Vocal Resonances and Sound Memory in Helen Brown
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Revista Brasileira de Estudos da Presença |
Texto Completo: | https://seer.ufrgs.br/index.php/presenca/article/view/64273 |
Resumo: | The paper focuses on aspects related to the intensification of the uses of the voice and the musical sonority proposed by Trinidad Piriz and Daniel Marabolí on Helen Brown (2013). Rendering an account of a theoretical framework that questions the referential dimension in which theatre is often analyzed and proposing a phenomenological approach that accounts for the performative materiality encouraged to strengthen the resonance of the voice and the audibility of the sound, the essay analyzes two scenes or tracks in which the body undertakes the memory of the viewers involved in the scenic performance. |
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Vocal Resonances and Sound Memory in Helen BrownVocal Resonances and Sound Memory in Helen BrownRésonances Vocales et Mémoire Sonore chez Helen BrownResonancias Vocales y Memoria Sonora en Helen BrownVoicesMemorySoundHelen BrownPerformance AnalysisVocesMemoriaSonoridadHelen BrownAnálisis EscénicoVoicesMemorySoundHelen BrownPerformance AnalysisVoixMémoireSonoritéHelen BrownAnalyse ScéniqueThe paper focuses on aspects related to the intensification of the uses of the voice and the musical sonority proposed by Trinidad Piriz and Daniel Marabolí on Helen Brown (2013). Rendering an account of a theoretical framework that questions the referential dimension in which theatre is often analyzed and proposing a phenomenological approach that accounts for the performative materiality encouraged to strengthen the resonance of the voice and the audibility of the sound, the essay analyzes two scenes or tracks in which the body undertakes the memory of the viewers involved in the scenic performance. The paper focuses on aspects related to the intensification of the uses of the voice and the musical sonority proposed by Trinidad Piriz and Daniel Marabolí on Helen Brown (2013). Rendering an account of a theoretical framework that questions the referential dimension in which theatre is often analyzed and proposing a phenomenological approach that accounts for the performative materiality encouraged to strengthen the resonance of the voice and the audibility of the sound, the essay analyzes two scenes or tracks in which the body undertakes the memory of the viewers involved in the scenic performance. Le document met l’accent sur les aspects liés à l’intensification des usages de la voix et la sonorité musicale proposées par Trinidad Piriz et Daniel Marabolí sur Helen Brown (2013). Rendant compte d’un cadre théorique qui s´interroge sur la dimension référentielle au sein de laquelle le théâtre est souvent analysée et eu proposant une approche phénoménologique qui tient compte de la matérialité performative qui encouragé à renforcer la résonance de la voix et l’audibilité du son, l’essai analyse deux scènes ou pistes dans lequel la mémoire fait corps engage d´une maniére particuliére aux espectateurs impliqués dans la performance scénique. El artículo se concentra en indagar aspectos referidos a la intensificación de los usos de la voz y la sonorización musical que proponen Trinidad Piriz y Daniel Marabolí en Helen Brown (2013). Dando cuenta de un marco teórico que cuestiona la dimensión referencial con la que se analiza frecuentemente al teatro y proponiendo una aproximación fenomenológica que dé cuenta de la materialidad performativa que insta a intensificar las resonancias de la voz y la capacidad audible del sonido, el escrito analiza dos escenas o tracks en los que la memoria hecha cuerpo compromete de un modo particular a los espectadores que participan de la performance escénica. Universidade Federal do Rio Grande do Sul2022-10-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/64273Brazilian Journal on Presence Studies; Vol. 6 No. 3 (2016): set./dez. 2016; 481-501Révue Brésilienne d'Études de la Présence; Vol. 6 No. 3 (2016): set./dez. 2016; 481-501Révue Brésilienne d'Études de la Présence; Vol. 6 No 3 (2016): set./dez. 2016; 481-501Revista Brasileira de Estudos da Presença; v. 6 n. 3 (2016): set./dez. 2016; 481-5012237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSspahttps://seer.ufrgs.br/index.php/presenca/article/view/64273/50440Copyright (c) 2016 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessSölter (Pontificia Universidad Católica de Chile – Santiago, Chile), Andrés Grumann2022-10-12T19:15:31Zoai:seer.ufrgs.br:article/64273Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-12T19:15:31Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
Vocal Resonances and Sound Memory in Helen Brown Vocal Resonances and Sound Memory in Helen Brown Résonances Vocales et Mémoire Sonore chez Helen Brown Resonancias Vocales y Memoria Sonora en Helen Brown |
title |
Vocal Resonances and Sound Memory in Helen Brown |
spellingShingle |
Vocal Resonances and Sound Memory in Helen Brown Sölter (Pontificia Universidad Católica de Chile – Santiago, Chile), Andrés Grumann Voices Memory Sound Helen Brown Performance Analysis Voces Memoria Sonoridad Helen Brown Análisis Escénico Voices Memory Sound Helen Brown Performance Analysis Voix Mémoire Sonorité Helen Brown Analyse Scénique |
title_short |
Vocal Resonances and Sound Memory in Helen Brown |
title_full |
Vocal Resonances and Sound Memory in Helen Brown |
title_fullStr |
Vocal Resonances and Sound Memory in Helen Brown |
title_full_unstemmed |
Vocal Resonances and Sound Memory in Helen Brown |
title_sort |
Vocal Resonances and Sound Memory in Helen Brown |
author |
Sölter (Pontificia Universidad Católica de Chile – Santiago, Chile), Andrés Grumann |
author_facet |
Sölter (Pontificia Universidad Católica de Chile – Santiago, Chile), Andrés Grumann |
author_role |
author |
dc.contributor.author.fl_str_mv |
Sölter (Pontificia Universidad Católica de Chile – Santiago, Chile), Andrés Grumann |
dc.subject.por.fl_str_mv |
Voices Memory Sound Helen Brown Performance Analysis Voces Memoria Sonoridad Helen Brown Análisis Escénico Voices Memory Sound Helen Brown Performance Analysis Voix Mémoire Sonorité Helen Brown Analyse Scénique |
topic |
Voices Memory Sound Helen Brown Performance Analysis Voces Memoria Sonoridad Helen Brown Análisis Escénico Voices Memory Sound Helen Brown Performance Analysis Voix Mémoire Sonorité Helen Brown Analyse Scénique |
description |
The paper focuses on aspects related to the intensification of the uses of the voice and the musical sonority proposed by Trinidad Piriz and Daniel Marabolí on Helen Brown (2013). Rendering an account of a theoretical framework that questions the referential dimension in which theatre is often analyzed and proposing a phenomenological approach that accounts for the performative materiality encouraged to strengthen the resonance of the voice and the audibility of the sound, the essay analyzes two scenes or tracks in which the body undertakes the memory of the viewers involved in the scenic performance. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-10-12 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/64273 |
url |
https://seer.ufrgs.br/index.php/presenca/article/view/64273 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/64273/50440 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2016 Revista Brasileira de Estudos da Presença info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2016 Revista Brasileira de Estudos da Presença |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Brazilian Journal on Presence Studies; Vol. 6 No. 3 (2016): set./dez. 2016; 481-501 Révue Brésilienne d'Études de la Présence; Vol. 6 No. 3 (2016): set./dez. 2016; 481-501 Révue Brésilienne d'Études de la Présence; Vol. 6 No 3 (2016): set./dez. 2016; 481-501 Revista Brasileira de Estudos da Presença; v. 6 n. 3 (2016): set./dez. 2016; 481-501 2237-2660 reponame:Revista Brasileira de Estudos da Presença instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Revista Brasileira de Estudos da Presença |
collection |
Revista Brasileira de Estudos da Presença |
repository.name.fl_str_mv |
Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||rev.presenca@gmail.com |
_version_ |
1799766308158439424 |