Vocal Body, Gender and Performance

Detalhes bibliográficos
Autor(a) principal: Steckert Jacobs (Universidade do Estado de Santa Catarina, Brazil), Daiane Dordete
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/70844
Resumo: The text discusses scientific and artistic discourses from the perspective of vocalities gendering, which assigns specific and binary gender marks to bodies. For this, it contextualizes the territory of Feminist Critique and Gender Theories, mainly based on the thoughts of the feminist philosopher Judith Butler, who approaches sex and gender as naturalized cultural constructions. It points, in this context, to a view of biological determinism implied in these discourses concerning the voice, which naturalizes vocal production from physiological aspects of vocal bodies, limiting the understanding of training and vocal creation in the arts.
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spelling Vocal Body, Gender and PerformanceCorps Vocale, Genre et PerformanceVocal Body, Gender and PerformanceVoiceVocal BodyGenderPerformanceActingartes cênicasVoiceVocal BodyGenderPerformanceActingVoixCorps VocaleGenrePerformanceInterprétationThe text discusses scientific and artistic discourses from the perspective of vocalities gendering, which assigns specific and binary gender marks to bodies. For this, it contextualizes the territory of Feminist Critique and Gender Theories, mainly based on the thoughts of the feminist philosopher Judith Butler, who approaches sex and gender as naturalized cultural constructions. It points, in this context, to a view of biological determinism implied in these discourses concerning the voice, which naturalizes vocal production from physiological aspects of vocal bodies, limiting the understanding of training and vocal creation in the arts.Le texte discute des discours scientifiques et artistiques presenté de la perspective d'engendrer les vocalités qui ajoute aux corps des marques spécifiques et binaires de genre. Pour cela, il discute le territoire de la Critique Féministe et la Théorie du Genre, en se fondant principalement sur la philosophe féministe Judith Butler, qui place le sexe et le genre comme constructions culturels naturalisés. Dans ce contexte, il remarque une vision du déterminisme biologique implicite dans ces discours sur la voix, qui prend la production vocale comme aspects physiologiques des corps vocaux, limitant aussi la compréhension de la formation et de la création vocale dans les arts.The text discusses scientific and artistic discourses from the perspective of vocalities gendering, which assigns specific and binary gender marks to bodies. For this, it contextualizes the territory of Feminist Critique and Gender Theories, mainly based on the thoughts of the feminist philosopher Judith Butler, who approaches sex and gender as naturalized cultural constructions. It points, in this context, to a view of biological determinism implied in these discourses concerning the voice, which naturalizes vocal production from physiological aspects of vocal bodies, limiting the understanding of training and vocal creation in the arts.Universidade Federal do Rio Grande do Sul2022-10-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/70844Brazilian Journal on Presence Studies; Vol. 7 No. 2 (2017): Maio/Ago. 2017; 359-381Révue Brésilienne d'Études de la Présence; Vol. 7 No. 2 (2017): Maio/Ago. 2017; 359-381Révue Brésilienne d'Études de la Présence; Vol. 7 No 2 (2017): Maio/Ago. 2017; 359-381Revista Brasileira de Estudos da Presença; v. 7 n. 2 (2017): Maio/Ago. 2017; 359-3812237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/70844/50347Copyright (c) 2017 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessSteckert Jacobs (Universidade do Estado de Santa Catarina, Brazil), Daiane Dordete2022-10-04T20:06:09Zoai:seer.ufrgs.br:article/70844Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-04T20:06:09Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Vocal Body, Gender and Performance
Corps Vocale, Genre et Performance
Vocal Body, Gender and Performance
title Vocal Body, Gender and Performance
spellingShingle Vocal Body, Gender and Performance
Steckert Jacobs (Universidade do Estado de Santa Catarina, Brazil), Daiane Dordete
Voice
Vocal Body
Gender
Performance
Acting
artes cênicas
Voice
Vocal Body
Gender
Performance
Acting
Voix
Corps Vocale
Genre
Performance
Interprétation
title_short Vocal Body, Gender and Performance
title_full Vocal Body, Gender and Performance
title_fullStr Vocal Body, Gender and Performance
title_full_unstemmed Vocal Body, Gender and Performance
title_sort Vocal Body, Gender and Performance
author Steckert Jacobs (Universidade do Estado de Santa Catarina, Brazil), Daiane Dordete
author_facet Steckert Jacobs (Universidade do Estado de Santa Catarina, Brazil), Daiane Dordete
author_role author
dc.contributor.author.fl_str_mv Steckert Jacobs (Universidade do Estado de Santa Catarina, Brazil), Daiane Dordete
dc.subject.por.fl_str_mv Voice
Vocal Body
Gender
Performance
Acting
artes cênicas
Voice
Vocal Body
Gender
Performance
Acting
Voix
Corps Vocale
Genre
Performance
Interprétation
topic Voice
Vocal Body
Gender
Performance
Acting
artes cênicas
Voice
Vocal Body
Gender
Performance
Acting
Voix
Corps Vocale
Genre
Performance
Interprétation
description The text discusses scientific and artistic discourses from the perspective of vocalities gendering, which assigns specific and binary gender marks to bodies. For this, it contextualizes the territory of Feminist Critique and Gender Theories, mainly based on the thoughts of the feminist philosopher Judith Butler, who approaches sex and gender as naturalized cultural constructions. It points, in this context, to a view of biological determinism implied in these discourses concerning the voice, which naturalizes vocal production from physiological aspects of vocal bodies, limiting the understanding of training and vocal creation in the arts.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-04
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/70844
url https://seer.ufrgs.br/index.php/presenca/article/view/70844
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/70844/50347
dc.rights.driver.fl_str_mv Copyright (c) 2017 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 7 No. 2 (2017): Maio/Ago. 2017; 359-381
Révue Brésilienne d'Études de la Présence; Vol. 7 No. 2 (2017): Maio/Ago. 2017; 359-381
Révue Brésilienne d'Études de la Présence; Vol. 7 No 2 (2017): Maio/Ago. 2017; 359-381
Revista Brasileira de Estudos da Presença; v. 7 n. 2 (2017): Maio/Ago. 2017; 359-381
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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