The Foreign Actor or the Other in Theatre

Detalhes bibliográficos
Autor(a) principal: Banu, Georges
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/21396
Resumo: This article proposes a reflection on a phenomenon that, after 1968, has gradually contaminated the European scene: the foreign actor. A symptom of social mutations – porosity of borders, greater linguistic freedom –, the actor from far away disrupted the ethnocentrism which up until then characterized theatre. From this observation, we examine the emergence of multi-ethnic groups, multilingualism on stage and how directors make use of it. Then we deal with the question of foreign accents, their effects on the host language and how the public regards it. This is analysed also taking into consideration the relation with the foreign body, frequently used as a disturbing element, by bringing to the scene a new corporality, a different presence and engagement. Finally, we discuss the backgrounds of two actors from afar: Sotigui Kouyate and Yoshi Oida.
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spelling The Foreign Actor or the Other in TheatreL’Acteur Étranger ou l’Ailleurs au ThéâtreO Ator Estrangeiro ou o Outro no TeatroAtor EstrangeiroLínguaSotaqueDicçãoAtuaçãoForeign ActorLanguageAccentDictionActingActeur ÉtrangerLangueAccentDictionJeu.This article proposes a reflection on a phenomenon that, after 1968, has gradually contaminated the European scene: the foreign actor. A symptom of social mutations – porosity of borders, greater linguistic freedom –, the actor from far away disrupted the ethnocentrism which up until then characterized theatre. From this observation, we examine the emergence of multi-ethnic groups, multilingualism on stage and how directors make use of it. Then we deal with the question of foreign accents, their effects on the host language and how the public regards it. This is analysed also taking into consideration the relation with the foreign body, frequently used as a disturbing element, by bringing to the scene a new corporality, a different presence and engagement. Finally, we discuss the backgrounds of two actors from afar: Sotigui Kouyate and Yoshi Oida.Cet article propose une réflexion sur un phénomène qui, depuis les années 1968, contamine progressivement la scène européenne: celui de l’acteur étranger. Symptôme des mutations sociales – perméabilité des frontières, plus grande liberté linguistique – l’acteur venu d’ailleurs finit par briser l’ethnocentrisme qui caractérisait jusqu’alors le théâtre. Partant de ce constat, l’auteur s’interroge notamment sur la formation des troupes pluriethniques, sur le plurilinguisme au théâtre et les usages qu’en font les metteurs en scène. Il se penche par ailleurs sur la question de l’accent étranger, de ses effets sur la langue d’accueil et sur la réception qu’en fait le public. Son analyse prend également en compte le rapport au corps  étranger, souvent utilisé comme agent perturbateur afin d’apporter à la scène une nouvelle corporalité, une présence etun engagement différents. Enfin, l’auteur s’attarde plusparticulièrement sur le parcours de deux acteurs venus d’ailleurs : Sotigui Kouyate et Yoshi Oida.Este artigo propõe uma reflexão sobre um fenômeno que, depois dos anos 1968, contamina progressivamente a cena europeia: o ator estrangeiro. Sintoma das mutações sociais – permeabilidade das fronteiras, maior liberdade linguística –, o ator vindo de longe acaba rompendo com o etnocentrismo que até então caracterizava o teatro. A partir dessa constatação, examina-se notadamente a formação dos grupos pluriétnicos, o plurilinguismo em cena e o uso que os encenadores fazem dele. Trata-se em seguida da questão do sotaque estrangeiro, dos efeitos produzidos na língua de acolhimento e da maneira como o público o percebe. Analisa-se isso levando em conta também a relação com o corpo estrangeiro, frequentemente utilizado como um elemento perturbador, ao trazer à cena uma nova corporeidade, uma presença e um engajamento diferentes. Por fim, aborda-se particularmente o percurso de dois atores vindos de longe: Sotigui Kouyate e Yoshi Oida.Universidade Federal do Rio Grande do Sul2022-10-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/21396Brazilian Journal on Presence Studies; Vol. 1 No. 2 (2011): jul./dez. 2011; 357-372Révue Brésilienne d'Études de la Présence; Vol. 1 No. 2 (2011): jul./dez. 2011; 357-372Révue Brésilienne d'Études de la Présence; Vol. 1 No 2 (2011): jul./dez. 2011; 357-372Revista Brasileira de Estudos da Presença; v. 1 n. 2 (2011): jul./dez. 2011; 357-3722237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/21396/50182Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessBanu, Georges2022-10-19T12:57:38Zoai:seer.ufrgs.br:article/21396Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-19T12:57:38Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv The Foreign Actor or the Other in Theatre
L’Acteur Étranger ou l’Ailleurs au Théâtre
O Ator Estrangeiro ou o Outro no Teatro
title The Foreign Actor or the Other in Theatre
spellingShingle The Foreign Actor or the Other in Theatre
Banu, Georges
Ator Estrangeiro
Língua
Sotaque
Dicção
Atuação
Foreign Actor
Language
Accent
Diction
Acting
Acteur Étranger
Langue
Accent
Diction
Jeu.
title_short The Foreign Actor or the Other in Theatre
title_full The Foreign Actor or the Other in Theatre
title_fullStr The Foreign Actor or the Other in Theatre
title_full_unstemmed The Foreign Actor or the Other in Theatre
title_sort The Foreign Actor or the Other in Theatre
author Banu, Georges
author_facet Banu, Georges
author_role author
dc.contributor.author.fl_str_mv Banu, Georges
dc.subject.por.fl_str_mv Ator Estrangeiro
Língua
Sotaque
Dicção
Atuação
Foreign Actor
Language
Accent
Diction
Acting
Acteur Étranger
Langue
Accent
Diction
Jeu.
topic Ator Estrangeiro
Língua
Sotaque
Dicção
Atuação
Foreign Actor
Language
Accent
Diction
Acting
Acteur Étranger
Langue
Accent
Diction
Jeu.
description This article proposes a reflection on a phenomenon that, after 1968, has gradually contaminated the European scene: the foreign actor. A symptom of social mutations – porosity of borders, greater linguistic freedom –, the actor from far away disrupted the ethnocentrism which up until then characterized theatre. From this observation, we examine the emergence of multi-ethnic groups, multilingualism on stage and how directors make use of it. Then we deal with the question of foreign accents, their effects on the host language and how the public regards it. This is analysed also taking into consideration the relation with the foreign body, frequently used as a disturbing element, by bringing to the scene a new corporality, a different presence and engagement. Finally, we discuss the backgrounds of two actors from afar: Sotigui Kouyate and Yoshi Oida.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/21396
url https://seer.ufrgs.br/index.php/presenca/article/view/21396
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/21396/50182
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 1 No. 2 (2011): jul./dez. 2011; 357-372
Révue Brésilienne d'Études de la Présence; Vol. 1 No. 2 (2011): jul./dez. 2011; 357-372
Révue Brésilienne d'Études de la Présence; Vol. 1 No 2 (2011): jul./dez. 2011; 357-372
Revista Brasileira de Estudos da Presença; v. 1 n. 2 (2011): jul./dez. 2011; 357-372
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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