliveira (Universidade Federal do Maranhão – UFMA, São Luís/MA, Brazil), Fernanda AreiasIsaacsson, MartaBiasuz (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre/RS, Brazil), Maria Cristina2022-10-04T18:48:18Zoai:seer.ufrgs.br:article/75270Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-04T18:48:18Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Diluted Presence in Rouge Mékong: a proposition for the intermedial scene
Présence Diluée dans Rouge Mékong: une proposition pour la scène intermédiale
Diluted Presence in Rouge Mékong: a proposition for the intermedial scene
title Diluted Presence in Rouge Mékong: a proposition for the intermedial scene
spellingShingle Diluted Presence in Rouge Mékong: a proposition for the intermedial scene
Oliveira (Universidade Federal do Maranhão – UFMA, São Luís/MA, Brazil), Fernanda Areias
Presence Effect
Intermedial Scene
Perception
Immersion and Interdisciplinarity
Presence Effect
Intermedial Scene
Perception
Immersion and Interdisciplinarity
Effet de Présence
Scène Intermédiale
Perception
Immersion et Interdisciplinarité
title_short Diluted Presence in Rouge Mékong: a proposition for the intermedial scene
title_full Diluted Presence in Rouge Mékong: a proposition for the intermedial scene
title_fullStr Diluted Presence in Rouge Mékong: a proposition for the intermedial scene
title_full_unstemmed Diluted Presence in Rouge Mékong: a proposition for the intermedial scene
title_sort Diluted Presence in Rouge Mékong: a proposition for the intermedial scene
author Oliveira (Universidade Federal do Maranhão – UFMA, São Luís/MA, Brazil), Fernanda Areias
author_facet Oliveira (Universidade Federal do Maranhão – UFMA, São Luís/MA, Brazil), Fernanda Areias
Isaacsson, Marta
Biasuz (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre/RS, Brazil), Maria Cristina
author_role author
author2 Isaacsson, Marta
Biasuz (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre/RS, Brazil), Maria Cristina
author2_role author
author
dc.contributor.author.fl_str_mv Oliveira (Universidade Federal do Maranhão – UFMA, São Luís/MA, Brazil), Fernanda Areias
Isaacsson, Marta
Biasuz (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre/RS, Brazil), Maria Cristina
dc.subject.por.fl_str_mv Presence Effect
Intermedial Scene
Perception
Immersion and Interdisciplinarity
Presence Effect
Intermedial Scene
Perception
Immersion and Interdisciplinarity
Effet de Présence
Scène Intermédiale
Perception
Immersion et Interdisciplinarité
topic Presence Effect
Intermedial Scene
Perception
Immersion and Interdisciplinarity
Presence Effect
Intermedial Scene
Perception
Immersion and Interdisciplinarity
Effet de Présence
Scène Intermédiale
Perception
Immersion et Interdisciplinarité
description In this paper it is described the presence mediated by imaging devices. It is focused on the contemporary intermedial scene, emerging as the highlighted study Rouge Mékong, an immersive spectacle developed by Collectif Lebovitz, a Canadian interdisciplinary collective of artists. This experience will guide us as a systematization of the presence effect concept, developed by Josette Féral, and investigated here as a constituent of the dramaturgy of this spectacle. It is also investigated the presentation of discussions focused on the presence of the actor mediated by virtual image technology and the expectations of perception on the audience raised by Auslander (2008), Féral (2012) and Lehmann (2007) when in relation to the intermedial scene.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-04
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/75270
url https://seer.ufrgs.br/index.php/presenca/article/view/75270
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/75270/50325
dc.rights.driver.fl_str_mv Copyright (c) 2017 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 7 No. 3 (2017): Set./Dez. 2017; 601-625
Révue Brésilienne d'Études de la Présence; Vol. 7 No. 3 (2017): Set./Dez. 2017; 601-625
Révue Brésilienne d'Études de la Présence; Vol. 7 No 3 (2017): Set./Dez. 2017; 601-625
Revista Brasileira de Estudos da Presença; v. 7 n. 3 (2017): Set./Dez. 2017; 601-625
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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