For a Performative Theatre in Pirandello: a brief dialogue with Deleuze and the theatre of repetition

Detalhes bibliográficos
Autor(a) principal: Ribeiro (Universidade Federal Fluminense, Niterói/RJ, Brasil), Martha de Mello
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/47073
Resumo: This article is the result of practical research in the field of performing arts, with emphasis on processes and artistic achievements in studies focused in Pirandello’s scene studies. In search of a theatricality built from the intersection between theatre and performance, the dramaturgy of the Italian author is investigated from its head node: the acknowledgement by the playwright himself of the theatre’s unpower of representation. In this article, we organize documents and reflections derived from a year of practical activities around the Italian author’s scene and dramaturgy, revisited from a performative theatricality, in light of Deleuze’s concept of the theatre of repetition.
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spelling For a Performative Theatre in Pirandello: a brief dialogue with Deleuze and the theatre of repetitionUn Théâtre Performatif dans Pirandello: un dialogue court avec Deleuze et le théâtre de la répétitionPara um Teatro Performativo em Pirandello: um breve diálogo com Deleuze e o teatro da repetiçãoPirandelloDeleuzeTeatro PerformativoTeatro da RepetiçãoMaschere NudeTeatro Performativo.PirandelloDeleuzePerformative TheatreRepetition TheatreMaschere NudePirandelloDeleuzeThéâtre PerformatifThéâtre de la RépétitionMaschere NudeThis article is the result of practical research in the field of performing arts, with emphasis on processes and artistic achievements in studies focused in Pirandello’s scene studies. In search of a theatricality built from the intersection between theatre and performance, the dramaturgy of the Italian author is investigated from its head node: the acknowledgement by the playwright himself of the theatre’s unpower of representation. In this article, we organize documents and reflections derived from a year of practical activities around the Italian author’s scene and dramaturgy, revisited from a performative theatricality, in light of Deleuze’s concept of the theatre of repetition.Cet article est le résultat d’une recherche pratique dans le domaine des arts du spectacle, spécialement, des processus et réalisations artistiques autour de la scène de Pirandello. À la recherche d’une théâtralité construite à partir de l’intersection entre théâtre et performance, on étudie la dramaturgie de l’auteur italien depuis son noeud principal: sa constatation de l’impouvoir de représentation du théâtre. Dans le présent article, nous organisons des documents et des réflexions sur une année de pratiques autour de la scène et de la dramaturgie de Pirandello, revisitées à partir d’une théâtralité performative, à la lumière du concept de Deleuze du théâtre de la répétition.Este artigo é o resultado de pesquisa prática no campo das artes cênicas, com ênfase nos processos e resultados artísticos alcançados nos estudos de cena pirandellianos. Na busca de uma teatralidade construída a partir do cruzamento entre teatro e performance, investiga-se a dramaturgia do autor italiano a partir de seu nó principal: a constatação pelo próprio dramaturgo do impoder de representação do teatro. Neste artigo, organizamos documentos e reflexões de um ano de atividades práticas em torno da cena e da dramaturgia do autor italiano, revisitada a partir de uma teatralidade performativa, à luz do conceito deleuziano de teatro da repetição.Universidade Federal do Rio Grande do Sul2022-10-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/47073Brazilian Journal on Presence Studies; Vol. 4 No. 3 (2014): set./dez. 2014; 527-550Révue Brésilienne d'Études de la Présence; Vol. 4 No. 3 (2014): set./dez. 2014; 527-550Révue Brésilienne d'Études de la Présence; Vol. 4 No 3 (2014): set./dez. 2014; 527-550Revista Brasileira de Estudos da Presença; v. 4 n. 3 (2014): set./dez. 2014; 527-5502237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/47073/50610Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessRibeiro (Universidade Federal Fluminense, Niterói/RJ, Brasil), Martha de Mello2022-10-14T19:23:56Zoai:seer.ufrgs.br:article/47073Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-14T19:23:56Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv For a Performative Theatre in Pirandello: a brief dialogue with Deleuze and the theatre of repetition
Un Théâtre Performatif dans Pirandello: un dialogue court avec Deleuze et le théâtre de la répétition
Para um Teatro Performativo em Pirandello: um breve diálogo com Deleuze e o teatro da repetição
title For a Performative Theatre in Pirandello: a brief dialogue with Deleuze and the theatre of repetition
spellingShingle For a Performative Theatre in Pirandello: a brief dialogue with Deleuze and the theatre of repetition
Ribeiro (Universidade Federal Fluminense, Niterói/RJ, Brasil), Martha de Mello
Pirandello
Deleuze
Teatro Performativo
Teatro da Repetição
Maschere Nude
Teatro Performativo.
Pirandello
Deleuze
Performative Theatre
Repetition Theatre
Maschere Nude
Pirandello
Deleuze
Théâtre Performatif
Théâtre de la Répétition
Maschere Nude
title_short For a Performative Theatre in Pirandello: a brief dialogue with Deleuze and the theatre of repetition
title_full For a Performative Theatre in Pirandello: a brief dialogue with Deleuze and the theatre of repetition
title_fullStr For a Performative Theatre in Pirandello: a brief dialogue with Deleuze and the theatre of repetition
title_full_unstemmed For a Performative Theatre in Pirandello: a brief dialogue with Deleuze and the theatre of repetition
title_sort For a Performative Theatre in Pirandello: a brief dialogue with Deleuze and the theatre of repetition
author Ribeiro (Universidade Federal Fluminense, Niterói/RJ, Brasil), Martha de Mello
author_facet Ribeiro (Universidade Federal Fluminense, Niterói/RJ, Brasil), Martha de Mello
author_role author
dc.contributor.author.fl_str_mv Ribeiro (Universidade Federal Fluminense, Niterói/RJ, Brasil), Martha de Mello
dc.subject.por.fl_str_mv Pirandello
Deleuze
Teatro Performativo
Teatro da Repetição
Maschere Nude
Teatro Performativo.
Pirandello
Deleuze
Performative Theatre
Repetition Theatre
Maschere Nude
Pirandello
Deleuze
Théâtre Performatif
Théâtre de la Répétition
Maschere Nude
topic Pirandello
Deleuze
Teatro Performativo
Teatro da Repetição
Maschere Nude
Teatro Performativo.
Pirandello
Deleuze
Performative Theatre
Repetition Theatre
Maschere Nude
Pirandello
Deleuze
Théâtre Performatif
Théâtre de la Répétition
Maschere Nude
description This article is the result of practical research in the field of performing arts, with emphasis on processes and artistic achievements in studies focused in Pirandello’s scene studies. In search of a theatricality built from the intersection between theatre and performance, the dramaturgy of the Italian author is investigated from its head node: the acknowledgement by the playwright himself of the theatre’s unpower of representation. In this article, we organize documents and reflections derived from a year of practical activities around the Italian author’s scene and dramaturgy, revisited from a performative theatricality, in light of Deleuze’s concept of the theatre of repetition.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-14
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/47073
url https://seer.ufrgs.br/index.php/presenca/article/view/47073
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/47073/50610
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 4 No. 3 (2014): set./dez. 2014; 527-550
Révue Brésilienne d'Études de la Présence; Vol. 4 No. 3 (2014): set./dez. 2014; 527-550
Révue Brésilienne d'Études de la Présence; Vol. 4 No 3 (2014): set./dez. 2014; 527-550
Revista Brasileira de Estudos da Presença; v. 4 n. 3 (2014): set./dez. 2014; 527-550
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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