CINCO CONTEMPORÂNEAS ANGLÓFONAS DE CAROLINA MARIA DE JESUS
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Organon (Porto Alegre. Online) |
DOI: | 10.22456/2238-8915.125166 |
Texto Completo: | https://seer.ufrgs.br/index.php/organon/article/view/125166 |
Resumo: | This article seeks to establish an English-language context for a comparative reading of Quarto de despejo (1960), by Carolina Maria de Jesus (1914-1977), published in 1962 in New York under the title Child of the Dark, and in London as Beyond All Pity. Roberta Flores Pedroso describes de Jesus as a “poor, semi-schooled Black migrant woman” who became a publishing phenomenon. This article presents five Black women authors, writing in English, born between 1904 and 1924 in countries beyond the centers of power in the North Atlantic, and discusses the ways in which the terms poor, semi-schooled, migrant and publishing phenomenon need to be relativized in order to make the comparison. The authors discussed are Oodgeroo Noonuccal (1920-1993) and Faith Bandler (1918-2015), from Australia; Ellen Kuzwayo (1914-2006), from South Africa, and Una Marson (1905-1965) and Louise Bennett (1919-2006), from Jamaica. |
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CINCO CONTEMPORÂNEAS ANGLÓFONAS DE CAROLINA MARIA DE JESUSThis article seeks to establish an English-language context for a comparative reading of Quarto de despejo (1960), by Carolina Maria de Jesus (1914-1977), published in 1962 in New York under the title Child of the Dark, and in London as Beyond All Pity. Roberta Flores Pedroso describes de Jesus as a “poor, semi-schooled Black migrant woman” who became a publishing phenomenon. This article presents five Black women authors, writing in English, born between 1904 and 1924 in countries beyond the centers of power in the North Atlantic, and discusses the ways in which the terms poor, semi-schooled, migrant and publishing phenomenon need to be relativized in order to make the comparison. The authors discussed are Oodgeroo Noonuccal (1920-1993) and Faith Bandler (1918-2015), from Australia; Ellen Kuzwayo (1914-2006), from South Africa, and Una Marson (1905-1965) and Louise Bennett (1919-2006), from Jamaica.Roberta Flores Pedroso descreve Carolina Maria de Jesus (1914-1977), autora de Quarto de despejo (1960), como “mulher negra, pobre, semialfabetizada e migrante” que “se tornou um fenômeno editorial”. Na tentativa de estabelecer um contexto anglófono para a leitura comparativa de Quarto de despejo, este artigo apresenta cinco autoras negras, anglófonas, de países periféricos, nascidas entre 1904 e 1924, e analisa de quais maneiras os termos pobre, semialfabetizada, migrante e fenômeno editorial devem ser relativizados para poder fazer a comparação. As autoras são Oodgeroo Noonuccal (1920-1993) e Faith Bandler (1918-2015), da Austrália; Ellen Kuzwayo (1914-2006), da África do Sul, e Una Marson (1905-1965) e Louise Bennett (1919-2006), da Jamaica.Universidade Federal do Rio Grande do Sul2022-12-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/organon/article/view/12516610.22456/2238-8915.125166Organon; v. 37 n. 74 (2022): Figuras negras nas literaturas das Américas2238-89150102-6267reponame:Organon (Porto Alegre. Online)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/organon/article/view/125166/87439http://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessAlexander, Ian2022-12-27T15:48:50Zoai:seer.ufrgs.br:article/125166Revistahttp://seer.ufrgs.br/organon/indexPUBhttp://seer.ufrgs.br/index.php/organon/oai||organon@ufrgs.br2238-89150102-6267opendoar:2022-12-27T15:48:50Organon (Porto Alegre. Online) - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
CINCO CONTEMPORÂNEAS ANGLÓFONAS DE CAROLINA MARIA DE JESUS |
title |
CINCO CONTEMPORÂNEAS ANGLÓFONAS DE CAROLINA MARIA DE JESUS |
spellingShingle |
CINCO CONTEMPORÂNEAS ANGLÓFONAS DE CAROLINA MARIA DE JESUS CINCO CONTEMPORÂNEAS ANGLÓFONAS DE CAROLINA MARIA DE JESUS Alexander, Ian Alexander, Ian |
title_short |
CINCO CONTEMPORÂNEAS ANGLÓFONAS DE CAROLINA MARIA DE JESUS |
title_full |
CINCO CONTEMPORÂNEAS ANGLÓFONAS DE CAROLINA MARIA DE JESUS |
title_fullStr |
CINCO CONTEMPORÂNEAS ANGLÓFONAS DE CAROLINA MARIA DE JESUS CINCO CONTEMPORÂNEAS ANGLÓFONAS DE CAROLINA MARIA DE JESUS |
title_full_unstemmed |
CINCO CONTEMPORÂNEAS ANGLÓFONAS DE CAROLINA MARIA DE JESUS CINCO CONTEMPORÂNEAS ANGLÓFONAS DE CAROLINA MARIA DE JESUS |
title_sort |
CINCO CONTEMPORÂNEAS ANGLÓFONAS DE CAROLINA MARIA DE JESUS |
author |
Alexander, Ian |
author_facet |
Alexander, Ian Alexander, Ian |
author_role |
author |
dc.contributor.author.fl_str_mv |
Alexander, Ian |
description |
This article seeks to establish an English-language context for a comparative reading of Quarto de despejo (1960), by Carolina Maria de Jesus (1914-1977), published in 1962 in New York under the title Child of the Dark, and in London as Beyond All Pity. Roberta Flores Pedroso describes de Jesus as a “poor, semi-schooled Black migrant woman” who became a publishing phenomenon. This article presents five Black women authors, writing in English, born between 1904 and 1924 in countries beyond the centers of power in the North Atlantic, and discusses the ways in which the terms poor, semi-schooled, migrant and publishing phenomenon need to be relativized in order to make the comparison. The authors discussed are Oodgeroo Noonuccal (1920-1993) and Faith Bandler (1918-2015), from Australia; Ellen Kuzwayo (1914-2006), from South Africa, and Una Marson (1905-1965) and Louise Bennett (1919-2006), from Jamaica. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-12-27 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/organon/article/view/125166 10.22456/2238-8915.125166 |
url |
https://seer.ufrgs.br/index.php/organon/article/view/125166 |
identifier_str_mv |
10.22456/2238-8915.125166 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/organon/article/view/125166/87439 |
dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by-nc-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Organon; v. 37 n. 74 (2022): Figuras negras nas literaturas das Américas 2238-8915 0102-6267 reponame:Organon (Porto Alegre. Online) instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Organon (Porto Alegre. Online) |
collection |
Organon (Porto Alegre. Online) |
repository.name.fl_str_mv |
Organon (Porto Alegre. Online) - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||organon@ufrgs.br |
_version_ |
1822181601769947136 |
dc.identifier.doi.none.fl_str_mv |
10.22456/2238-8915.125166 |