The Art of the Encounter, an Art of Distance: from Thomas Richards and Mario Biagini to Jerzy Grotowski

Detalhes bibliográficos
Autor(a) principal: Butel (Aix-Marseille Université I – Marseille, França), Yannick
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/33684
Resumo: This text presents the theatrical act as a passage, based on the observation of the actions of Thomas Richards and Mario Biagini that belong to a work protocol left by Jerzy Grotowski. This is the moment in which art as a vehicle, as Peter Brook wrote, merges with the art of the encounter. It is also the moment in which the experience transmitted by theatre causes the disappearance of boundaries and limits between scene, actor and spectator. The art of the encounter corresponds, then, to the inclusion of the spectator into the theatrical process which favours a return of the presence of oneself, the disappearance of self-estrangement.
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spelling The Art of the Encounter, an Art of Distance: from Thomas Richards and Mario Biagini to Jerzy GrotowskiL’Art de la Rencontre, un Art de l’Évitement: de Thomas Richards et Mario Biagini à Jerzy GrotowskiA Arte do Encontro, uma Arte da Distância: de Thomas Richards e Mario Biagini a Jerzy GrotowskiJerzy GrotowskiThomas RichardsMario BiaginiWorkcenterCritique ThéâtraleJerzy GrotowskiThomas RichardsMario BiaginiWorkcenterTheatre CriticismJerzy GrotowskiThomas RichardsMario BiaginiWorkcenterCrítica TeatralThis text presents the theatrical act as a passage, based on the observation of the actions of Thomas Richards and Mario Biagini that belong to a work protocol left by Jerzy Grotowski. This is the moment in which art as a vehicle, as Peter Brook wrote, merges with the art of the encounter. It is also the moment in which the experience transmitted by theatre causes the disappearance of boundaries and limits between scene, actor and spectator. The art of the encounter corresponds, then, to the inclusion of the spectator into the theatrical process which favours a return of the presence of oneself, the disappearance of self-estrangement.Témoin des actions de Thomas Richards et Mario Biagini qui s’inscrivent dans un protocole de travail né dans le prolongement de la parole de Jerzy Grotowski, l’acte théâtral s’apparente à un passage. C’est l’instant où l’art comme véhicule, comme l’a écrit Peter Brook, se confond à un art de la rencontre. C’est le moment où l’expérience transmise par le théâtre provoque la disparition des frontières et des limites entre la scène, l’acteur et le spectateur. L’art de la rencontre correspond alors à l’incorporation du spectateur au processus théâtral qui favorise un retour de la présence àsoi-même, la disparition de l’étrangeté à soi.Este texto apresenta o ato teatral como uma passagem, a partir do testemunho das ações de Thomas Richards e Mario Biagini que se inscrevem em um protocolo de trabalho nascido da herança de Jerzy Grotowski. Trata-se do instante no qual a arte como veículo, como escreveu Peter Brook, se confunde com a arte do encontro. Trata-se, ainda, do momento no qual a experiência transmitida pelo teatro provoca o desaparecimento das fronteiras e dos limites entre a cena, o ator e o espectador. A arte do encontro corresponde, então, à incorporação do espectador no processo teatral que favorece um retorno da presença de si mesmo, o desaparecimento do estranhamento de si.Universidade Federal do Rio Grande do Sul2022-10-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/33684Brazilian Journal on Presence Studies; Vol. 3 No. 1 (2013): jan./abr. 2013; 198-219Révue Brésilienne d'Études de la Présence; Vol. 3 No. 1 (2013): jan./abr. 2013; 198-219Révue Brésilienne d'Études de la Présence; Vol. 3 No 1 (2013): jan./abr. 2013; 198-219Revista Brasileira de Estudos da Presença; v. 3 n. 1 (2013): jan./abr. 2013; 198-2192237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/33684/50992Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessButel (Aix-Marseille Université I – Marseille, França), Yannick2022-10-16T22:02:05Zoai:seer.ufrgs.br:article/33684Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-16T22:02:05Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv The Art of the Encounter, an Art of Distance: from Thomas Richards and Mario Biagini to Jerzy Grotowski
L’Art de la Rencontre, un Art de l’Évitement: de Thomas Richards et Mario Biagini à Jerzy Grotowski
A Arte do Encontro, uma Arte da Distância: de Thomas Richards e Mario Biagini a Jerzy Grotowski
title The Art of the Encounter, an Art of Distance: from Thomas Richards and Mario Biagini to Jerzy Grotowski
spellingShingle The Art of the Encounter, an Art of Distance: from Thomas Richards and Mario Biagini to Jerzy Grotowski
Butel (Aix-Marseille Université I – Marseille, França), Yannick
Jerzy Grotowski
Thomas Richards
Mario Biagini
Workcenter
Critique Théâtrale
Jerzy Grotowski
Thomas Richards
Mario Biagini
Workcenter
Theatre Criticism
Jerzy Grotowski
Thomas Richards
Mario Biagini
Workcenter
Crítica Teatral
title_short The Art of the Encounter, an Art of Distance: from Thomas Richards and Mario Biagini to Jerzy Grotowski
title_full The Art of the Encounter, an Art of Distance: from Thomas Richards and Mario Biagini to Jerzy Grotowski
title_fullStr The Art of the Encounter, an Art of Distance: from Thomas Richards and Mario Biagini to Jerzy Grotowski
title_full_unstemmed The Art of the Encounter, an Art of Distance: from Thomas Richards and Mario Biagini to Jerzy Grotowski
title_sort The Art of the Encounter, an Art of Distance: from Thomas Richards and Mario Biagini to Jerzy Grotowski
author Butel (Aix-Marseille Université I – Marseille, França), Yannick
author_facet Butel (Aix-Marseille Université I – Marseille, França), Yannick
author_role author
dc.contributor.author.fl_str_mv Butel (Aix-Marseille Université I – Marseille, França), Yannick
dc.subject.por.fl_str_mv Jerzy Grotowski
Thomas Richards
Mario Biagini
Workcenter
Critique Théâtrale
Jerzy Grotowski
Thomas Richards
Mario Biagini
Workcenter
Theatre Criticism
Jerzy Grotowski
Thomas Richards
Mario Biagini
Workcenter
Crítica Teatral
topic Jerzy Grotowski
Thomas Richards
Mario Biagini
Workcenter
Critique Théâtrale
Jerzy Grotowski
Thomas Richards
Mario Biagini
Workcenter
Theatre Criticism
Jerzy Grotowski
Thomas Richards
Mario Biagini
Workcenter
Crítica Teatral
description This text presents the theatrical act as a passage, based on the observation of the actions of Thomas Richards and Mario Biagini that belong to a work protocol left by Jerzy Grotowski. This is the moment in which art as a vehicle, as Peter Brook wrote, merges with the art of the encounter. It is also the moment in which the experience transmitted by theatre causes the disappearance of boundaries and limits between scene, actor and spectator. The art of the encounter corresponds, then, to the inclusion of the spectator into the theatrical process which favours a return of the presence of oneself, the disappearance of self-estrangement.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/33684
url https://seer.ufrgs.br/index.php/presenca/article/view/33684
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/33684/50992
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 3 No. 1 (2013): jan./abr. 2013; 198-219
Révue Brésilienne d'Études de la Présence; Vol. 3 No. 1 (2013): jan./abr. 2013; 198-219
Révue Brésilienne d'Études de la Présence; Vol. 3 No 1 (2013): jan./abr. 2013; 198-219
Revista Brasileira de Estudos da Presença; v. 3 n. 1 (2013): jan./abr. 2013; 198-219
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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