Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) method

Detalhes bibliográficos
Autor(a) principal: Rodrigues, Graziela Estela Fonseca
Data de Publicação: 2022
Outros Autores: Turtelli, Larissa Sato, Teixeira, Paula Caruso, Campos, Flávio, Costa, Elisa Massariolli da, Cálipo, Nara, Floriano, Mariana, Alleoni, Natália Vasconcellos, Jorge (Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brasil), Mariana Dias
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/65010
Resumo: This paper replies to the text of Höfling published in this journal in v. 6, n. 2 (2016), clarifying aspects of the research in the Dancer-Researcher- Performer (BPI) method. Procedures and approaches of the method, concerning field research, artistic creation and presentation of performances are fully expressed. Throughout the text, practical examples of investigations carried out over 36 years of research in this method are given, as well as theories of psychology, which promote a deeper understanding of the contents that are articulated in the body and, as consequence, provide subsidies to guide the emotional processes inherent to artistic creation. 
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spelling Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) methodCorps en Expansion: l’art de la rencontre dans la méthode Danseur- Chercheur-Interprète (DCI)Corpos em Expansão: a arte do encontro no método Bailarino- Pesquisador-Intérprete (BPI)BPICorpoDançaCriaçãoPsicologiaBPIBodyDanceCreationPsychologyBPICorpsDanseCréationPsychologieThis paper replies to the text of Höfling published in this journal in v. 6, n. 2 (2016), clarifying aspects of the research in the Dancer-Researcher- Performer (BPI) method. Procedures and approaches of the method, concerning field research, artistic creation and presentation of performances are fully expressed. Throughout the text, practical examples of investigations carried out over 36 years of research in this method are given, as well as theories of psychology, which promote a deeper understanding of the contents that are articulated in the body and, as consequence, provide subsidies to guide the emotional processes inherent to artistic creation. L’article présente des aspects de la recherche de la méthode Danseur-Chercheur-Interprète (BPI), en réponse au texte Hofling publié dans ce journal en v. 6, n. 2 (2016). Des procédures et des angles d´approche de la méthode touchant aux recherches de terrain, à la création artistique et aux spectacles sont explicités. Sont donnés des exemples pratiques, de travaux réalisés au cours de 36 ans de recherches dans cette méthode, de même que des théories de la psychologie sont abordées, qui aident à la compréhension plus profonde des contenus qui s´articulent dans le corps et, conséquemment, apportent des recours pour une conduite des processus émotionnels inhérents à la création artistique. O artigo esclarece aspectos da pesquisa no método Bailarino-Pesquisador-Intérprete (BPI) em resposta ao texto de Höfling, publicado neste mesmo periódico, no v. 6, n. 2 (2016). São explicitados procedimentos e enfoques do método concernentes às pesquisas de campo, à criação artística e às apresentações dos espetáculos. No decorrer do texto são dados exemplos práticos, de investigações realizadas ao longo de 36 anos de pesquisas, bem como são abordadas teorias da psicologia, que auxiliam em um entendimento mais profundo dos conteúdos que se articulam no corpo e, consequentemente, fornecem subsídios para dar uma condução aos processos emocionais inerentes à criação artística. Universidade Federal do Rio Grande do Sul2022-10-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/65010Brazilian Journal on Presence Studies; Vol. 6 No. 3 (2016): set./dez. 2016; 551-577Révue Brésilienne d'Études de la Présence; Vol. 6 No. 3 (2016): set./dez. 2016; 551-577Révue Brésilienne d'Études de la Présence; Vol. 6 No 3 (2016): set./dez. 2016; 551-577Revista Brasileira de Estudos da Presença; v. 6 n. 3 (2016): set./dez. 2016; 551-5772237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/65010/50446Copyright (c) 2016 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessRodrigues, Graziela Estela FonsecaTurtelli, Larissa SatoTeixeira, Paula CarusoCampos, FlávioCosta, Elisa Massariolli daCálipo, NaraFloriano, MarianaAlleoni, Natália VasconcellosJorge (Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brasil), Mariana Dias2022-10-12T19:15:30Zoai:seer.ufrgs.br:article/65010Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-12T19:15:30Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) method
Corps en Expansion: l’art de la rencontre dans la méthode Danseur- Chercheur-Interprète (DCI)
Corpos em Expansão: a arte do encontro no método Bailarino- Pesquisador-Intérprete (BPI)
title Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) method
spellingShingle Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) method
Rodrigues, Graziela Estela Fonseca
BPI
Corpo
Dança
Criação
Psicologia
BPI
Body
Dance
Creation
Psychology
BPI
Corps
Danse
Création
Psychologie
title_short Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) method
title_full Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) method
title_fullStr Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) method
title_full_unstemmed Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) method
title_sort Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) method
author Rodrigues, Graziela Estela Fonseca
author_facet Rodrigues, Graziela Estela Fonseca
Turtelli, Larissa Sato
Teixeira, Paula Caruso
Campos, Flávio
Costa, Elisa Massariolli da
Cálipo, Nara
Floriano, Mariana
Alleoni, Natália Vasconcellos
Jorge (Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brasil), Mariana Dias
author_role author
author2 Turtelli, Larissa Sato
Teixeira, Paula Caruso
Campos, Flávio
Costa, Elisa Massariolli da
Cálipo, Nara
Floriano, Mariana
Alleoni, Natália Vasconcellos
Jorge (Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brasil), Mariana Dias
author2_role author
author
author
author
author
author
author
author
dc.contributor.author.fl_str_mv Rodrigues, Graziela Estela Fonseca
Turtelli, Larissa Sato
Teixeira, Paula Caruso
Campos, Flávio
Costa, Elisa Massariolli da
Cálipo, Nara
Floriano, Mariana
Alleoni, Natália Vasconcellos
Jorge (Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brasil), Mariana Dias
dc.subject.por.fl_str_mv BPI
Corpo
Dança
Criação
Psicologia
BPI
Body
Dance
Creation
Psychology
BPI
Corps
Danse
Création
Psychologie
topic BPI
Corpo
Dança
Criação
Psicologia
BPI
Body
Dance
Creation
Psychology
BPI
Corps
Danse
Création
Psychologie
description This paper replies to the text of Höfling published in this journal in v. 6, n. 2 (2016), clarifying aspects of the research in the Dancer-Researcher- Performer (BPI) method. Procedures and approaches of the method, concerning field research, artistic creation and presentation of performances are fully expressed. Throughout the text, practical examples of investigations carried out over 36 years of research in this method are given, as well as theories of psychology, which promote a deeper understanding of the contents that are articulated in the body and, as consequence, provide subsidies to guide the emotional processes inherent to artistic creation. 
publishDate 2022
dc.date.none.fl_str_mv 2022-10-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/65010
url https://seer.ufrgs.br/index.php/presenca/article/view/65010
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/65010/50446
dc.rights.driver.fl_str_mv Copyright (c) 2016 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 6 No. 3 (2016): set./dez. 2016; 551-577
Révue Brésilienne d'Études de la Présence; Vol. 6 No. 3 (2016): set./dez. 2016; 551-577
Révue Brésilienne d'Études de la Présence; Vol. 6 No 3 (2016): set./dez. 2016; 551-577
Revista Brasileira de Estudos da Presença; v. 6 n. 3 (2016): set./dez. 2016; 551-577
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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