From Oríkì to Elinga: Black-Brazilian principles of acting and staging: Black-Brazilian principles of acting and staging

Detalhes bibliográficos
Autor(a) principal: dos santos, Lau Pereira
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/126435
Resumo: The purpose of this article is to present reflections that seek to system Black- Brazilian principles of dramatic performance and staging. The studies presented aim to demonstrate the need for theoretical-practical thinking in the performing arts focused on an anti-colonial perspective, as opposed to a hegemonic Euro-referenced vision. Thus, the concept of dramaturgy is problematized as part of a colonial device to control subjectivities. The theoretical-practical studies and the underlying arguments of this text were systematized with a basis in counter-hegemonic scenic experiments investigated in workshops, courses, and classes in which creative processes were developed, which do not separate the languages of dance, theater and performance.
id UFRGS-17_5589b40fbe8645a6031ddb13f3d2bd4f
oai_identifier_str oai:seer.ufrgs.br:article/126435
network_acronym_str UFRGS-17
network_name_str Revista Brasileira de Estudos da Presença
repository_id_str
spelling From Oríkì to Elinga: Black-Brazilian principles of acting and staging: Black-Brazilian principles of acting and stagingFrom Oríkì to Elinga: : Black-Brazilian principles of acting and stagingCorporeities. Dramaturgy. Oríkì. Coloniality. Afro-Indigenous Cosmoperceptions.Corporéités. Dramaturgie. Oríkì. Colonialité. Cosmoperceptions Afro-Indigènes.CorporeitiesDramaturgyOríkìColonialityAfro-Indigenous CosmoperceptionsThe purpose of this article is to present reflections that seek to system Black- Brazilian principles of dramatic performance and staging. The studies presented aim to demonstrate the need for theoretical-practical thinking in the performing arts focused on an anti-colonial perspective, as opposed to a hegemonic Euro-referenced vision. Thus, the concept of dramaturgy is problematized as part of a colonial device to control subjectivities. The theoretical-practical studies and the underlying arguments of this text were systematized with a basis in counter-hegemonic scenic experiments investigated in workshops, courses, and classes in which creative processes were developed, which do not separate the languages of dance, theater and performance.L'objectif de cet article est de présenter des réflexions qui cherchent une systématisation des principes afro-brésiliens de représentation scénique et de la mise en scène. Les études présentées visent à démontrer la nécessité d'une réflexion théorique et pratique dans les arts de la scène orientée vers une perspective anticoloniale, par opposition à une vision hégémonique euro-référencée. Ainsi, le concept de dramaturgie est problématisé comme faisant partie d'un dispositif colonial de contrôle des subjectivités. Les études théoriques et pratiques et les arguments sous-jacents de ce texte ont été systématisés sur la base d'expériences scéniques contre-hégémoniques étudiées dans des ateliers, des cours et des classes dans lesquels des processus créatifs ont été développés, qui ne séparent pas les langages de la danse, du théâtre et de la performance.The purpose of this article is to present reflections that seek to system Black- Brazilian principles of dramatic performance and staging. The studies presented aim to demonstrate the need for theoretical-practical thinking in the performing arts focused on an anti-colonial perspective, as opposed to a hegemonic Euro-referenced vision. Thus, the concept of dramaturgy is problematized as part of a colonial device to control subjectivities. The theoretical-practical studies and the underlying arguments of this text were systematized with a basis in counter-hegemonic scenic experiments investigated in workshops, courses, and classes in which creative processes were developed, which do not separate the languages of dance, theater and performance.Universidade Federal do Rio Grande do Sul2022-10-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/126435Brazilian Journal on Presence Studies; Vol. 12 No. 4 (2022): Out./Dez. 2022; 1-24Révue Brésilienne d'Études de la Présence; Vol. 12 No. 4 (2022): Out./Dez. 2022; 1-24Révue Brésilienne d'Études de la Présence; Vol. 12 No 4 (2022): Out./Dez. 2022; 1-24Revista Brasileira de Estudos da Presença; v. 12 n. 4 (2022): Out./Dez. 2022; 1-242237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/126435/86776Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessdos santos, Lau Pereira2022-10-27T17:24:19Zoai:seer.ufrgs.br:article/126435Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-27T17:24:19Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv From Oríkì to Elinga: Black-Brazilian principles of acting and staging: Black-Brazilian principles of acting and staging
From Oríkì to Elinga: : Black-Brazilian principles of acting and staging
title From Oríkì to Elinga: Black-Brazilian principles of acting and staging: Black-Brazilian principles of acting and staging
spellingShingle From Oríkì to Elinga: Black-Brazilian principles of acting and staging: Black-Brazilian principles of acting and staging
dos santos, Lau Pereira
Corporeities. Dramaturgy. Oríkì. Coloniality. Afro-Indigenous Cosmoperceptions.
Corporéités. Dramaturgie. Oríkì. Colonialité. Cosmoperceptions Afro-Indigènes.
Corporeities
Dramaturgy
Oríkì
Coloniality
Afro-Indigenous Cosmoperceptions
title_short From Oríkì to Elinga: Black-Brazilian principles of acting and staging: Black-Brazilian principles of acting and staging
title_full From Oríkì to Elinga: Black-Brazilian principles of acting and staging: Black-Brazilian principles of acting and staging
title_fullStr From Oríkì to Elinga: Black-Brazilian principles of acting and staging: Black-Brazilian principles of acting and staging
title_full_unstemmed From Oríkì to Elinga: Black-Brazilian principles of acting and staging: Black-Brazilian principles of acting and staging
title_sort From Oríkì to Elinga: Black-Brazilian principles of acting and staging: Black-Brazilian principles of acting and staging
author dos santos, Lau Pereira
author_facet dos santos, Lau Pereira
author_role author
dc.contributor.author.fl_str_mv dos santos, Lau Pereira
dc.subject.por.fl_str_mv Corporeities. Dramaturgy. Oríkì. Coloniality. Afro-Indigenous Cosmoperceptions.
Corporéités. Dramaturgie. Oríkì. Colonialité. Cosmoperceptions Afro-Indigènes.
Corporeities
Dramaturgy
Oríkì
Coloniality
Afro-Indigenous Cosmoperceptions
topic Corporeities. Dramaturgy. Oríkì. Coloniality. Afro-Indigenous Cosmoperceptions.
Corporéités. Dramaturgie. Oríkì. Colonialité. Cosmoperceptions Afro-Indigènes.
Corporeities
Dramaturgy
Oríkì
Coloniality
Afro-Indigenous Cosmoperceptions
description The purpose of this article is to present reflections that seek to system Black- Brazilian principles of dramatic performance and staging. The studies presented aim to demonstrate the need for theoretical-practical thinking in the performing arts focused on an anti-colonial perspective, as opposed to a hegemonic Euro-referenced vision. Thus, the concept of dramaturgy is problematized as part of a colonial device to control subjectivities. The theoretical-practical studies and the underlying arguments of this text were systematized with a basis in counter-hegemonic scenic experiments investigated in workshops, courses, and classes in which creative processes were developed, which do not separate the languages of dance, theater and performance.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/126435
url https://seer.ufrgs.br/index.php/presenca/article/view/126435
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/126435/86776
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 12 No. 4 (2022): Out./Dez. 2022; 1-24
Révue Brésilienne d'Études de la Présence; Vol. 12 No. 4 (2022): Out./Dez. 2022; 1-24
Révue Brésilienne d'Études de la Présence; Vol. 12 No 4 (2022): Out./Dez. 2022; 1-24
Revista Brasileira de Estudos da Presença; v. 12 n. 4 (2022): Out./Dez. 2022; 1-24
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
_version_ 1799766310647758848

Registros relacionados