Composition Plans in Action: poetics of everyday possibilities

Detalhes bibliográficos
Autor(a) principal: Rabelo, Flávio
Data de Publicação: 2022
Outros Autores: Ferracini, Renato, Reis (Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brasil), Bruna
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/58386
Resumo: This paper discusses the notion of performative action as compositional plans in action, shifting the idea of presence to relational processes in which the intensity of lived experience is refreshed in the game framed in each moment. To this end, we draw from a research experience developed by Núcleo Fuga! as a creative process that aims to engender framings that strain the bond between real and fictional. Hence, in a flow from the chosen procedures, artists and public articulate enticements and modes of relationship mediated by hybrid poetics of dance, theater and performance, intending, as consequence, to open the senses to the instant dramaturgies that habit offers. That process is fed by the underlying assumption that Real and Fiction are overlapping plans in a virtual space in which poetic action is refreshed by the artists at play, shooting cartographic compositions supported by the relations between body, environment and dramaturgy. 
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spelling Composition Plans in Action: poetics of everyday possibilitiesPlans de Composition en Action: possibilités poétiques du quotidienPlans de Composition en Action: possibilités poétiques du quotidienPlanos de Composição em Ato: possibilidades poéticas do cotidianoComposição em AtoVirtualPresençaFicçãoRealidadeProcessos CriativosProcessos HíbridosAtuaçãoPerformanceComposition-in-ActionVirtualPresenceFictionRealityComposition en ActionVirtuelPrésenceFictionRéalitéComposition en ActionVirtuelPrésenceFictionRéalitéThis paper discusses the notion of performative action as compositional plans in action, shifting the idea of presence to relational processes in which the intensity of lived experience is refreshed in the game framed in each moment. To this end, we draw from a research experience developed by Núcleo Fuga! as a creative process that aims to engender framings that strain the bond between real and fictional. Hence, in a flow from the chosen procedures, artists and public articulate enticements and modes of relationship mediated by hybrid poetics of dance, theater and performance, intending, as consequence, to open the senses to the instant dramaturgies that habit offers. That process is fed by the underlying assumption that Real and Fiction are overlapping plans in a virtual space in which poetic action is refreshed by the artists at play, shooting cartographic compositions supported by the relations between body, environment and dramaturgy. Cet article discute la notion d’action performative en tant que plans de composition en action, déplaçant l’idée de présence vers celle de processus relationnels, dans lesquels l’intensité de l’expérience vécue s’actualise dans le jeu construit à chaque instant. A cette fin, nous nous appuyons sur l’expérience d’une recherche développée par le Núcleo Fuga! comme processus créatif qui cherche à fabriquer des perspectives capables de déployer un lien entre le réel et le fictif. De cette forme, à partir des procédures choisies, les artistes et le public articulent des invitations et des formes de mise en relation à travers une poétique hybride entre la danse, le théâtre et la performance. Ils essaient, ainsi, d’ouvrir leur écoute aux dramaturgies instantanées que le quotidien propose. Partant du présupposé que le Réel et la Fiction sont des plans superposés, existants dans une zone virtuelle que, lorsqu’elle est actualisée par les artistes sur la scène par des actions poétiques, déclenche des compositions cartographiques basées sur les relations corps-environnement-dramaturgie. Cet article discute la notion d’action performative en tant que plans de composition en action, déplaçant l’idée de présence vers celle de processus relationnels, dans lesquels l’intensité de l’expérience vécue s’actualise dans le jeu construit à chaque instant. A cette fin, nous nous appuyons sur l’expérience d’une recherche développée par le Núcleo Fuga! comme processus créatif qui cherche à fabriquer des perspectives capables de déployer un lien entre le réel et le fictif. De cette forme, à partir des procédures choisies, les artistes et le public articulent des invitations et des formes de mise en relation à travers une poétique hybride entre la danse, le théâtre et la performance. Ils essaient, ainsi, d’ouvrir leur écoute aux dramaturgies instantanées que le quotidien propose. Partant du présupposé que le Réel et la Fiction sont des plans superposés, existants dans une zone virtuelle que, lorsqu’elle est actualisée par les artistes sur la scène par des actions poétiques, déclenche des compositions cartographiques basées sur les relations corps-environnement-dramaturgie. Este artigo discute a noção de ação performativa como planos de composição em ato, deslocando a ideia de presença para processos relacionais, nos quais a intensidade da experiência vivida se atualiza no jogo construído a cada instante. Para tanto, apoiamo-nos na experiência de uma pesquisa desenvolvida pelo Núcleo Fuga! como processo criativo que busca fabricar enquadres que tensionam o nexo entre real e ficcional. Desse modo, a partir dos procedimentos escolhidos, artistas e público articulam convites e modos de relação mediados por uma poética híbrida entre dança, teatro e performance, tentando, assim, abrir a escuta às dramaturgias instantâneas que o cotidiano oferece. Tal intento parte do pressuposto de que o Real e a Ficção são planos sobrepostos, existentes numa zona virtual que, ao ser atualizada em ações poéticas pelos artistas em cena, dispara composições cartográficas apoiadas nas relações corpo-ambiente-dramaturgia.Universidade Federal do Rio Grande do Sul2022-10-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/58386Brazilian Journal on Presence Studies; Vol. 6 No. 2 (2016): May/Aug. 2016; 267-286Révue Brésilienne d'Études de la Présence; Vol. 6 No. 2 (2016): Mai/Aôut 2016; 267-286Révue Brésilienne d'Études de la Présence; Vol. 6 No 2 (2016): maio/ago. 2016; 267-286Revista Brasileira de Estudos da Presença; v. 6 n. 2 (2016): maio/ago. 2016; 267-2862237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/58386/50456Rabelo, FlávioFerracini, RenatoReis (Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brasil), Brunainfo:eu-repo/semantics/openAccess2022-10-12T19:22:18Zoai:seer.ufrgs.br:article/58386Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-12T19:22:18Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Composition Plans in Action: poetics of everyday possibilities
Plans de Composition en Action: possibilités poétiques du quotidien
Plans de Composition en Action: possibilités poétiques du quotidien
Planos de Composição em Ato: possibilidades poéticas do cotidiano
title Composition Plans in Action: poetics of everyday possibilities
spellingShingle Composition Plans in Action: poetics of everyday possibilities
Rabelo, Flávio
Composição em Ato
Virtual
Presença
Ficção
Realidade
Processos Criativos
Processos Híbridos
Atuação
Performance
Composition-in-Action
Virtual
Presence
Fiction
Reality
Composition en Action
Virtuel
Présence
Fiction
Réalité
Composition en Action
Virtuel
Présence
Fiction
Réalité
title_short Composition Plans in Action: poetics of everyday possibilities
title_full Composition Plans in Action: poetics of everyday possibilities
title_fullStr Composition Plans in Action: poetics of everyday possibilities
title_full_unstemmed Composition Plans in Action: poetics of everyday possibilities
title_sort Composition Plans in Action: poetics of everyday possibilities
author Rabelo, Flávio
author_facet Rabelo, Flávio
Ferracini, Renato
Reis (Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brasil), Bruna
author_role author
author2 Ferracini, Renato
Reis (Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brasil), Bruna
author2_role author
author
dc.contributor.author.fl_str_mv Rabelo, Flávio
Ferracini, Renato
Reis (Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brasil), Bruna
dc.subject.por.fl_str_mv Composição em Ato
Virtual
Presença
Ficção
Realidade
Processos Criativos
Processos Híbridos
Atuação
Performance
Composition-in-Action
Virtual
Presence
Fiction
Reality
Composition en Action
Virtuel
Présence
Fiction
Réalité
Composition en Action
Virtuel
Présence
Fiction
Réalité
topic Composição em Ato
Virtual
Presença
Ficção
Realidade
Processos Criativos
Processos Híbridos
Atuação
Performance
Composition-in-Action
Virtual
Presence
Fiction
Reality
Composition en Action
Virtuel
Présence
Fiction
Réalité
Composition en Action
Virtuel
Présence
Fiction
Réalité
description This paper discusses the notion of performative action as compositional plans in action, shifting the idea of presence to relational processes in which the intensity of lived experience is refreshed in the game framed in each moment. To this end, we draw from a research experience developed by Núcleo Fuga! as a creative process that aims to engender framings that strain the bond between real and fictional. Hence, in a flow from the chosen procedures, artists and public articulate enticements and modes of relationship mediated by hybrid poetics of dance, theater and performance, intending, as consequence, to open the senses to the instant dramaturgies that habit offers. That process is fed by the underlying assumption that Real and Fiction are overlapping plans in a virtual space in which poetic action is refreshed by the artists at play, shooting cartographic compositions supported by the relations between body, environment and dramaturgy. 
publishDate 2022
dc.date.none.fl_str_mv 2022-10-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/58386
url https://seer.ufrgs.br/index.php/presenca/article/view/58386
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/58386/50456
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 6 No. 2 (2016): May/Aug. 2016; 267-286
Révue Brésilienne d'Études de la Présence; Vol. 6 No. 2 (2016): Mai/Aôut 2016; 267-286
Révue Brésilienne d'Études de la Présence; Vol. 6 No 2 (2016): maio/ago. 2016; 267-286
Revista Brasileira de Estudos da Presença; v. 6 n. 2 (2016): maio/ago. 2016; 267-286
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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