Dynamism and creativity of an immaterial heritage: the oral transmission in Bharata-Natyam Dance Theater (Mysore, India)
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | fra |
Título da fonte: | Revista Brasileira de Estudos da Presença |
Texto Completo: | https://seer.ufrgs.br/index.php/presenca/article/view/51925 |
Resumo: | Researchers interested in the heritage of dance-theater in India face a major obstacle: oral transmission, as written and audiovisual archives are extremely rare. They need professional training to access research materials and to interpret it. The case study of the Mysore Bharata-Natyam style involves this kind of participatory observations by the researcher-artist and demonstrates how the vitality of thisheritage depends on the creativity of each local and individual transmission – related to its social, aesthetic, religious and political context – therefore, not on works considered complete and recognized by a national or international public. |
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Dynamism and creativity of an immaterial heritage: the oral transmission in Bharata-Natyam Dance Theater (Mysore, India)Dynamiques Créatives d’un Patrimoine Immatériel: la transmission orale du théâtre dansé Bharata-Nâtyam à Mysore (Inde)Dynamiques Créatives d’un Patrimoine Immatériel: la transmission orale du théâtre dansé Bharata-Nâtyam à Mysore (Inde)TransculturalityImmaterial HeritageTheater and DanceIndia TheaterBharata-NâtyamTransculturalitéPatrimoine ImmatérielThéâtre et DanseThéâtre de l’IndeBharata-NâtyamartsTransculturalitéPatrimoine ImmatérielThéâtre et DanseThéâtre de l’IndeBharata-NâtyamResearchers interested in the heritage of dance-theater in India face a major obstacle: oral transmission, as written and audiovisual archives are extremely rare. They need professional training to access research materials and to interpret it. The case study of the Mysore Bharata-Natyam style involves this kind of participatory observations by the researcher-artist and demonstrates how the vitality of thisheritage depends on the creativity of each local and individual transmission – related to its social, aesthetic, religious and political context – therefore, not on works considered complete and recognized by a national or international public.Les chercheurs qui s’intéressent aux patrimoines des théâtres dansés en Inde rencontrent un obstacle majeur, celui de leur oralité, car les archives écrites et audiovisuelles sont rarissimes. Ils doivent suivre une formation professionnelle pour avoir accès aux matériaux de recherche et pouvoir les interpréter. L’étude de cas du style Bharata-Nâtyam de Mysore, implique cette observation participantedu chercheur-artiste et démontre que la vitalité de cet héritage tient à la créativité de chaque transmission locale et individuelle – selon son contexte social, esthétique, religieux et politique – et non aux oeuvres dites achevées et reconnues par un public national ou international.Les chercheurs qui s’intéressent aux patrimoines des théâtres dansés en Inde rencontrent un obstacle majeur, celui de leur oralité, car les archives écrites et audiovisuelles sont rarissimes. Ils doivent suivre une formation professionnelle pour avoir accès aux matériaux de recherche et pouvoir les interpréter. L’étude de cas du style Bharata-Nâtyam de Mysore, implique cette observation participantedu chercheur-artiste et démontre que la vitalité de cet héritage tient à la créativité de chaque transmission locale et individuelle – selon son contexte social, esthétique, religieux et politique – et non aux oeuvres dites achevées et reconnues par un public national ou international.Universidade Federal do Rio Grande do Sul2022-10-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/51925Brazilian Journal on Presence Studies; Vol. 5 No. 3 (2015): set./dez. 2015; 466-489Révue Brésilienne d'Études de la Présence; Vol. 5 No. 3 (2015): set./dez. 2015; 466-489Révue Brésilienne d'Études de la Présence; Vol. 5 No 3 (2015): set./dez. 2015; 466-489Revista Brasileira de Estudos da Presença; v. 5 n. 3 (2015): set./dez. 2015; 466-4892237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSfrahttps://seer.ufrgs.br/index.php/presenca/article/view/51925/50505Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessLégeret (Université Paris 8 – Paris, France), Katia2022-10-13T18:25:12Zoai:seer.ufrgs.br:article/51925Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-13T18:25:12Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
Dynamism and creativity of an immaterial heritage: the oral transmission in Bharata-Natyam Dance Theater (Mysore, India) Dynamiques Créatives d’un Patrimoine Immatériel: la transmission orale du théâtre dansé Bharata-Nâtyam à Mysore (Inde) Dynamiques Créatives d’un Patrimoine Immatériel: la transmission orale du théâtre dansé Bharata-Nâtyam à Mysore (Inde) |
title |
Dynamism and creativity of an immaterial heritage: the oral transmission in Bharata-Natyam Dance Theater (Mysore, India) |
spellingShingle |
Dynamism and creativity of an immaterial heritage: the oral transmission in Bharata-Natyam Dance Theater (Mysore, India) Légeret (Université Paris 8 – Paris, France), Katia Transculturality Immaterial Heritage Theater and Dance India Theater Bharata-Nâtyam Transculturalité Patrimoine Immatériel Théâtre et Danse Théâtre de l’Inde Bharata-Nâtyam arts Transculturalité Patrimoine Immatériel Théâtre et Danse Théâtre de l’Inde Bharata-Nâtyam |
title_short |
Dynamism and creativity of an immaterial heritage: the oral transmission in Bharata-Natyam Dance Theater (Mysore, India) |
title_full |
Dynamism and creativity of an immaterial heritage: the oral transmission in Bharata-Natyam Dance Theater (Mysore, India) |
title_fullStr |
Dynamism and creativity of an immaterial heritage: the oral transmission in Bharata-Natyam Dance Theater (Mysore, India) |
title_full_unstemmed |
Dynamism and creativity of an immaterial heritage: the oral transmission in Bharata-Natyam Dance Theater (Mysore, India) |
title_sort |
Dynamism and creativity of an immaterial heritage: the oral transmission in Bharata-Natyam Dance Theater (Mysore, India) |
author |
Légeret (Université Paris 8 – Paris, France), Katia |
author_facet |
Légeret (Université Paris 8 – Paris, France), Katia |
author_role |
author |
dc.contributor.author.fl_str_mv |
Légeret (Université Paris 8 – Paris, France), Katia |
dc.subject.por.fl_str_mv |
Transculturality Immaterial Heritage Theater and Dance India Theater Bharata-Nâtyam Transculturalité Patrimoine Immatériel Théâtre et Danse Théâtre de l’Inde Bharata-Nâtyam arts Transculturalité Patrimoine Immatériel Théâtre et Danse Théâtre de l’Inde Bharata-Nâtyam |
topic |
Transculturality Immaterial Heritage Theater and Dance India Theater Bharata-Nâtyam Transculturalité Patrimoine Immatériel Théâtre et Danse Théâtre de l’Inde Bharata-Nâtyam arts Transculturalité Patrimoine Immatériel Théâtre et Danse Théâtre de l’Inde Bharata-Nâtyam |
description |
Researchers interested in the heritage of dance-theater in India face a major obstacle: oral transmission, as written and audiovisual archives are extremely rare. They need professional training to access research materials and to interpret it. The case study of the Mysore Bharata-Natyam style involves this kind of participatory observations by the researcher-artist and demonstrates how the vitality of thisheritage depends on the creativity of each local and individual transmission – related to its social, aesthetic, religious and political context – therefore, not on works considered complete and recognized by a national or international public. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-10-13 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/51925 |
url |
https://seer.ufrgs.br/index.php/presenca/article/view/51925 |
dc.language.iso.fl_str_mv |
fra |
language |
fra |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/51925/50505 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Revista Brasileira de Estudos da Presença info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Revista Brasileira de Estudos da Presença |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Brazilian Journal on Presence Studies; Vol. 5 No. 3 (2015): set./dez. 2015; 466-489 Révue Brésilienne d'Études de la Présence; Vol. 5 No. 3 (2015): set./dez. 2015; 466-489 Révue Brésilienne d'Études de la Présence; Vol. 5 No 3 (2015): set./dez. 2015; 466-489 Revista Brasileira de Estudos da Presença; v. 5 n. 3 (2015): set./dez. 2015; 466-489 2237-2660 reponame:Revista Brasileira de Estudos da Presença instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Revista Brasileira de Estudos da Presença |
collection |
Revista Brasileira de Estudos da Presença |
repository.name.fl_str_mv |
Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||rev.presenca@gmail.com |
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1799766307657220096 |