- Namining is Dominating? : The centralizing applicability of theater on afro-brazilian scenic manifestations

Detalhes bibliográficos
Autor(a) principal: Dumas, Alexandra Gouvêa
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/126717
Resumo: By considering theater as one of the many scenic manifestations of humanity, this textual digression intends to denaturalize its universalization by placing it in the historical and cultural context of the Brazilian colonization process. Based on studies on epistemic racism and aesthetic racism, it is questioned the excluding centrality of white-western theater used in the reading of the multiple manifestations of scenic character of African matrix gestated and produced in the Brazilian diaspora. Keywords: Theater and Colonization. Afro-popular Cultures. Performing Arts and Decoloniality. Epistemic Racism.
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spelling - Namining is Dominating? : The centralizing applicability of theater on afro-brazilian scenic manifestations Naming is Dominating? : Universalization of theater and epistemic silencing about Afro-Brazilian scenic manifestationsTheater and Colonization. Afro-popular Cultures. Performing Arts and Decoloniality. Epistemic Racism.theater and colonizationafro-popular culturesperforming arts and decolonialityepistemic racismBy considering theater as one of the many scenic manifestations of humanity, this textual digression intends to denaturalize its universalization by placing it in the historical and cultural context of the Brazilian colonization process. Based on studies on epistemic racism and aesthetic racism, it is questioned the excluding centrality of white-western theater used in the reading of the multiple manifestations of scenic character of African matrix gestated and produced in the Brazilian diaspora. Keywords: Theater and Colonization. Afro-popular Cultures. Performing Arts and Decoloniality. Epistemic Racism.By considering theater as one of the many scenic manifestations of humanity, this textual digression intends to denaturalize its universalization by placing it in the historical and cultural context of the Brazilian colonization process. Based on studies on epistemic racism and aesthetic racism, it is questioned the excluding centrality of white-western theater used in the reading of the multiple manifestations of scenic character of African matrix gestated and produced in the Brazilian diaspora.    Universidade Federal do Rio Grande do Sul2022-10-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/126717Brazilian Journal on Presence Studies; Vol. 12 No. 4 (2022): Out./Dez. 2022; 1-21Révue Brésilienne d'Études de la Présence; Vol. 12 No. 4 (2022): Out./Dez. 2022; 1-21Révue Brésilienne d'Études de la Présence; Vol. 12 No 4 (2022): Out./Dez. 2022; 1-21Revista Brasileira de Estudos da Presença; v. 12 n. 4 (2022): Out./Dez. 2022; 1-212237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/126717/86768Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessDumas, Alexandra Gouvêa2022-10-27T17:24:18Zoai:seer.ufrgs.br:article/126717Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-27T17:24:18Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv - Namining is Dominating? : The centralizing applicability of theater on afro-brazilian scenic manifestations
Naming is Dominating? : Universalization of theater and epistemic silencing about Afro-Brazilian scenic manifestations
title - Namining is Dominating? : The centralizing applicability of theater on afro-brazilian scenic manifestations
spellingShingle - Namining is Dominating? : The centralizing applicability of theater on afro-brazilian scenic manifestations
Dumas, Alexandra Gouvêa
Theater and Colonization. Afro-popular Cultures. Performing Arts and Decoloniality. Epistemic Racism.
theater and colonization
afro-popular cultures
performing arts and decoloniality
epistemic racism
title_short - Namining is Dominating? : The centralizing applicability of theater on afro-brazilian scenic manifestations
title_full - Namining is Dominating? : The centralizing applicability of theater on afro-brazilian scenic manifestations
title_fullStr - Namining is Dominating? : The centralizing applicability of theater on afro-brazilian scenic manifestations
title_full_unstemmed - Namining is Dominating? : The centralizing applicability of theater on afro-brazilian scenic manifestations
title_sort - Namining is Dominating? : The centralizing applicability of theater on afro-brazilian scenic manifestations
author Dumas, Alexandra Gouvêa
author_facet Dumas, Alexandra Gouvêa
author_role author
dc.contributor.author.fl_str_mv Dumas, Alexandra Gouvêa
dc.subject.por.fl_str_mv Theater and Colonization. Afro-popular Cultures. Performing Arts and Decoloniality. Epistemic Racism.
theater and colonization
afro-popular cultures
performing arts and decoloniality
epistemic racism
topic Theater and Colonization. Afro-popular Cultures. Performing Arts and Decoloniality. Epistemic Racism.
theater and colonization
afro-popular cultures
performing arts and decoloniality
epistemic racism
description By considering theater as one of the many scenic manifestations of humanity, this textual digression intends to denaturalize its universalization by placing it in the historical and cultural context of the Brazilian colonization process. Based on studies on epistemic racism and aesthetic racism, it is questioned the excluding centrality of white-western theater used in the reading of the multiple manifestations of scenic character of African matrix gestated and produced in the Brazilian diaspora. Keywords: Theater and Colonization. Afro-popular Cultures. Performing Arts and Decoloniality. Epistemic Racism.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/126717
url https://seer.ufrgs.br/index.php/presenca/article/view/126717
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/126717/86768
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 12 No. 4 (2022): Out./Dez. 2022; 1-21
Révue Brésilienne d'Études de la Présence; Vol. 12 No. 4 (2022): Out./Dez. 2022; 1-21
Révue Brésilienne d'Études de la Présence; Vol. 12 No 4 (2022): Out./Dez. 2022; 1-21
Revista Brasileira de Estudos da Presença; v. 12 n. 4 (2022): Out./Dez. 2022; 1-21
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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