Brazilian Cantoria and Slam: poetics of performance

Detalhes bibliográficos
Autor(a) principal: Souza, Tiago Barbosa
Data de Publicação: 2021
Outros Autores: Kunz, Martine Suzanne
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/111557
Resumo: This article proposes to compare two oral poetic genres, cantoria and slam, from the perspective of performance art, exploring their similarities and differences. Based on performance art studies and reference works on the two genres, thought of as a poetics that constitutes itself as a technique, it is proposed to consider the body’s use as a technical object (Mauss, 2003). The importance of the improvisation in cantoria and the unprecedented feature of slam are emphasized, while the aim is to highlight the scenic character of the two poetic acts marked by speed and forcefulness in the game. The text points out as a result the verification of this analogy between the two genres based on the scenic character of their performance.
id UFRGS-17_f874906c132b5578370521c1dca1458d
oai_identifier_str oai:seer.ufrgs.br:article/111557
network_acronym_str UFRGS-17
network_name_str Revista Brasileira de Estudos da Presença
repository_id_str
spelling Brazilian Cantoria and Slam: poetics of performanceBrazilian Cantoria and Slam: poetics of performanceSlamCantoriaPerformanceComparative literatureBodySlam. Cantoria. Performance. Comparative literature. Body.This article proposes to compare two oral poetic genres, cantoria and slam, from the perspective of performance art, exploring their similarities and differences. Based on performance art studies and reference works on the two genres, thought of as a poetics that constitutes itself as a technique, it is proposed to consider the body’s use as a technical object (Mauss, 2003). The importance of the improvisation in cantoria and the unprecedented feature of slam are emphasized, while the aim is to highlight the scenic character of the two poetic acts marked by speed and forcefulness in the game. The text points out as a result the verification of this analogy between the two genres based on the scenic character of their performance.This article aims to compare two oral poetic genres, cantoria and slam, from the perspective of performance art, exploring their similarities and differences. Based on performance art studies and scholarly works on the two genres, viewed as poetics constituted as a technique, the authors consider the body's use as a technical object (Mauss, 2003). The importance of improvisation in cantoria and the unprecedented feature of slam are emphasized, while the goal is to highlight the scenic character of the two poetic acts marked by speed and forcefulness in the game. The text verifies the analogy drawn between the two genres based on the scenic character of their performance.Universidade Federal do Rio Grande do Sul2021-04-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/111557Brazilian Journal on Presence Studies; Vol. 11 No. 2 (2021): Abr./Jun. 2021; 01-22Révue Brésilienne d'Études de la Présence; Vol. 11 No. 2 (2021): Abr./Jun. 2021; 01-22Révue Brésilienne d'Études de la Présence; Vol. 11 No 2 (2021): Abr./Jun. 2021; 01-22Revista Brasileira de Estudos da Presença; v. 11 n. 2 (2021): Abr./Jun. 2021; 01-222237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/111557/61310Copyright (c) 2021 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessSouza, Tiago BarbosaKunz, Martine Suzanne2021-04-13T00:31:41Zoai:seer.ufrgs.br:article/111557Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2021-04-13T00:31:41Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Brazilian Cantoria and Slam: poetics of performance
Brazilian Cantoria and Slam: poetics of performance
title Brazilian Cantoria and Slam: poetics of performance
spellingShingle Brazilian Cantoria and Slam: poetics of performance
Souza, Tiago Barbosa
Slam
Cantoria
Performance
Comparative literature
Body
Slam. Cantoria. Performance. Comparative literature. Body.
title_short Brazilian Cantoria and Slam: poetics of performance
title_full Brazilian Cantoria and Slam: poetics of performance
title_fullStr Brazilian Cantoria and Slam: poetics of performance
title_full_unstemmed Brazilian Cantoria and Slam: poetics of performance
title_sort Brazilian Cantoria and Slam: poetics of performance
author Souza, Tiago Barbosa
author_facet Souza, Tiago Barbosa
Kunz, Martine Suzanne
author_role author
author2 Kunz, Martine Suzanne
author2_role author
dc.contributor.author.fl_str_mv Souza, Tiago Barbosa
Kunz, Martine Suzanne
dc.subject.por.fl_str_mv Slam
Cantoria
Performance
Comparative literature
Body
Slam. Cantoria. Performance. Comparative literature. Body.
topic Slam
Cantoria
Performance
Comparative literature
Body
Slam. Cantoria. Performance. Comparative literature. Body.
description This article proposes to compare two oral poetic genres, cantoria and slam, from the perspective of performance art, exploring their similarities and differences. Based on performance art studies and reference works on the two genres, thought of as a poetics that constitutes itself as a technique, it is proposed to consider the body’s use as a technical object (Mauss, 2003). The importance of the improvisation in cantoria and the unprecedented feature of slam are emphasized, while the aim is to highlight the scenic character of the two poetic acts marked by speed and forcefulness in the game. The text points out as a result the verification of this analogy between the two genres based on the scenic character of their performance.
publishDate 2021
dc.date.none.fl_str_mv 2021-04-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/111557
url https://seer.ufrgs.br/index.php/presenca/article/view/111557
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/111557/61310
dc.rights.driver.fl_str_mv Copyright (c) 2021 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 11 No. 2 (2021): Abr./Jun. 2021; 01-22
Révue Brésilienne d'Études de la Présence; Vol. 11 No. 2 (2021): Abr./Jun. 2021; 01-22
Révue Brésilienne d'Études de la Présence; Vol. 11 No 2 (2021): Abr./Jun. 2021; 01-22
Revista Brasileira de Estudos da Presença; v. 11 n. 2 (2021): Abr./Jun. 2021; 01-22
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
_version_ 1799766310012321792

Registros relacionados