Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) method

Detalhes bibliográficos
Autor(a) principal: Rodrigues, Graziela
Data de Publicação: 2022
Outros Autores: Turtelli, Larissa Sato, Teixeira, Paula Caruso, Campos, Flávio, da Costa, Elisa M., Cálipo, Nara, Floriano, Mariana, Alleoni, Natália V., Jorge (Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brazil), Mariana D.
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/65895
Resumo: This paper replies to the text of Höfling published in this journal in v. 6, n. 2 (2016), clarifying aspects of the research in the Dancer-Researcher- Performer (BPI) method. Procedures and approaches of the method, concerning field research, artistic creation and presentation of performances are fully expressed. Throughout the text, practical examples of investigations carried out over 36 years of research in this method are given, as well as theories of psychology, which promote a deeper understanding of the contents that are articulated in the body and, as consequence, provide subsidies to guide the emotional processes inherent to artistic creation.  
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spelling Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) methodCorps en Expansion: l’art de la rencontre dans la méthode Danseur- Chercheur-Interprète (DCI)Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) methodBPIBodyDanceCreationPsychologyBPIBodyDanceCreationPsychologyBPICorpsDanseCréationPsychologieThis paper replies to the text of Höfling published in this journal in v. 6, n. 2 (2016), clarifying aspects of the research in the Dancer-Researcher- Performer (BPI) method. Procedures and approaches of the method, concerning field research, artistic creation and presentation of performances are fully expressed. Throughout the text, practical examples of investigations carried out over 36 years of research in this method are given, as well as theories of psychology, which promote a deeper understanding of the contents that are articulated in the body and, as consequence, provide subsidies to guide the emotional processes inherent to artistic creation.  L’article présente des aspects de la recherche de la méthode Danseur-Chercheur-Interprète (BPI), en réponse au texte Hofling publié dans ce journal en v. 6, n. 2 (2016). Des procédures et des angles d´approche de la méthode touchant aux recherches de terrain, à la création artistique et aux spectacles sont explicités. Sont donnés des exemples pratiques, de travaux réalisés au cours de 36 ans de recherches dans cette méthode, de même que des théories de la psychologie sont abordées, qui aident à la compréhension plus profonde des contenus qui s´articulent dans le corps et, conséquemment, apportent des recours pour une conduite des processus émotionnels inhérents à la création artistique. This paper replies to the text of Höfling published in this journal in v. 6, n. 2 (2016), clarifying aspects of the research in the Dancer-Researcher- Performer (BPI) method. Procedures and approaches of the method, concerning field research, artistic creation and presentation of performances are fully expressed. Throughout the text, practical examples of investigations carried out over 36 years of research in this method are given, as well as theories of psychology, which promote a deeper understanding of the contents that are articulated in the body and, as consequence, provide subsidies to guide the emotional processes inherent to artistic creation. Universidade Federal do Rio Grande do Sul2022-10-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/65895Brazilian Journal on Presence Studies; Vol. 6 No. 3 (2016): set./dez. 2016; 551-577Révue Brésilienne d'Études de la Présence; Vol. 6 No. 3 (2016): set./dez. 2016; 551-577Révue Brésilienne d'Études de la Présence; Vol. 6 No 3 (2016): set./dez. 2016; 551-577Revista Brasileira de Estudos da Presença; v. 6 n. 3 (2016): set./dez. 2016; 551-5772237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/65895/50447Copyright (c) 2016 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessRodrigues, GrazielaTurtelli, Larissa SatoTeixeira, Paula CarusoCampos, Flávioda Costa, Elisa M.Cálipo, NaraFloriano, MarianaAlleoni, Natália V.Jorge (Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brazil), Mariana D.2022-10-12T19:15:27Zoai:seer.ufrgs.br:article/65895Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-12T19:15:27Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) method
Corps en Expansion: l’art de la rencontre dans la méthode Danseur- Chercheur-Interprète (DCI)
Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) method
title Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) method
spellingShingle Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) method
Rodrigues, Graziela
BPI
Body
Dance
Creation
Psychology
BPI
Body
Dance
Creation
Psychology
BPI
Corps
Danse
Création
Psychologie
title_short Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) method
title_full Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) method
title_fullStr Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) method
title_full_unstemmed Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) method
title_sort Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) method
author Rodrigues, Graziela
author_facet Rodrigues, Graziela
Turtelli, Larissa Sato
Teixeira, Paula Caruso
Campos, Flávio
da Costa, Elisa M.
Cálipo, Nara
Floriano, Mariana
Alleoni, Natália V.
Jorge (Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brazil), Mariana D.
author_role author
author2 Turtelli, Larissa Sato
Teixeira, Paula Caruso
Campos, Flávio
da Costa, Elisa M.
Cálipo, Nara
Floriano, Mariana
Alleoni, Natália V.
Jorge (Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brazil), Mariana D.
author2_role author
author
author
author
author
author
author
author
dc.contributor.author.fl_str_mv Rodrigues, Graziela
Turtelli, Larissa Sato
Teixeira, Paula Caruso
Campos, Flávio
da Costa, Elisa M.
Cálipo, Nara
Floriano, Mariana
Alleoni, Natália V.
Jorge (Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brazil), Mariana D.
dc.subject.por.fl_str_mv BPI
Body
Dance
Creation
Psychology
BPI
Body
Dance
Creation
Psychology
BPI
Corps
Danse
Création
Psychologie
topic BPI
Body
Dance
Creation
Psychology
BPI
Body
Dance
Creation
Psychology
BPI
Corps
Danse
Création
Psychologie
description This paper replies to the text of Höfling published in this journal in v. 6, n. 2 (2016), clarifying aspects of the research in the Dancer-Researcher- Performer (BPI) method. Procedures and approaches of the method, concerning field research, artistic creation and presentation of performances are fully expressed. Throughout the text, practical examples of investigations carried out over 36 years of research in this method are given, as well as theories of psychology, which promote a deeper understanding of the contents that are articulated in the body and, as consequence, provide subsidies to guide the emotional processes inherent to artistic creation.  
publishDate 2022
dc.date.none.fl_str_mv 2022-10-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/65895
url https://seer.ufrgs.br/index.php/presenca/article/view/65895
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/65895/50447
dc.rights.driver.fl_str_mv Copyright (c) 2016 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 6 No. 3 (2016): set./dez. 2016; 551-577
Révue Brésilienne d'Études de la Présence; Vol. 6 No. 3 (2016): set./dez. 2016; 551-577
Révue Brésilienne d'Études de la Présence; Vol. 6 No 3 (2016): set./dez. 2016; 551-577
Revista Brasileira de Estudos da Presença; v. 6 n. 3 (2016): set./dez. 2016; 551-577
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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