The Performative Presence in the Scenics Arts and the Improvisation

Detalhes bibliográficos
Autor(a) principal: Biancalana, Gisela Reis
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/22415
Resumo: This article makes a reflection about the relevance of improvisation aspect in the performative arts as a fomenter element of scenic presence. Performances can be defined by the moment when one or more bodies shows themselves to otherpeople eyes and the presence here means the performer ability to attract the viewer‟s attention to himself. The improvisational aspect comes out of these situations can be applied at many levels and many ways but mainly depends on the performer in his desire to do, namely, in giving psychophysically himself to his art.
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spelling The Performative Presence in the Scenics Arts and the ImprovisationLa Présence Performative dans les Arts de la Scène et l’ImprovisationA Presença Performativa nas Artes da Cena e a ImprovisaçãoPerformancePrésenceArts de la ScèneImprovisationDésirPerformancePresenceScenic ArtsImprovisationDesireperformancepresençaartes cênicasimprovisaçãodesejoThis article makes a reflection about the relevance of improvisation aspect in the performative arts as a fomenter element of scenic presence. Performances can be defined by the moment when one or more bodies shows themselves to otherpeople eyes and the presence here means the performer ability to attract the viewer‟s attention to himself. The improvisational aspect comes out of these situations can be applied at many levels and many ways but mainly depends on the performer in his desire to do, namely, in giving psychophysically himself to his art.Dans cet article, l‟auteur s‟interroge sur la pertinence de l‟improvisation issue des arts performatifs, en tant que stimulateur de la présence scénique. La notion de performance peut être définie comme le moment où l'un ou plusieurs corps se présentent devant d‟autres, et celle de présence est comprise ici comme la capacité du performer à attirer l'attention du spectateur sur lui. L‟improvisation, inhérente à ces situations, peut être appliquée à différents niveaux et de diverses manières, mais elle dépend surtout du performer et de son désir de faire, c‟est-à-dire de se donner psychophysiquement à son art. Este artigo faz uma reflexão sobre a relevância do aspecto improvisacional oriundo das artes performativas como elemento fomentador da presença cênica. Performances podem ser definidas pelo momento em que um ou mais corpos mostram-se para outros e a presença é aqui entendida como a habilidade do performer para atrair a atenção do espectador para si. O aspecto improvisacional inerente a estas situações pode ser aplicado em vários níveis e de várias formas, mas depende essencialmente do performer em seu desejo de fazer, ou seja, ao entregar-se psicofisicamente a sua arte. Universidade Federal do Rio Grande do Sul2022-10-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/22415Brazilian Journal on Presence Studies; Vol. 1 No. 1 (2011): jan./jun. 2011; 110-129Révue Brésilienne d'Études de la Présence; Vol. 1 No. 1 (2011): jan./jun. 2011; 110-129Révue Brésilienne d'Études de la Présence; Vol. 1 No 1 (2011): jan./jun. 2011; 110-129Revista Brasileira de Estudos da Presença; v. 1 n. 1 (2011): jan./jun. 2011; 110-1292237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/22415/50193Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessBiancalana, Gisela Reis2022-10-21T00:59:23Zoai:seer.ufrgs.br:article/22415Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-21T00:59:23Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv The Performative Presence in the Scenics Arts and the Improvisation
La Présence Performative dans les Arts de la Scène et l’Improvisation
A Presença Performativa nas Artes da Cena e a Improvisação
title The Performative Presence in the Scenics Arts and the Improvisation
spellingShingle The Performative Presence in the Scenics Arts and the Improvisation
Biancalana, Gisela Reis
Performance
Présence
Arts de la Scène
Improvisation
Désir
Performance
Presence
Scenic Arts
Improvisation
Desire
performance
presença
artes cênicas
improvisação
desejo
title_short The Performative Presence in the Scenics Arts and the Improvisation
title_full The Performative Presence in the Scenics Arts and the Improvisation
title_fullStr The Performative Presence in the Scenics Arts and the Improvisation
title_full_unstemmed The Performative Presence in the Scenics Arts and the Improvisation
title_sort The Performative Presence in the Scenics Arts and the Improvisation
author Biancalana, Gisela Reis
author_facet Biancalana, Gisela Reis
author_role author
dc.contributor.author.fl_str_mv Biancalana, Gisela Reis
dc.subject.por.fl_str_mv Performance
Présence
Arts de la Scène
Improvisation
Désir
Performance
Presence
Scenic Arts
Improvisation
Desire
performance
presença
artes cênicas
improvisação
desejo
topic Performance
Présence
Arts de la Scène
Improvisation
Désir
Performance
Presence
Scenic Arts
Improvisation
Desire
performance
presença
artes cênicas
improvisação
desejo
description This article makes a reflection about the relevance of improvisation aspect in the performative arts as a fomenter element of scenic presence. Performances can be defined by the moment when one or more bodies shows themselves to otherpeople eyes and the presence here means the performer ability to attract the viewer‟s attention to himself. The improvisational aspect comes out of these situations can be applied at many levels and many ways but mainly depends on the performer in his desire to do, namely, in giving psychophysically himself to his art.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-20
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/22415
url https://seer.ufrgs.br/index.php/presenca/article/view/22415
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/22415/50193
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 1 No. 1 (2011): jan./jun. 2011; 110-129
Révue Brésilienne d'Études de la Présence; Vol. 1 No. 1 (2011): jan./jun. 2011; 110-129
Révue Brésilienne d'Études de la Présence; Vol. 1 No 1 (2011): jan./jun. 2011; 110-129
Revista Brasileira de Estudos da Presença; v. 1 n. 1 (2011): jan./jun. 2011; 110-129
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
_version_ 1799766306738667520

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