Theatre and Neurosciences: from expanded intention to the spectator’s performative experience

Detalhes bibliográficos
Autor(a) principal: Sofia, Gabriele
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/25715
Resumo: This text deals with the study of theatre as intersubjective relationships between human beings, highlighting the dialogue with researches in cognitive neurosciences. It presents a comparison between these two disciplines, guided by the question: if the actor on stage organizes his own body-mind system in a different way, is it possible to study this difference in terms of neuroscience? It discusses the answer to that question from the need to formulate theoretical hypotheses to prepare and forward experimentations: expanded intention, ambiguity of the actor, the co-constitution of scenic space and the spectator’s performative experience.
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spelling Theatre and Neurosciences: from expanded intention to the spectator’s performative experienceThéâtre et Neurosciences: de l’intention dilatée à l’expérience performative du spectateurThéâtre et Neurosciences: de l’intention dilatée à l’expérience performative du spectateurTeatro e Neurociência: da intenção dilatada à experiência performativa do espectadorActeurSpectateurNeurosciencesPhénoménologieIntersubjectivitéAtorEspectadorNeurociênciasFenomenologiaIntersubjetividadeActorSpectatorNeurosciencesPhenomenologyIntersubjectivityActeur. SpectateurNeurosciencesPhénoménologieIntersubjectivitéThis text deals with the study of theatre as intersubjective relationships between human beings, highlighting the dialogue with researches in cognitive neurosciences. It presents a comparison between these two disciplines, guided by the question: if the actor on stage organizes his own body-mind system in a different way, is it possible to study this difference in terms of neuroscience? It discusses the answer to that question from the need to formulate theoretical hypotheses to prepare and forward experimentations: expanded intention, ambiguity of the actor, the co-constitution of scenic space and the spectator’s performative experience.Ce texte envisage l’étude du théâtre comme une relation intersubjective entre les êtres humains et propose, dans cette perspective, un dialogue avec les recherches récentes en neurosciences cognitives. Il met en place une comparaison entre ces deux champs disciplinaires. Cette analyse comparative est guidée par la question: si l’acteur sur scène organise son propre système corps-esprit de manière différente, est-il possible d’étudier cette différence d’un point de vue neuroscientifique ? Pour tenter d’y répondre, l’auteur formule quelques hypothèses théoriques qui préparent et qui conduisent aux expérimentations : l’intention dilatée, l’ambigüité de l’acteur, la co-constitution de l’espace scénique et l’expérience performative du spectateur.Ce texte envisage l’étude du théâtre comme une relation intersubjective entre les êtres humains et propose, dans cette perspective, un dialogue avec les recherches récentes en neurosciences cognitives. Il met en place une comparaison entre ces deux champs disciplinaires. Cette analyse comparative est guidée par la question: si l’acteur sur scène organise son propre système corps-esprit de manière différente, est-il possible d’étudier cette différence d’un point de vue neuroscientifique ? Pour tenter d’y répondre, l’auteur formule quelques hypothèses théoriques qui préparent et qui conduisent aux expérimentations : l’intention dilatée, l’ambigüité de l’acteur, la co-constitution de l’espace scénique et l’expérience performative du spectateur.Este texto trata do estudo do teatro como relação intersubjetiva entre seres humanos e põe em evidência o diálogo com as recentes pesquisas das neurociências cognitivas. Apresenta-se uma comparação entres esses dois campos disciplinares e guia-se tal comparação a partir da pergunta: se o ator em cena organiza o próprio sistema corpo-mente de maneira diferente, é possível estudar essa diferença do ponto de vista neurocientífico? Discute-se a resposta para essa pergunta a partir da necessidade da formulação de algumas hipóteses teóricas que preparam e encaminham as experimentações: a intenção dilatada, a ambiguidade do ator, a co-constituição do espaço cênico e a experiência performativa do espectador.Universidade Federal do Rio Grande do Sul2022-10-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/25715Brazilian Journal on Presence Studies; Vol. 2 No. 1 (2012): jan./jun. 2012; 78-98Révue Brésilienne d'Études de la Présence; Vol. 2 No. 1 (2012): jan./jun. 2012; 78-98Révue Brésilienne d'Études de la Présence; Vol. 2 No 1 (2012): jan./jun. 2012; 78-98Revista Brasileira de Estudos da Presença; v. 2 n. 1 (2012): jan./jun. 2012; 78-982237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/25715/50160Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessSofia, Gabriele2022-10-19T12:48:22Zoai:seer.ufrgs.br:article/25715Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-19T12:48:22Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Theatre and Neurosciences: from expanded intention to the spectator’s performative experience
Théâtre et Neurosciences: de l’intention dilatée à l’expérience performative du spectateur
Théâtre et Neurosciences: de l’intention dilatée à l’expérience performative du spectateur
Teatro e Neurociência: da intenção dilatada à experiência performativa do espectador
title Theatre and Neurosciences: from expanded intention to the spectator’s performative experience
spellingShingle Theatre and Neurosciences: from expanded intention to the spectator’s performative experience
Sofia, Gabriele
Acteur
Spectateur
Neurosciences
Phénoménologie
Intersubjectivité
Ator
Espectador
Neurociências
Fenomenologia
Intersubjetividade
Actor
Spectator
Neurosciences
Phenomenology
Intersubjectivity
Acteur. Spectateur
Neurosciences
Phénoménologie
Intersubjectivité
title_short Theatre and Neurosciences: from expanded intention to the spectator’s performative experience
title_full Theatre and Neurosciences: from expanded intention to the spectator’s performative experience
title_fullStr Theatre and Neurosciences: from expanded intention to the spectator’s performative experience
title_full_unstemmed Theatre and Neurosciences: from expanded intention to the spectator’s performative experience
title_sort Theatre and Neurosciences: from expanded intention to the spectator’s performative experience
author Sofia, Gabriele
author_facet Sofia, Gabriele
author_role author
dc.contributor.author.fl_str_mv Sofia, Gabriele
dc.subject.por.fl_str_mv Acteur
Spectateur
Neurosciences
Phénoménologie
Intersubjectivité
Ator
Espectador
Neurociências
Fenomenologia
Intersubjetividade
Actor
Spectator
Neurosciences
Phenomenology
Intersubjectivity
Acteur. Spectateur
Neurosciences
Phénoménologie
Intersubjectivité
topic Acteur
Spectateur
Neurosciences
Phénoménologie
Intersubjectivité
Ator
Espectador
Neurociências
Fenomenologia
Intersubjetividade
Actor
Spectator
Neurosciences
Phenomenology
Intersubjectivity
Acteur. Spectateur
Neurosciences
Phénoménologie
Intersubjectivité
description This text deals with the study of theatre as intersubjective relationships between human beings, highlighting the dialogue with researches in cognitive neurosciences. It presents a comparison between these two disciplines, guided by the question: if the actor on stage organizes his own body-mind system in a different way, is it possible to study this difference in terms of neuroscience? It discusses the answer to that question from the need to formulate theoretical hypotheses to prepare and forward experimentations: expanded intention, ambiguity of the actor, the co-constitution of scenic space and the spectator’s performative experience.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/25715
url https://seer.ufrgs.br/index.php/presenca/article/view/25715
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/25715/50160
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 2 No. 1 (2012): jan./jun. 2012; 78-98
Révue Brésilienne d'Études de la Présence; Vol. 2 No. 1 (2012): jan./jun. 2012; 78-98
Révue Brésilienne d'Études de la Présence; Vol. 2 No 1 (2012): jan./jun. 2012; 78-98
Revista Brasileira de Estudos da Presença; v. 2 n. 1 (2012): jan./jun. 2012; 78-98
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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