Theatre’s Conceptual Turn: on theatre performance investigation

Detalhes bibliográficos
Autor(a) principal: Loaiza, Luis Fernando
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/25638
Resumo: The present paper attempts to compare the role of concept in classical and contemporary theatre. It is argued that after performing a representational function, concept has shifted to the theoretical output that underpins contemporary stage productions, previously and subsequently. Finally, by accepting that both language and concept are human dimensions too, we propose a point of view in which academic theoretical production is regarded as event and aesthetic experience.
id UFRGS-17_ca4ee1d8c1460f80247702956fa2f95d
oai_identifier_str oai:seer.ufrgs.br:article/25638
network_acronym_str UFRGS-17
network_name_str Revista Brasileira de Estudos da Presença
repository_id_str
spelling Theatre’s Conceptual Turn: on theatre performance investigationEl Giro Conceptual del Teatro: a propósito de la investigación escénicaLa Tournant Conceptuel du Théâtre: la recherche scéniqueConceptoTeatroInvestigaciónExplicitaciónAcontecimientoConceptTheatreAcademic ResearchExplicationEventConceptThéâtre.RechercheExplicitationÉvénementThe present paper attempts to compare the role of concept in classical and contemporary theatre. It is argued that after performing a representational function, concept has shifted to the theoretical output that underpins contemporary stage productions, previously and subsequently. Finally, by accepting that both language and concept are human dimensions too, we propose a point of view in which academic theoretical production is regarded as event and aesthetic experience.En el presente escrito se intenta comparar la función cumplida por el concepto en la producción teatral clásica y contemporánea. Se sostiene que después de cumplir una misión representacional,el concepto se ha desplazado hacia la producción teórica que sostiene previa o posteriormente la producción escénica contemporánea. Finalmente, al aceptar que el lenguaje y el concepto son también una dimensión humana, se propone una visión de la producción teórica universitaria como acontecimiento y como experiencia estética.Le présent article s’efforce de comparer le rôle joué par le concept dans la production théâtrale classique et contemporaine. Il soutient qu’après avoir accompli une mission de représentation, le concept se déplace vers une production théorique qui intervient avant ou après la mise en scène contemporaine. Finalement, en acceptant que la langue et le concept possèdent également une dimension humaine, il est possible d’envisager la production théorique universitaire en tant qu’événement et expérience esthétique.Universidade Federal do Rio Grande do Sul2022-10-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/25638Brazilian Journal on Presence Studies; Vol. 2 No. 1 (2012): jan./jun. 2012; 200-214Révue Brésilienne d'Études de la Présence; Vol. 2 No. 1 (2012): jan./jun. 2012; 200-214Révue Brésilienne d'Études de la Présence; Vol. 2 No 1 (2012): jan./jun. 2012; 200-214Revista Brasileira de Estudos da Presença; v. 2 n. 1 (2012): jan./jun. 2012; 200-2142237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSspahttps://seer.ufrgs.br/index.php/presenca/article/view/25638/50169Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessLoaiza, Luis Fernando2022-10-19T12:48:24Zoai:seer.ufrgs.br:article/25638Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-19T12:48:24Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Theatre’s Conceptual Turn: on theatre performance investigation
El Giro Conceptual del Teatro: a propósito de la investigación escénica
La Tournant Conceptuel du Théâtre: la recherche scénique
title Theatre’s Conceptual Turn: on theatre performance investigation
spellingShingle Theatre’s Conceptual Turn: on theatre performance investigation
Loaiza, Luis Fernando
Concepto
Teatro
Investigación
Explicitación
Acontecimiento
Concept
Theatre
Academic Research
Explication
Event
Concept
Théâtre.
Recherche
Explicitation
Événement
title_short Theatre’s Conceptual Turn: on theatre performance investigation
title_full Theatre’s Conceptual Turn: on theatre performance investigation
title_fullStr Theatre’s Conceptual Turn: on theatre performance investigation
title_full_unstemmed Theatre’s Conceptual Turn: on theatre performance investigation
title_sort Theatre’s Conceptual Turn: on theatre performance investigation
author Loaiza, Luis Fernando
author_facet Loaiza, Luis Fernando
author_role author
dc.contributor.author.fl_str_mv Loaiza, Luis Fernando
dc.subject.por.fl_str_mv Concepto
Teatro
Investigación
Explicitación
Acontecimiento
Concept
Theatre
Academic Research
Explication
Event
Concept
Théâtre.
Recherche
Explicitation
Événement
topic Concepto
Teatro
Investigación
Explicitación
Acontecimiento
Concept
Theatre
Academic Research
Explication
Event
Concept
Théâtre.
Recherche
Explicitation
Événement
description The present paper attempts to compare the role of concept in classical and contemporary theatre. It is argued that after performing a representational function, concept has shifted to the theoretical output that underpins contemporary stage productions, previously and subsequently. Finally, by accepting that both language and concept are human dimensions too, we propose a point of view in which academic theoretical production is regarded as event and aesthetic experience.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/25638
url https://seer.ufrgs.br/index.php/presenca/article/view/25638
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/25638/50169
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 2 No. 1 (2012): jan./jun. 2012; 200-214
Révue Brésilienne d'Études de la Présence; Vol. 2 No. 1 (2012): jan./jun. 2012; 200-214
Révue Brésilienne d'Études de la Présence; Vol. 2 No 1 (2012): jan./jun. 2012; 200-214
Revista Brasileira de Estudos da Presença; v. 2 n. 1 (2012): jan./jun. 2012; 200-214
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
_version_ 1799766306769076224

Registros relacionados