The Influence of François Delsarte’s Ideas on the Modernity of Dance

Detalhes bibliográficos
Autor(a) principal: Grebler, Maria Albertina Silva
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/30306
Resumo: This study discusses the influence François Delsarte’s ideas had on the pioneers of modern dance. Having rejected books on gestural rhetoric of his own time to conduct a rigorous study on human behavior in strong emotional situations, Delsarte established principles and systematized exercises that provided the pioneers of modern dance an alternative method of interpretation and creation, more centered on the subject and on their relationship with the environment, than on the imitation of traditional gestures. Delsarte’s system allowed modern creators to consider the took as a raw material for a research that was no longer defined by traditional techniques, but by the pursuit of a subjective form of corporeality.
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spelling The Influence of François Delsarte’s Ideas on the Modernity of DanceL’Influence de la Pensée de François Delsarte sur la Modernité de la DanseA influência do pensamento de François Delsarte sobre a modernidade da dança.Théorie de la DanseHistoire de la DanseArts du SpectacleCréation ChorégraphiquePédagogie de la DansePerforming ArtsDance TheoryDance HistoryChoreographyDance PedagogyArtes CênicasPerformanceTeatroDançaHistóriaThis study discusses the influence François Delsarte’s ideas had on the pioneers of modern dance. Having rejected books on gestural rhetoric of his own time to conduct a rigorous study on human behavior in strong emotional situations, Delsarte established principles and systematized exercises that provided the pioneers of modern dance an alternative method of interpretation and creation, more centered on the subject and on their relationship with the environment, than on the imitation of traditional gestures. Delsarte’s system allowed modern creators to consider the took as a raw material for a research that was no longer defined by traditional techniques, but by the pursuit of a subjective form of corporeality.L’étude porte sur l’influence que la pensée de François Delsarte a exercé sur les pionniers de la danse moderne. Après avoir rejeté les manuels de la rhétorique de son temps pour effectuer une étude rigoureuse du comportement humain dans des situations de seuil émotionnel, Delsarte a établi des principes et systématisé des exercices ayant fourni aux pionniers de la danse moderne une autre méthode d’interprétation et de création, davantage centrée sur le sujet et sur sa relation avec l’environnement, que sur la copie d’un geste approuvé par la tradition artistique. Partant des principes de Delsarte, les créateurs modernes ont pris le corps comme matière première pour une recherche qui ne se dfinit plus par le vocabulaire traditionnel, mais plutôt par la quête d’une matérialité subjective. Estudo que se refere à influência que o pensamento de François Delsarte exerceu sobre os pioneiros da modernidade da dança. Tendo rejeitado os manuais da retórica gestual de sua época para realizar um estudo rigoroso do comportamento humano em situações de limite emocional, Delsarte estabeleceu princípios e sistematizou exercícios que permitiram aos pioneiros da dança moderna um método alternativo de interpretação e criação, mais centrado no sujeito e em sua relação com o ambiente, do que na cópia de um gesto autorizado pela tradição artística. De posse dos princípios de Delsarte os criadores modernos tomaram o corpo como matéria-prima de uma pesquisa que não mais se definia pelo vocabulário tradicional, mas sim pela busca de uma corporeidade subjetiva. Universidade Federal do Rio Grande do Sul2022-10-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/30306Brazilian Journal on Presence Studies; Vol. 2 No. 2 (2012): jul./dez. 2012; 413-427Révue Brésilienne d'Études de la Présence; Vol. 2 No. 2 (2012): jul./dez. 2012; 413-427Révue Brésilienne d'Études de la Présence; Vol. 2 No 2 (2012): jul./dez. 2012; 413-427Revista Brasileira de Estudos da Presença; v. 2 n. 2 (2012): jul./dez. 2012; 413-4272237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/30306/50137Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessGrebler, Maria Albertina Silva2022-10-18T21:33:06Zoai:seer.ufrgs.br:article/30306Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-18T21:33:06Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv The Influence of François Delsarte’s Ideas on the Modernity of Dance
L’Influence de la Pensée de François Delsarte sur la Modernité de la Danse
A influência do pensamento de François Delsarte sobre a modernidade da dança.
title The Influence of François Delsarte’s Ideas on the Modernity of Dance
spellingShingle The Influence of François Delsarte’s Ideas on the Modernity of Dance
Grebler, Maria Albertina Silva
Théorie de la Danse
Histoire de la Danse
Arts du Spectacle
Création Chorégraphique
Pédagogie de la Danse
Performing Arts
Dance Theory
Dance History
Choreography
Dance Pedagogy
Artes Cênicas
Performance
Teatro
Dança
História
title_short The Influence of François Delsarte’s Ideas on the Modernity of Dance
title_full The Influence of François Delsarte’s Ideas on the Modernity of Dance
title_fullStr The Influence of François Delsarte’s Ideas on the Modernity of Dance
title_full_unstemmed The Influence of François Delsarte’s Ideas on the Modernity of Dance
title_sort The Influence of François Delsarte’s Ideas on the Modernity of Dance
author Grebler, Maria Albertina Silva
author_facet Grebler, Maria Albertina Silva
author_role author
dc.contributor.author.fl_str_mv Grebler, Maria Albertina Silva
dc.subject.por.fl_str_mv Théorie de la Danse
Histoire de la Danse
Arts du Spectacle
Création Chorégraphique
Pédagogie de la Danse
Performing Arts
Dance Theory
Dance History
Choreography
Dance Pedagogy
Artes Cênicas
Performance
Teatro
Dança
História
topic Théorie de la Danse
Histoire de la Danse
Arts du Spectacle
Création Chorégraphique
Pédagogie de la Danse
Performing Arts
Dance Theory
Dance History
Choreography
Dance Pedagogy
Artes Cênicas
Performance
Teatro
Dança
História
description This study discusses the influence François Delsarte’s ideas had on the pioneers of modern dance. Having rejected books on gestural rhetoric of his own time to conduct a rigorous study on human behavior in strong emotional situations, Delsarte established principles and systematized exercises that provided the pioneers of modern dance an alternative method of interpretation and creation, more centered on the subject and on their relationship with the environment, than on the imitation of traditional gestures. Delsarte’s system allowed modern creators to consider the took as a raw material for a research that was no longer defined by traditional techniques, but by the pursuit of a subjective form of corporeality.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-18
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/30306
url https://seer.ufrgs.br/index.php/presenca/article/view/30306
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/30306/50137
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 2 No. 2 (2012): jul./dez. 2012; 413-427
Révue Brésilienne d'Études de la Présence; Vol. 2 No. 2 (2012): jul./dez. 2012; 413-427
Révue Brésilienne d'Études de la Présence; Vol. 2 No 2 (2012): jul./dez. 2012; 413-427
Revista Brasileira de Estudos da Presença; v. 2 n. 2 (2012): jul./dez. 2012; 413-427
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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