CINCO CONTEMPORÂNEAS ANGLÓFONAS DE CAROLINA MARIA DE JESUS

Detalhes bibliográficos
Autor(a) principal: Alexander, Ian
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Organon (Porto Alegre. Online)
Texto Completo: https://seer.ufrgs.br/index.php/organon/article/view/125166
Resumo: This article seeks to establish an English-language context for a comparative reading of Quarto de despejo (1960), by Carolina Maria de Jesus (1914-1977), published in 1962 in New York under the title Child of the Dark, and in London as Beyond All Pity. Roberta Flores Pedroso describes de Jesus as a “poor, semi-schooled Black migrant woman” who became a publishing phenomenon. This article presents five Black women authors, writing in English, born between 1904 and 1924 in countries beyond the centers of power in the North Atlantic, and discusses the ways in which the terms poor, semi-schooled, migrant and publishing phenomenon need to be relativized in order to make the comparison. The authors discussed are Oodgeroo Noonuccal (1920-1993) and Faith Bandler (1918-2015), from Australia; Ellen Kuzwayo (1914-2006), from South Africa, and Una Marson (1905-1965) and Louise Bennett (1919-2006), from Jamaica.
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spelling CINCO CONTEMPORÂNEAS ANGLÓFONAS DE CAROLINA MARIA DE JESUSThis article seeks to establish an English-language context for a comparative reading of Quarto de despejo (1960), by Carolina Maria de Jesus (1914-1977), published in 1962 in New York under the title Child of the Dark, and in London as Beyond All Pity. Roberta Flores Pedroso describes de Jesus as a “poor, semi-schooled Black migrant woman” who became a publishing phenomenon. This article presents five Black women authors, writing in English, born between 1904 and 1924 in countries beyond the centers of power in the North Atlantic, and discusses the ways in which the terms poor, semi-schooled, migrant and publishing phenomenon need to be relativized in order to make the comparison. The authors discussed are Oodgeroo Noonuccal (1920-1993) and Faith Bandler (1918-2015), from Australia; Ellen Kuzwayo (1914-2006), from South Africa, and Una Marson (1905-1965) and Louise Bennett (1919-2006), from Jamaica.Roberta Flores Pedroso descreve Carolina Maria de Jesus (1914-1977), autora de Quarto de despejo (1960), como “mulher negra, pobre, semialfabetizada e migrante” que “se tornou um fenômeno editorial”. Na tentativa de estabelecer um contexto anglófono para a leitura comparativa de Quarto de despejo, este artigo apresenta cinco autoras negras, anglófonas, de países periféricos, nascidas entre 1904 e 1924, e analisa de quais maneiras os termos pobre, semialfabetizada, migrante e fenômeno editorial devem ser relativizados para poder fazer a comparação. As autoras são Oodgeroo Noonuccal (1920-1993) e Faith Bandler (1918-2015), da Austrália; Ellen Kuzwayo (1914-2006), da África do Sul, e Una Marson (1905-1965) e Louise Bennett (1919-2006), da Jamaica.Universidade Federal do Rio Grande do Sul2022-12-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/organon/article/view/12516610.22456/2238-8915.125166Organon; v. 37 n. 74 (2022): Figuras negras nas literaturas das Américas2238-89150102-6267reponame:Organon (Porto Alegre. Online)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/organon/article/view/125166/87439http://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessAlexander, Ian2022-12-27T15:48:50Zoai:seer.ufrgs.br:article/125166Revistahttp://seer.ufrgs.br/organon/indexPUBhttp://seer.ufrgs.br/index.php/organon/oai||organon@ufrgs.br2238-89150102-6267opendoar:2022-12-27T15:48:50Organon (Porto Alegre. Online) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv CINCO CONTEMPORÂNEAS ANGLÓFONAS DE CAROLINA MARIA DE JESUS
title CINCO CONTEMPORÂNEAS ANGLÓFONAS DE CAROLINA MARIA DE JESUS
spellingShingle CINCO CONTEMPORÂNEAS ANGLÓFONAS DE CAROLINA MARIA DE JESUS
Alexander, Ian
title_short CINCO CONTEMPORÂNEAS ANGLÓFONAS DE CAROLINA MARIA DE JESUS
title_full CINCO CONTEMPORÂNEAS ANGLÓFONAS DE CAROLINA MARIA DE JESUS
title_fullStr CINCO CONTEMPORÂNEAS ANGLÓFONAS DE CAROLINA MARIA DE JESUS
title_full_unstemmed CINCO CONTEMPORÂNEAS ANGLÓFONAS DE CAROLINA MARIA DE JESUS
title_sort CINCO CONTEMPORÂNEAS ANGLÓFONAS DE CAROLINA MARIA DE JESUS
author Alexander, Ian
author_facet Alexander, Ian
author_role author
dc.contributor.author.fl_str_mv Alexander, Ian
description This article seeks to establish an English-language context for a comparative reading of Quarto de despejo (1960), by Carolina Maria de Jesus (1914-1977), published in 1962 in New York under the title Child of the Dark, and in London as Beyond All Pity. Roberta Flores Pedroso describes de Jesus as a “poor, semi-schooled Black migrant woman” who became a publishing phenomenon. This article presents five Black women authors, writing in English, born between 1904 and 1924 in countries beyond the centers of power in the North Atlantic, and discusses the ways in which the terms poor, semi-schooled, migrant and publishing phenomenon need to be relativized in order to make the comparison. The authors discussed are Oodgeroo Noonuccal (1920-1993) and Faith Bandler (1918-2015), from Australia; Ellen Kuzwayo (1914-2006), from South Africa, and Una Marson (1905-1965) and Louise Bennett (1919-2006), from Jamaica.
publishDate 2022
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dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/organon/article/view/125166/87439
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dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Organon; v. 37 n. 74 (2022): Figuras negras nas literaturas das Américas
2238-8915
0102-6267
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