Monstrosities, Body and Creation: strategies for dancing with the unfamiliar: strategies for dancing with the unfamiliar
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Revista Brasileira de Estudos da Presença |
Texto Completo: | https://seer.ufrgs.br/index.php/presenca/article/view/131989 |
Resumo: | This paper discusses a field of investigation around the link between monstrosities, body and creation in dance. It begins with the delimitation of the concept of monster, used in this work, and with the exposure of some of the discomforts collectively experienced in the body~subjective experience nowadays. Next, the path of monstrosity history is traced, explaining how the monster, historically strange, has become familiar throughout the 20th century. Finally, the approach of the monster to the unfamiliar, the unsettling, is discussed as a strategy of creation in dance, based on the report of three compositional processes. |
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Monstrosities, Body and Creation: strategies for dancing with the unfamiliar: strategies for dancing with the unfamiliarMonstrosities, Body and Creation: strategies for dancing with the unfamiliarMonsters. Body. Creation. Dance. Unfamiliar.MonstersBody AwarenessCreationDanceUnfamiliar This paper discusses a field of investigation around the link between monstrosities, body and creation in dance. It begins with the delimitation of the concept of monster, used in this work, and with the exposure of some of the discomforts collectively experienced in the body~subjective experience nowadays. Next, the path of monstrosity history is traced, explaining how the monster, historically strange, has become familiar throughout the 20th century. Finally, the approach of the monster to the unfamiliar, the unsettling, is discussed as a strategy of creation in dance, based on the report of three compositional processes. Monstrosities, Body and Creation: strategies for dancing with the unfamiliar – This paper discusses a field of investigation around the link between monstrosities, body and creation in dance. It begins with the delimitation of the concept of monster, used in this work, and with the exposure of some of the discomforts collectively experienced in the body~subjective experience nowadays. Next, the path of monstrosity history is traced, explaining how the monster, historically strange, has become familiar throughout the 20th century. Finally, the approach of the monster to the unfamiliar, the unsettling, is discussed as a strategy of creation in dance, based on the report of three compositional processes.Universidade Federal do Rio Grande do Sul2023-07-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/131989Brazilian Journal on Presence Studies; Vol. 13 No. 3 (2023): Jul./Set.2023; 1-26Révue Brésilienne d'Études de la Présence; Vol. 13 No. 3 (2023): Jul./Set.2023; 1-26Révue Brésilienne d'Études de la Présence; Vol. 13 No 3 (2023): Jul./Set.2023; 1-26Revista Brasileira de Estudos da Presença; v. 13 n. 3 (2023): Jul./Set.2023; 1-262237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/131989/89014Copyright (c) 2023 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessBuiati, Marcos Katu2023-07-06T18:08:37Zoai:seer.ufrgs.br:article/131989Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2023-07-06T18:08:37Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
Monstrosities, Body and Creation: strategies for dancing with the unfamiliar: strategies for dancing with the unfamiliar Monstrosities, Body and Creation: strategies for dancing with the unfamiliar |
title |
Monstrosities, Body and Creation: strategies for dancing with the unfamiliar: strategies for dancing with the unfamiliar |
spellingShingle |
Monstrosities, Body and Creation: strategies for dancing with the unfamiliar: strategies for dancing with the unfamiliar Buiati, Marcos Katu Monsters. Body. Creation. Dance. Unfamiliar. Monsters Body Awareness Creation Dance Unfamiliar |
title_short |
Monstrosities, Body and Creation: strategies for dancing with the unfamiliar: strategies for dancing with the unfamiliar |
title_full |
Monstrosities, Body and Creation: strategies for dancing with the unfamiliar: strategies for dancing with the unfamiliar |
title_fullStr |
Monstrosities, Body and Creation: strategies for dancing with the unfamiliar: strategies for dancing with the unfamiliar |
title_full_unstemmed |
Monstrosities, Body and Creation: strategies for dancing with the unfamiliar: strategies for dancing with the unfamiliar |
title_sort |
Monstrosities, Body and Creation: strategies for dancing with the unfamiliar: strategies for dancing with the unfamiliar |
author |
Buiati, Marcos Katu |
author_facet |
Buiati, Marcos Katu |
author_role |
author |
dc.contributor.author.fl_str_mv |
Buiati, Marcos Katu |
dc.subject.por.fl_str_mv |
Monsters. Body. Creation. Dance. Unfamiliar. Monsters Body Awareness Creation Dance Unfamiliar |
topic |
Monsters. Body. Creation. Dance. Unfamiliar. Monsters Body Awareness Creation Dance Unfamiliar |
description |
This paper discusses a field of investigation around the link between monstrosities, body and creation in dance. It begins with the delimitation of the concept of monster, used in this work, and with the exposure of some of the discomforts collectively experienced in the body~subjective experience nowadays. Next, the path of monstrosity history is traced, explaining how the monster, historically strange, has become familiar throughout the 20th century. Finally, the approach of the monster to the unfamiliar, the unsettling, is discussed as a strategy of creation in dance, based on the report of three compositional processes. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-07-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/131989 |
url |
https://seer.ufrgs.br/index.php/presenca/article/view/131989 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/131989/89014 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Revista Brasileira de Estudos da Presença info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Revista Brasileira de Estudos da Presença |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Brazilian Journal on Presence Studies; Vol. 13 No. 3 (2023): Jul./Set.2023; 1-26 Révue Brésilienne d'Études de la Présence; Vol. 13 No. 3 (2023): Jul./Set.2023; 1-26 Révue Brésilienne d'Études de la Présence; Vol. 13 No 3 (2023): Jul./Set.2023; 1-26 Revista Brasileira de Estudos da Presença; v. 13 n. 3 (2023): Jul./Set.2023; 1-26 2237-2660 reponame:Revista Brasileira de Estudos da Presença instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Revista Brasileira de Estudos da Presença |
collection |
Revista Brasileira de Estudos da Presença |
repository.name.fl_str_mv |
Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||rev.presenca@gmail.com |
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1799766310753665024 |