Bodies that Danced their Voices

Detalhes bibliográficos
Autor(a) principal: Biancalana (Universidade Federal de Santa Maria – UFSM, Santa Maria/RS, Brazil), Gisela Reis
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/59993
Resumo: The article makes a reflection about the relevance of the voice perceived as body in movement. This understanding is first discussed under the light of the assumptions of authors from performing arts, theater and dance. Next, it was made a proposal for a creative process in dance which considered the collaboration of performers on their path. Dance work was developed with actors and it had the voice as the main driving element. This artwork aimed to discuss a possible move towards a vocal pedagogy for the scene performers.
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spelling Bodies that Danced their VoicesBodies that Danced their VoicesBodies that Danced their VoicesBodyDanceVoiceCreationCollaborationBodyDanceVoiceCreationCollaborationBodyDanceVoiceCreationCollaborationThe article makes a reflection about the relevance of the voice perceived as body in movement. This understanding is first discussed under the light of the assumptions of authors from performing arts, theater and dance. Next, it was made a proposal for a creative process in dance which considered the collaboration of performers on their path. Dance work was developed with actors and it had the voice as the main driving element. This artwork aimed to discuss a possible move towards a vocal pedagogy for the scene performers.The article makes a reflection about the relevance of the voice perceived as body in movement. This understanding is first discussed under the light of the assumptions of authors from performing arts, theater and dance. Next, it was made a proposal for a creative process in dance which considered the collaboration of performers on their path. Dance work was developed with actors and it had the voice as the main driving element. This artwork aimed to discuss a possible move towards a vocal pedagogy for the scene performers.The article makes a reflection about the relevance of the voice perceived as body in movement. This understanding is first discussed under the light of the assumptions of authors from performing arts, theater and dance. Next, it was made a proposal for a creative process in dance which considered the collaboration of performers on their path. Dance work was developed with actors and it had the voice as the main driving element. This artwork aimed to discuss a possible move towards a vocal pedagogy for the scene performers.Universidade Federal do Rio Grande do Sul2022-10-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/59993Brazilian Journal on Presence Studies; Vol. 6 No. 1 (2016): jan./abr. 2016; 30-46Révue Brésilienne d'Études de la Présence; Vol. 6 No. 1 (2016): jan./abr. 2016; 30-46Révue Brésilienne d'Études de la Présence; Vol. 6 No 1 (2016): jan./ abr. 2016; 30-46Revista Brasileira de Estudos da Presença; v. 6 n. 1 (2016): jan./abr. 2016; 30-462237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/59993/50469Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessBiancalana (Universidade Federal de Santa Maria – UFSM, Santa Maria/RS, Brazil), Gisela Reis2022-10-12T19:27:51Zoai:seer.ufrgs.br:article/59993Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-12T19:27:51Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Bodies that Danced their Voices
Bodies that Danced their Voices
Bodies that Danced their Voices
title Bodies that Danced their Voices
spellingShingle Bodies that Danced their Voices
Biancalana (Universidade Federal de Santa Maria – UFSM, Santa Maria/RS, Brazil), Gisela Reis
Body
Dance
Voice
Creation
Collaboration
Body
Dance
Voice
Creation
Collaboration
Body
Dance
Voice
Creation
Collaboration
title_short Bodies that Danced their Voices
title_full Bodies that Danced their Voices
title_fullStr Bodies that Danced their Voices
title_full_unstemmed Bodies that Danced their Voices
title_sort Bodies that Danced their Voices
author Biancalana (Universidade Federal de Santa Maria – UFSM, Santa Maria/RS, Brazil), Gisela Reis
author_facet Biancalana (Universidade Federal de Santa Maria – UFSM, Santa Maria/RS, Brazil), Gisela Reis
author_role author
dc.contributor.author.fl_str_mv Biancalana (Universidade Federal de Santa Maria – UFSM, Santa Maria/RS, Brazil), Gisela Reis
dc.subject.por.fl_str_mv Body
Dance
Voice
Creation
Collaboration
Body
Dance
Voice
Creation
Collaboration
Body
Dance
Voice
Creation
Collaboration
topic Body
Dance
Voice
Creation
Collaboration
Body
Dance
Voice
Creation
Collaboration
Body
Dance
Voice
Creation
Collaboration
description The article makes a reflection about the relevance of the voice perceived as body in movement. This understanding is first discussed under the light of the assumptions of authors from performing arts, theater and dance. Next, it was made a proposal for a creative process in dance which considered the collaboration of performers on their path. Dance work was developed with actors and it had the voice as the main driving element. This artwork aimed to discuss a possible move towards a vocal pedagogy for the scene performers.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/59993
url https://seer.ufrgs.br/index.php/presenca/article/view/59993
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/59993/50469
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 6 No. 1 (2016): jan./abr. 2016; 30-46
Révue Brésilienne d'Études de la Présence; Vol. 6 No. 1 (2016): jan./abr. 2016; 30-46
Révue Brésilienne d'Études de la Présence; Vol. 6 No 1 (2016): jan./ abr. 2016; 30-46
Revista Brasileira de Estudos da Presença; v. 6 n. 1 (2016): jan./abr. 2016; 30-46
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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