Dynamism and creativity of an immaterial heritage: the oral transmission in Bharata-Natyam Dance Theater (Mysore, India)

Detalhes bibliográficos
Autor(a) principal: Légeret (Université Paris 8 – Paris, França), Katia
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/57861
Resumo: Researchers interested in the heritage of dance-theater in India face a major obstacle: oral transmission, as written and audiovisual archives are extremely rare. They need professional training to access research materials and to interpret it. The case study of the Mysore Bharata-Natyam style involves this kind of participatory observations by the researcher-artist and demonstrates how the vitality of thisheritage depends on the creativity of each local and individual transmission – related to its social, aesthetic, religious and political context – therefore, not on works considered complete and recognized by a national or international public.
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spelling Dynamism and creativity of an immaterial heritage: the oral transmission in Bharata-Natyam Dance Theater (Mysore, India)Dynamiques créatives d'un patrimoine immatériel: la transmission orale du théâtre dansé Bharata-Nâtyam à Mysore (Inde)Dinâmicas Criativas de um Patrimônio Imaterial: a transmissão oral do teatro-dança Bharata-Nâtyam em Mysore (Índia)TransculturalidadePatrimônio ImaterialTeatro e DançaTeatro IndianoBharata-NâtyamTransculturalityImmaterial HeritageTheater and DanceIndia TheaterBharata-NâtyamTransculturalitéPatrimoine ImmatérielThéâtre et DanseThéâtre de l’IndeBharata-NâtyamResearchers interested in the heritage of dance-theater in India face a major obstacle: oral transmission, as written and audiovisual archives are extremely rare. They need professional training to access research materials and to interpret it. The case study of the Mysore Bharata-Natyam style involves this kind of participatory observations by the researcher-artist and demonstrates how the vitality of thisheritage depends on the creativity of each local and individual transmission – related to its social, aesthetic, religious and political context – therefore, not on works considered complete and recognized by a national or international public.Les chercheurs qui s’intéressent aux patrimoines des théâtres dansés en Inde rencontrent un obstacle majeur, celui de leur oralité,car les archives écrites et audiovisuelles sont rarissimes. Ils doivent suivre une formation professionnelle pour avoir accès aux matériaux de recherche et pouvoir les interpréter. L’étude de cas du style Bharata-Nâtyam de Mysore, implique cette observation participantedu chercheur-artiste et démontre que la vitalité de cet héritage tient à la créativité de chaque transmission locale et individuelle – selon son contexte social, esthétique, religieux et politique – et non aux oeuvres dites achevées et reconnues par un public national ou international.Os pesquisadores interessados pelos patrimônios do teatro-dança indiano encontram um grande obstáculo: o da oralidade, pois os arquivos escritos e audiovisuais são raríssimos. Os pesquisadores devem passar por uma formação profissional para ter acesso aos materiais de pesquisa e poder interpretá-los. O estudo de caso do estilo Bharata-Nâtyam de Mysore, envolve esta observação participante do pesquisador-artista e mostra que a vitalidade desta herança depende da criatividade de cadatransmissão local e individual – segundo seu contexto social, estético, religioso e político – e não das obras ditas acabadas e reconhecidas por um público nacional ou internacional.Universidade Federal do Rio Grande do Sul2022-10-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/57861Brazilian Journal on Presence Studies; Vol. 5 No. 3 (2015): set./dez. 2015; 466-489Révue Brésilienne d'Études de la Présence; Vol. 5 No. 3 (2015): set./dez. 2015; 466-489Révue Brésilienne d'Études de la Présence; Vol. 5 No 3 (2015): set./dez. 2015; 466-489Revista Brasileira de Estudos da Presença; v. 5 n. 3 (2015): set./dez. 2015; 466-4892237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/57861/50504Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessLégeret (Université Paris 8 – Paris, França), Katia2022-10-13T18:25:06Zoai:seer.ufrgs.br:article/57861Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-13T18:25:06Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Dynamism and creativity of an immaterial heritage: the oral transmission in Bharata-Natyam Dance Theater (Mysore, India)
Dynamiques créatives d'un patrimoine immatériel: la transmission orale du théâtre dansé Bharata-Nâtyam à Mysore (Inde)
Dinâmicas Criativas de um Patrimônio Imaterial: a transmissão oral do teatro-dança Bharata-Nâtyam em Mysore (Índia)
title Dynamism and creativity of an immaterial heritage: the oral transmission in Bharata-Natyam Dance Theater (Mysore, India)
spellingShingle Dynamism and creativity of an immaterial heritage: the oral transmission in Bharata-Natyam Dance Theater (Mysore, India)
Légeret (Université Paris 8 – Paris, França), Katia
Transculturalidade
Patrimônio Imaterial
Teatro e Dança
Teatro Indiano
Bharata-Nâtyam
Transculturality
Immaterial Heritage
Theater and Dance
India Theater
Bharata-Nâtyam
Transculturalité
Patrimoine Immatériel
Théâtre et Danse
Théâtre de l’Inde
Bharata-Nâtyam
title_short Dynamism and creativity of an immaterial heritage: the oral transmission in Bharata-Natyam Dance Theater (Mysore, India)
title_full Dynamism and creativity of an immaterial heritage: the oral transmission in Bharata-Natyam Dance Theater (Mysore, India)
title_fullStr Dynamism and creativity of an immaterial heritage: the oral transmission in Bharata-Natyam Dance Theater (Mysore, India)
title_full_unstemmed Dynamism and creativity of an immaterial heritage: the oral transmission in Bharata-Natyam Dance Theater (Mysore, India)
title_sort Dynamism and creativity of an immaterial heritage: the oral transmission in Bharata-Natyam Dance Theater (Mysore, India)
author Légeret (Université Paris 8 – Paris, França), Katia
author_facet Légeret (Université Paris 8 – Paris, França), Katia
author_role author
dc.contributor.author.fl_str_mv Légeret (Université Paris 8 – Paris, França), Katia
dc.subject.por.fl_str_mv Transculturalidade
Patrimônio Imaterial
Teatro e Dança
Teatro Indiano
Bharata-Nâtyam
Transculturality
Immaterial Heritage
Theater and Dance
India Theater
Bharata-Nâtyam
Transculturalité
Patrimoine Immatériel
Théâtre et Danse
Théâtre de l’Inde
Bharata-Nâtyam
topic Transculturalidade
Patrimônio Imaterial
Teatro e Dança
Teatro Indiano
Bharata-Nâtyam
Transculturality
Immaterial Heritage
Theater and Dance
India Theater
Bharata-Nâtyam
Transculturalité
Patrimoine Immatériel
Théâtre et Danse
Théâtre de l’Inde
Bharata-Nâtyam
description Researchers interested in the heritage of dance-theater in India face a major obstacle: oral transmission, as written and audiovisual archives are extremely rare. They need professional training to access research materials and to interpret it. The case study of the Mysore Bharata-Natyam style involves this kind of participatory observations by the researcher-artist and demonstrates how the vitality of thisheritage depends on the creativity of each local and individual transmission – related to its social, aesthetic, religious and political context – therefore, not on works considered complete and recognized by a national or international public.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/57861
url https://seer.ufrgs.br/index.php/presenca/article/view/57861
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/57861/50504
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 5 No. 3 (2015): set./dez. 2015; 466-489
Révue Brésilienne d'Études de la Présence; Vol. 5 No. 3 (2015): set./dez. 2015; 466-489
Révue Brésilienne d'Études de la Présence; Vol. 5 No 3 (2015): set./dez. 2015; 466-489
Revista Brasileira de Estudos da Presença; v. 5 n. 3 (2015): set./dez. 2015; 466-489
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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