PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing

Detalhes bibliográficos
Autor(a) principal: Alice (Universidade Federal do Estado do Rio de Janeiro, Rio de Janeiro, Brasil), Tania
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/45938
Resumo: The article proposes an enlargement of Pablo Helguera’s concept of socially engaged art, used to describe artistic works that blur the boundaries between social project and artistic project. From the analysis of the creation process of the performance “Bate-Papo na Cama” (Bed Time Talking), which consists in putting my bed in public spaces of different countries in the world, the article aims at thinking how the artistic practice can be intensified and deepened by the resources offered by Somatic Experiencing (SE). The practice, developed by Peter Levine, helps to think, design, and implement artistic border projects, not only between artistic and social projects, but that blurs frontiers with therapeutic plans, whether individual or collective, generating the concept of Relational Art Performance as Healing – RAPH.
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spelling PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencingPARC (Performances d’Art Relationnel comme Soin): art de la performance et somatic experiencingPARC (Performances de Arte Relacional como Cura): performance e somatic experiencingperformancearte relacionalExperiência Somática®arte socialmente engajadaespaço público.performanceexperiência somáticaThe article proposes an enlargement of Pablo Helguera’s concept of socially engaged art, used to describe artistic works that blur the boundaries between social project and artistic project. From the analysis of the creation process of the performance “Bate-Papo na Cama” (Bed Time Talking), which consists in putting my bed in public spaces of different countries in the world, the article aims at thinking how the artistic practice can be intensified and deepened by the resources offered by Somatic Experiencing (SE). The practice, developed by Peter Levine, helps to think, design, and implement artistic border projects, not only between artistic and social projects, but that blurs frontiers with therapeutic plans, whether individual or collective, generating the concept of Relational Art Performance as Healing – RAPH.L’article propose un élargissement du concept d’art socialement engagé de Pablo Helguera, utilisé pour décrire des travaux artistiques qui brouillent les frontières entre projet social et projet artistique. En partant de l’analyse du processus de création de la performance Discussion au Lit et qui consiste a placer mon lit dans des espaces publics de divers pays du monde, l’article propose une réflexion sur la manière dont une performance peut être approfondie et enrichie par les ressources offertes par l’expérience somatique (SE) de Peter Levine, conduisant ainsi à la possibilité de concevoir, élaborer et réaliser des projets qui seraient non seulement à la frontière du projet social et du projet artistique, mais qui incluraient également, ce faisant, le projet thérapeutique individuel ou collectif, gérant le concept de PARC (Performances de Arte Relacional como Cura) – Performances d’Art Relationnel comme Soin.O artigo propõe um alargamento do conceito de arte socialmente engajada de Pablo Helguera, utilizado para descrever trabalhos artísticos que borram as fronteiras entre projeto social e projeto artístico. A partir da análise do processo de criação da performance Bate-Papo na Cama, e que consiste em colocar a minha cama em espaços públicos de diferentes países do mundo, o artigo pretende pensar como a prática artística pode ser intensificada e aprofundada pelos recursos oferecidos pelo somatic experiencing (SE) A prática, desenvolvida por Peter Levine, ajuda a pensar, conceber e realizar projetos artísticos fronteiriços não somente entre projeto artístico e projeto social, mas também que borrem as fronteiras com o projeto terapêutico, seja ele individual ou coletivo, gerando o conceito de performances de arte relacional como cura (PARC).Universidade Federal do Rio Grande do Sul2022-10-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/45938Brazilian Journal on Presence Studies; Vol. 5 No. 2 (2015): maio/ago. 2015; 396-412Révue Brésilienne d'Études de la Présence; Vol. 5 No. 2 (2015): maio/ago. 2015; 396-412Révue Brésilienne d'Études de la Présence; Vol. 5 No 2 (2015): maio/ago. 2015; 396-412Revista Brasileira de Estudos da Presença; v. 5 n. 2 (2015): maio/ago. 2015; 396-4122237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/45938/50546Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessAlice (Universidade Federal do Estado do Rio de Janeiro, Rio de Janeiro, Brasil), Tania2022-10-13T18:30:53Zoai:seer.ufrgs.br:article/45938Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-13T18:30:53Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing
PARC (Performances d’Art Relationnel comme Soin): art de la performance et somatic experiencing
PARC (Performances de Arte Relacional como Cura): performance e somatic experiencing
title PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing
spellingShingle PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing
Alice (Universidade Federal do Estado do Rio de Janeiro, Rio de Janeiro, Brasil), Tania
performance
arte relacional
Experiência Somática®
arte socialmente engajada
espaço público.
performance
experiência somática
title_short PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing
title_full PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing
title_fullStr PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing
title_full_unstemmed PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing
title_sort PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing
author Alice (Universidade Federal do Estado do Rio de Janeiro, Rio de Janeiro, Brasil), Tania
author_facet Alice (Universidade Federal do Estado do Rio de Janeiro, Rio de Janeiro, Brasil), Tania
author_role author
dc.contributor.author.fl_str_mv Alice (Universidade Federal do Estado do Rio de Janeiro, Rio de Janeiro, Brasil), Tania
dc.subject.por.fl_str_mv performance
arte relacional
Experiência Somática®
arte socialmente engajada
espaço público.
performance
experiência somática
topic performance
arte relacional
Experiência Somática®
arte socialmente engajada
espaço público.
performance
experiência somática
description The article proposes an enlargement of Pablo Helguera’s concept of socially engaged art, used to describe artistic works that blur the boundaries between social project and artistic project. From the analysis of the creation process of the performance “Bate-Papo na Cama” (Bed Time Talking), which consists in putting my bed in public spaces of different countries in the world, the article aims at thinking how the artistic practice can be intensified and deepened by the resources offered by Somatic Experiencing (SE). The practice, developed by Peter Levine, helps to think, design, and implement artistic border projects, not only between artistic and social projects, but that blurs frontiers with therapeutic plans, whether individual or collective, generating the concept of Relational Art Performance as Healing – RAPH.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/45938
url https://seer.ufrgs.br/index.php/presenca/article/view/45938
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/45938/50546
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 5 No. 2 (2015): maio/ago. 2015; 396-412
Révue Brésilienne d'Études de la Présence; Vol. 5 No. 2 (2015): maio/ago. 2015; 396-412
Révue Brésilienne d'Études de la Présence; Vol. 5 No 2 (2015): maio/ago. 2015; 396-412
Revista Brasileira de Estudos da Presença; v. 5 n. 2 (2015): maio/ago. 2015; 396-412
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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