Emergent categorization in the recognition of black and white paintings through conditional discrimination
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | , , , |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Psicologia (Universidade Federal do Rio Grande do Sul. Online) |
Texto Completo: | http://old.scielo.br/scielo.php?script=sci_arttext&pid=S0102-79722021000100221 |
Resumo: | Abstract Background: The emergent categorization involving paintings by renowned painters and their corresponding names was demonstrated by previous studies. However, the results of these studies suggest that the colors of the pictures may have played a preponderant role, obscuring other aspects of the stimuli that could be more directly related to the style of each painter. To verify this possibility, the present study used the same methodology of Ferreira et al. to investigate the establishment of emergent conditional relations between categories composed of black and white paintings and the names of their authors. Method: The procedure consisted of the training of relations between each of the ten paintings and an abstract picture, for each of the three painters Botticelli, Monet, and Picasso. Relations between each of the three abstract figures and the printed name of one of the painters were verified in sequence. Finally, tests of relations between five trained and five untrained paintings of each artist and the printed names were conducted. Results: The participants’ performance suggests that the outcome was properly controlled by aspects pertinent to the paintings that belonged to each painter's category. Conclusions: The results reinforced the data obtained previously with colored pictures, suggesting that the process of emergent categorization involving artificial categories of paintings is robust. It also indicates possibilities for future investigations, for example, using stimuli of other artistic productions, such as sculpture and music. |
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Psicologia (Universidade Federal do Rio Grande do Sul. Online) |
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Emergent categorization in the recognition of black and white paintings through conditional discriminationCategorizationStimulus equivalencePaintingsPerceptual classesAbstract Background: The emergent categorization involving paintings by renowned painters and their corresponding names was demonstrated by previous studies. However, the results of these studies suggest that the colors of the pictures may have played a preponderant role, obscuring other aspects of the stimuli that could be more directly related to the style of each painter. To verify this possibility, the present study used the same methodology of Ferreira et al. to investigate the establishment of emergent conditional relations between categories composed of black and white paintings and the names of their authors. Method: The procedure consisted of the training of relations between each of the ten paintings and an abstract picture, for each of the three painters Botticelli, Monet, and Picasso. Relations between each of the three abstract figures and the printed name of one of the painters were verified in sequence. Finally, tests of relations between five trained and five untrained paintings of each artist and the printed names were conducted. Results: The participants’ performance suggests that the outcome was properly controlled by aspects pertinent to the paintings that belonged to each painter's category. Conclusions: The results reinforced the data obtained previously with colored pictures, suggesting that the process of emergent categorization involving artificial categories of paintings is robust. It also indicates possibilities for future investigations, for example, using stimuli of other artistic productions, such as sculpture and music.Curso de Pós-Graduação em Psicologia da Universidade Federal do Rio Grande do Sul2021-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontext/htmlhttp://old.scielo.br/scielo.php?script=sci_arttext&pid=S0102-79722021000100221Psicologia: Reflexão e Crítica v.34 2021reponame:Psicologia (Universidade Federal do Rio Grande do Sul. Online)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGS10.1186/s41155-021-00191-yinfo:eu-repo/semantics/openAccessFerreira,Paulo Roberto dos SantosSantos,Diana RasteliSampaio,Waldir MonteiroLeme Jr.,Antonio CarlosSouza,Felipe Maciel dos Santoseng2021-09-15T00:00:00Zoai:scielo:S0102-79722021000100221Revistahttps://www.scielo.br/j/prc/ONGhttps://old.scielo.br/oai/scielo-oai.phpprc@springeropen.com1678-71530102-7972opendoar:2021-09-15T00:00Psicologia (Universidade Federal do Rio Grande do Sul. Online) - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
Emergent categorization in the recognition of black and white paintings through conditional discrimination |
title |
Emergent categorization in the recognition of black and white paintings through conditional discrimination |
spellingShingle |
Emergent categorization in the recognition of black and white paintings through conditional discrimination Ferreira,Paulo Roberto dos Santos Categorization Stimulus equivalence Paintings Perceptual classes |
title_short |
Emergent categorization in the recognition of black and white paintings through conditional discrimination |
title_full |
Emergent categorization in the recognition of black and white paintings through conditional discrimination |
title_fullStr |
Emergent categorization in the recognition of black and white paintings through conditional discrimination |
title_full_unstemmed |
Emergent categorization in the recognition of black and white paintings through conditional discrimination |
title_sort |
Emergent categorization in the recognition of black and white paintings through conditional discrimination |
author |
Ferreira,Paulo Roberto dos Santos |
author_facet |
Ferreira,Paulo Roberto dos Santos Santos,Diana Rasteli Sampaio,Waldir Monteiro Leme Jr.,Antonio Carlos Souza,Felipe Maciel dos Santos |
author_role |
author |
author2 |
Santos,Diana Rasteli Sampaio,Waldir Monteiro Leme Jr.,Antonio Carlos Souza,Felipe Maciel dos Santos |
author2_role |
author author author author |
dc.contributor.author.fl_str_mv |
Ferreira,Paulo Roberto dos Santos Santos,Diana Rasteli Sampaio,Waldir Monteiro Leme Jr.,Antonio Carlos Souza,Felipe Maciel dos Santos |
dc.subject.por.fl_str_mv |
Categorization Stimulus equivalence Paintings Perceptual classes |
topic |
Categorization Stimulus equivalence Paintings Perceptual classes |
description |
Abstract Background: The emergent categorization involving paintings by renowned painters and their corresponding names was demonstrated by previous studies. However, the results of these studies suggest that the colors of the pictures may have played a preponderant role, obscuring other aspects of the stimuli that could be more directly related to the style of each painter. To verify this possibility, the present study used the same methodology of Ferreira et al. to investigate the establishment of emergent conditional relations between categories composed of black and white paintings and the names of their authors. Method: The procedure consisted of the training of relations between each of the ten paintings and an abstract picture, for each of the three painters Botticelli, Monet, and Picasso. Relations between each of the three abstract figures and the printed name of one of the painters were verified in sequence. Finally, tests of relations between five trained and five untrained paintings of each artist and the printed names were conducted. Results: The participants’ performance suggests that the outcome was properly controlled by aspects pertinent to the paintings that belonged to each painter's category. Conclusions: The results reinforced the data obtained previously with colored pictures, suggesting that the process of emergent categorization involving artificial categories of paintings is robust. It also indicates possibilities for future investigations, for example, using stimuli of other artistic productions, such as sculpture and music. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-01-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://old.scielo.br/scielo.php?script=sci_arttext&pid=S0102-79722021000100221 |
url |
http://old.scielo.br/scielo.php?script=sci_arttext&pid=S0102-79722021000100221 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
10.1186/s41155-021-00191-y |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
text/html |
dc.publisher.none.fl_str_mv |
Curso de Pós-Graduação em Psicologia da Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Curso de Pós-Graduação em Psicologia da Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Psicologia: Reflexão e Crítica v.34 2021 reponame:Psicologia (Universidade Federal do Rio Grande do Sul. Online) instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Psicologia (Universidade Federal do Rio Grande do Sul. Online) |
collection |
Psicologia (Universidade Federal do Rio Grande do Sul. Online) |
repository.name.fl_str_mv |
Psicologia (Universidade Federal do Rio Grande do Sul. Online) - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
prc@springeropen.com |
_version_ |
1750134867123765248 |