A dialogue between cinema, art, and science: clues to a critique of the paradigms of modern science

Detalhes bibliográficos
Autor(a) principal: Ebersol, Isadora
Data de Publicação: 2020
Outros Autores: Penkala, Ana Paula
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/103619
Resumo: In this work we make a critical reflection on the processes of knowledge production and the epistemological status of modern science and scientific practice, taking Vilém Flusser's perspective as a starting point. We question their regimes of truth based on the parallel between belief in cinematographic image and technical images and belief in the apparent objectivity of scientific knowledge. We found clues for a critique of the paradigms of modern science in approaches that favor other forms of rationality and relations with the world. Artistic and poetic creation becomes one of these paths through aesthetic-expressive rationality, as proposed by Santos (2002), as well as in the hypothesis of Philosophical Fictions, Flusser's epistemological proposal of knowledge that dissolves the barriers between art and science. These paths can give us the chance to establish an aesthetic dimension for science that overcomes its apparent disenchantment and insufficiency to solve the world's problems. From the observation of films called false documentaries (mockumentaries), we reflect on the power that fiction has to see the reality that surpasses the truth and on the power of thought that surpasses and modifies the limits of the truth of its own time, acting itself as critical questioning of thought orders in vogue.
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spelling A dialogue between cinema, art, and science: clues to a critique of the paradigms of modern scienceUm diálogo entre cinema, arte e ciência: pistas para uma crítica aos paradigmas da ciência modernaArte. Ciência. Falso Documentário. Ficções filosóficas. Vilém Flusser.Art. Science. False Documentary (mockumentaries). Philosophical fictions. Vilém Flusser.In this work we make a critical reflection on the processes of knowledge production and the epistemological status of modern science and scientific practice, taking Vilém Flusser's perspective as a starting point. We question their regimes of truth based on the parallel between belief in cinematographic image and technical images and belief in the apparent objectivity of scientific knowledge. We found clues for a critique of the paradigms of modern science in approaches that favor other forms of rationality and relations with the world. Artistic and poetic creation becomes one of these paths through aesthetic-expressive rationality, as proposed by Santos (2002), as well as in the hypothesis of Philosophical Fictions, Flusser's epistemological proposal of knowledge that dissolves the barriers between art and science. These paths can give us the chance to establish an aesthetic dimension for science that overcomes its apparent disenchantment and insufficiency to solve the world's problems. From the observation of films called false documentaries (mockumentaries), we reflect on the power that fiction has to see the reality that surpasses the truth and on the power of thought that surpasses and modifies the limits of the truth of its own time, acting itself as critical questioning of thought orders in vogue.Neste trabalho buscamos fazer uma reflexão crítica sobre os processos de produção de conhecimento e sobre o estatuto epistemológico da ciência moderna e do fazer científico tomando a perspectiva de Vilém Flusser como ponto de partida. Questionamos seus regimes de verdade a partir do paralelo entre a crença na imagem cinematográfica e nas imagens técnicas e a crença na aparente objetividade do conhecimento científico. Encontramos pistas para uma crítica aos paradigmas da ciência moderna em abordagens que privilegiem outras formas de racionalidades e de relações com o mundo. A criação artística e poética se torna um desses caminhos através da racionalidade estético-expressiva, como proposta por Santos (2002), como também na hipótese das Ficções filosóficas, proposta epistemológica de Flusser de uma forma de conhecimento que dissolva as barreiras entre arte e ciência. Esses caminhos podem nos dar a chance de estabelecer uma dimensão estética para a ciência que supere seu aparente desencantamento e insuficiência para resolver os problemas do mundo. A partir da observação de filmes denominados como falsos documentários, refletimos sobre o poder que a ficção tem de enxergar a realidade que ultrapassa a verdade e no poder do pensamento que supere e modifique os limites da verdade de seu próprio tempo, atuando ele próprio como questionamento crítico das ordens de pensamento em voga.Universidade Federal do Rio Grande do Sul2020-12-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/10361910.19132/1807-8583202051.300-319Intexto; No. 51 (2020): Edição Especial Dossiê Flusser: 100 anos; 300-319Intexto; Núm. 51 (2020): Edição Especial Dossiê Flusser: 100 anos; 300-319Intexto; No. 51 (2020): Edição Especial Dossiê Flusser: 100 anos; 300-319Intexto; N. 51 (2020): Edição Especial Dossiê Flusser: 100 anos; 300-319Intexto; n. 51 (2020): Edição Especial Dossiê Flusser: 100 anos; 300-3191807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/103619/59517Copyright (c) 2020 Isadora Ebersol, Ana Paula Penkalahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessEbersol, IsadoraPenkala, Ana Paula2023-02-09T13:33:44Zoai:seer.ufrgs.br:article/103619Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-02-09T13:33:44Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv A dialogue between cinema, art, and science: clues to a critique of the paradigms of modern science
Um diálogo entre cinema, arte e ciência: pistas para uma crítica aos paradigmas da ciência moderna
title A dialogue between cinema, art, and science: clues to a critique of the paradigms of modern science
spellingShingle A dialogue between cinema, art, and science: clues to a critique of the paradigms of modern science
Ebersol, Isadora
Arte. Ciência. Falso Documentário. Ficções filosóficas. Vilém Flusser.
Art. Science. False Documentary (mockumentaries). Philosophical fictions. Vilém Flusser.
title_short A dialogue between cinema, art, and science: clues to a critique of the paradigms of modern science
title_full A dialogue between cinema, art, and science: clues to a critique of the paradigms of modern science
title_fullStr A dialogue between cinema, art, and science: clues to a critique of the paradigms of modern science
title_full_unstemmed A dialogue between cinema, art, and science: clues to a critique of the paradigms of modern science
title_sort A dialogue between cinema, art, and science: clues to a critique of the paradigms of modern science
author Ebersol, Isadora
author_facet Ebersol, Isadora
Penkala, Ana Paula
author_role author
author2 Penkala, Ana Paula
author2_role author
dc.contributor.author.fl_str_mv Ebersol, Isadora
Penkala, Ana Paula
dc.subject.por.fl_str_mv Arte. Ciência. Falso Documentário. Ficções filosóficas. Vilém Flusser.
Art. Science. False Documentary (mockumentaries). Philosophical fictions. Vilém Flusser.
topic Arte. Ciência. Falso Documentário. Ficções filosóficas. Vilém Flusser.
Art. Science. False Documentary (mockumentaries). Philosophical fictions. Vilém Flusser.
description In this work we make a critical reflection on the processes of knowledge production and the epistemological status of modern science and scientific practice, taking Vilém Flusser's perspective as a starting point. We question their regimes of truth based on the parallel between belief in cinematographic image and technical images and belief in the apparent objectivity of scientific knowledge. We found clues for a critique of the paradigms of modern science in approaches that favor other forms of rationality and relations with the world. Artistic and poetic creation becomes one of these paths through aesthetic-expressive rationality, as proposed by Santos (2002), as well as in the hypothesis of Philosophical Fictions, Flusser's epistemological proposal of knowledge that dissolves the barriers between art and science. These paths can give us the chance to establish an aesthetic dimension for science that overcomes its apparent disenchantment and insufficiency to solve the world's problems. From the observation of films called false documentaries (mockumentaries), we reflect on the power that fiction has to see the reality that surpasses the truth and on the power of thought that surpasses and modifies the limits of the truth of its own time, acting itself as critical questioning of thought orders in vogue.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-21
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/103619
10.19132/1807-8583202051.300-319
url https://seer.ufrgs.br/index.php/intexto/article/view/103619
identifier_str_mv 10.19132/1807-8583202051.300-319
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/103619/59517
dc.rights.driver.fl_str_mv Copyright (c) 2020 Isadora Ebersol, Ana Paula Penkala
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Isadora Ebersol, Ana Paula Penkala
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; No. 51 (2020): Edição Especial Dossiê Flusser: 100 anos; 300-319
Intexto; Núm. 51 (2020): Edição Especial Dossiê Flusser: 100 anos; 300-319
Intexto; No. 51 (2020): Edição Especial Dossiê Flusser: 100 anos; 300-319
Intexto; N. 51 (2020): Edição Especial Dossiê Flusser: 100 anos; 300-319
Intexto; n. 51 (2020): Edição Especial Dossiê Flusser: 100 anos; 300-319
1807-8583
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instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
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reponame_str Intexto (Porto Alegre)
collection Intexto (Porto Alegre)
repository.name.fl_str_mv Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)
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