Protagonisms of Dissident Corporealities:: creative processes for the project Decolonizando Práticas Cênicas...
Autor(a) principal: | |
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Data de Publicação: | 2024 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Revista Brasileira de Estudos da Presença |
Texto Completo: | https://seer.ufrgs.br/index.php/presenca/article/view/138210 |
Resumo: | Protagonisms of Dissident Corporealities: creative processes for the project Decolonizando Práticas Cênicas... – This text presents fundamental principles of the decolonial perspective in possible intersections with the arts of the body. A brief critical reflection is made on the artistic-pedagogical activities that made up the cultural project Decolonizando Práticas Cênicas… (Decolonizing Scenic Practices…), held in 2021, which central objective was to praise dissident subjects and their effective elevation to the status of protagonists of authorial videoperformances. Some of these works are analyzed using concepts and practices that permeate the performing arts, the decolonial turn and gender and sexuality studies. |
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Protagonisms of Dissident Corporealities:: creative processes for the project Decolonizando Práticas Cênicas...Protagonisme des Corporites Dissidentes:: processus de création Du Project Décoloniser les Pratiques Scéniques...Protagonisms of Dissident Corporealities:: creative processes for the project Decolonizando Práticas Cênicas...Arts of the BodyColonialityGenderSexualityVideoperformanceArtes do CorpoColonialidadeGêneroSexualidadeVideoperformanceArts du CorpsColonialitéGenreSexualitéVidéo performanceProtagonisms of Dissident Corporealities: creative processes for the project Decolonizando Práticas Cênicas... – This text presents fundamental principles of the decolonial perspective in possible intersections with the arts of the body. A brief critical reflection is made on the artistic-pedagogical activities that made up the cultural project Decolonizando Práticas Cênicas… (Decolonizing Scenic Practices…), held in 2021, which central objective was to praise dissident subjects and their effective elevation to the status of protagonists of authorial videoperformances. Some of these works are analyzed using concepts and practices that permeate the performing arts, the decolonial turn and gender and sexuality studies. Protagonisme des Corporites Dissidentes: processus de création Du Project Décoloniser les Pratiques Scéniques...– Ce texte presente les príncipes fondament aux de la perspective décoloniale dans des intersections possibles avec les arts Du corps. Une brève réflexion critique est menée sur les activités artistico-pédagogiques qui ont constitué Le projet culturel Décoloniser les Pratiques Scéniques..., réalisé en 2021, dont l’objectif central était de faire l’éloge de sujets em dissidence et de leur élévation effective au statut de protagonistes de performances vidéo d'auteur. Certaines de ces œuvres sont analysées à l’aide de concepts et de pratiques qui imprègnent les arts de las cène, Le tournant décolonial et les études sur Le genre et la sexualité. Protagonisms of Dissident Corporealities: creative processes for the project Decolonizando Práticas Cênicas... – This text presents fundamental principles of the decolonial perspective in possible intersections with the arts of the body. A brief critical reflection is made on the artistic-pedagogical activities that made up the cultural project Decolonizando Práticas Cênicas… (Decolonizing Scenic Practices…), held in 2021, which central objective was to praise dissident subjects and their effective elevation to the status of protagonists of authorial videoperformances. Some of these works are analyzed using concepts and practices that permeate the performing arts, the decolonial turn and gender and sexuality studies. Universidade Federal do Rio Grande do Sul2024-04-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/138210Brazilian Journal on Presence Studies; Vol. 14 No. 2 (2024): Abr./Jun. 2024Révue Brésilienne d'Études de la Présence; Vol. 14 No. 2 (2024): Abr./Jun. 2024Révue Brésilienne d'Études de la Présence; Vol. 14 No 2 (2024): Abr./Jun. 2024Revista Brasileira de Estudos da Presença; v. 14 n. 2 (2024): Abr./Jun. 20242237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/138210/91791Copyright (c) 2024 Revista Brasileira de Estudos da Presençahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessColin, Daniel dos Santos2024-04-30T00:40:42Zoai:seer.ufrgs.br:article/138210Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2024-04-30T00:40:42Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
Protagonisms of Dissident Corporealities:: creative processes for the project Decolonizando Práticas Cênicas... Protagonisme des Corporites Dissidentes:: processus de création Du Project Décoloniser les Pratiques Scéniques... Protagonisms of Dissident Corporealities:: creative processes for the project Decolonizando Práticas Cênicas... |
title |
Protagonisms of Dissident Corporealities:: creative processes for the project Decolonizando Práticas Cênicas... |
spellingShingle |
Protagonisms of Dissident Corporealities:: creative processes for the project Decolonizando Práticas Cênicas... Colin, Daniel dos Santos Arts of the Body Coloniality Gender Sexuality Videoperformance Artes do Corpo Colonialidade Gênero Sexualidade Videoperformance Arts du Corps Colonialité Genre Sexualité Vidéo performance |
title_short |
Protagonisms of Dissident Corporealities:: creative processes for the project Decolonizando Práticas Cênicas... |
title_full |
Protagonisms of Dissident Corporealities:: creative processes for the project Decolonizando Práticas Cênicas... |
title_fullStr |
Protagonisms of Dissident Corporealities:: creative processes for the project Decolonizando Práticas Cênicas... |
title_full_unstemmed |
Protagonisms of Dissident Corporealities:: creative processes for the project Decolonizando Práticas Cênicas... |
title_sort |
Protagonisms of Dissident Corporealities:: creative processes for the project Decolonizando Práticas Cênicas... |
author |
Colin, Daniel dos Santos |
author_facet |
Colin, Daniel dos Santos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Colin, Daniel dos Santos |
dc.subject.por.fl_str_mv |
Arts of the Body Coloniality Gender Sexuality Videoperformance Artes do Corpo Colonialidade Gênero Sexualidade Videoperformance Arts du Corps Colonialité Genre Sexualité Vidéo performance |
topic |
Arts of the Body Coloniality Gender Sexuality Videoperformance Artes do Corpo Colonialidade Gênero Sexualidade Videoperformance Arts du Corps Colonialité Genre Sexualité Vidéo performance |
description |
Protagonisms of Dissident Corporealities: creative processes for the project Decolonizando Práticas Cênicas... – This text presents fundamental principles of the decolonial perspective in possible intersections with the arts of the body. A brief critical reflection is made on the artistic-pedagogical activities that made up the cultural project Decolonizando Práticas Cênicas… (Decolonizing Scenic Practices…), held in 2021, which central objective was to praise dissident subjects and their effective elevation to the status of protagonists of authorial videoperformances. Some of these works are analyzed using concepts and practices that permeate the performing arts, the decolonial turn and gender and sexuality studies. |
publishDate |
2024 |
dc.date.none.fl_str_mv |
2024-04-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/138210 |
url |
https://seer.ufrgs.br/index.php/presenca/article/view/138210 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/138210/91791 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2024 Revista Brasileira de Estudos da Presença https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2024 Revista Brasileira de Estudos da Presença https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Brazilian Journal on Presence Studies; Vol. 14 No. 2 (2024): Abr./Jun. 2024 Révue Brésilienne d'Études de la Présence; Vol. 14 No. 2 (2024): Abr./Jun. 2024 Révue Brésilienne d'Études de la Présence; Vol. 14 No 2 (2024): Abr./Jun. 2024 Revista Brasileira de Estudos da Presença; v. 14 n. 2 (2024): Abr./Jun. 2024 2237-2660 reponame:Revista Brasileira de Estudos da Presença instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Revista Brasileira de Estudos da Presença |
collection |
Revista Brasileira de Estudos da Presença |
repository.name.fl_str_mv |
Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||rev.presenca@gmail.com |
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1799766306690433024 |