From dialogism to the senses of double authorship in the making of documentaries

Detalhes bibliográficos
Autor(a) principal: Iuva, Patrícia de Oliveira
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/92858
Resumo: The proposal of this work discusses the encounter between the authorial directive instances in the audiovisual expression of the making of documentary. We take as theoretical horizon the social construction of authorship proposed by Pierre Bourdieu (1996a, 2013) and the notions of positioning and dialogism worked by Bakhtin (2006), in order to explain alternative ways for the author's theories in cinema. Starting from a dialogical relationship with the film and its respective auteur, we analyze the discourse of making of documentaries in the configuration of the author's space by its directors, Les Blank and Charles de Lauzirika, whose statements express meanings of a double authorship: voyeur-exhibitionist and flâneur -dandy. 
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spelling From dialogism to the senses of double authorship in the making of documentariesDo dialogismo aos sentidos da dupla autoria nos making ofs documentáriosAutoria. Making of documentário. Campo. Dialogismo. Discurso.Authorship. Making of documentary. Field. Dialogism. Discourse.The proposal of this work discusses the encounter between the authorial directive instances in the audiovisual expression of the making of documentary. We take as theoretical horizon the social construction of authorship proposed by Pierre Bourdieu (1996a, 2013) and the notions of positioning and dialogism worked by Bakhtin (2006), in order to explain alternative ways for the author's theories in cinema. Starting from a dialogical relationship with the film and its respective auteur, we analyze the discourse of making of documentaries in the configuration of the author's space by its directors, Les Blank and Charles de Lauzirika, whose statements express meanings of a double authorship: voyeur-exhibitionist and flâneur -dandy. A proposta deste trabalho discute o encontro entre as instâncias diretivas autorais na expressão audiovisual do making of documentário. Tomamos como horizonte teórico a construção social da autoria proposta por Pierre Bourdieu (1996a, 2013) e as noções de posicionamento e dialogismo trabalhadas por Bakhtin (2006), a fim de explicitar caminhos alternativos para as teorias do autor no cinema. Partindo de uma relação dialógica com o filme e seu respectivo auteur, analisamos o discurso dos making ofs documentários na configuração do espaço autoral dos respectivos diretores, Les Blank e Charles de Lauzirika, cujos enunciados manifestam sentidos de uma dupla autoria: voyeur-exibicionista e flâneur-dândi.Universidade Federal do Rio Grande do Sul2020-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/9285810.19132/1807-8583202048.84-104Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 84-104Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 84-104Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 84-104Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 84-104Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 84-1041807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/92858/53874Copyright (c) 2019 Patrícia de Oliveira Iuvahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessIuva, Patrícia de Oliveira2023-02-27T17:58:16Zoai:seer.ufrgs.br:article/92858Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-02-27T17:58:16Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv From dialogism to the senses of double authorship in the making of documentaries
Do dialogismo aos sentidos da dupla autoria nos making ofs documentários
title From dialogism to the senses of double authorship in the making of documentaries
spellingShingle From dialogism to the senses of double authorship in the making of documentaries
Iuva, Patrícia de Oliveira
Autoria. Making of documentário. Campo. Dialogismo. Discurso.
Authorship. Making of documentary. Field. Dialogism. Discourse.
title_short From dialogism to the senses of double authorship in the making of documentaries
title_full From dialogism to the senses of double authorship in the making of documentaries
title_fullStr From dialogism to the senses of double authorship in the making of documentaries
title_full_unstemmed From dialogism to the senses of double authorship in the making of documentaries
title_sort From dialogism to the senses of double authorship in the making of documentaries
author Iuva, Patrícia de Oliveira
author_facet Iuva, Patrícia de Oliveira
author_role author
dc.contributor.author.fl_str_mv Iuva, Patrícia de Oliveira
dc.subject.por.fl_str_mv Autoria. Making of documentário. Campo. Dialogismo. Discurso.
Authorship. Making of documentary. Field. Dialogism. Discourse.
topic Autoria. Making of documentário. Campo. Dialogismo. Discurso.
Authorship. Making of documentary. Field. Dialogism. Discourse.
description The proposal of this work discusses the encounter between the authorial directive instances in the audiovisual expression of the making of documentary. We take as theoretical horizon the social construction of authorship proposed by Pierre Bourdieu (1996a, 2013) and the notions of positioning and dialogism worked by Bakhtin (2006), in order to explain alternative ways for the author's theories in cinema. Starting from a dialogical relationship with the film and its respective auteur, we analyze the discourse of making of documentaries in the configuration of the author's space by its directors, Les Blank and Charles de Lauzirika, whose statements express meanings of a double authorship: voyeur-exhibitionist and flâneur -dandy. 
publishDate 2020
dc.date.none.fl_str_mv 2020-01-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/92858
10.19132/1807-8583202048.84-104
url https://seer.ufrgs.br/index.php/intexto/article/view/92858
identifier_str_mv 10.19132/1807-8583202048.84-104
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/92858/53874
dc.rights.driver.fl_str_mv Copyright (c) 2019 Patrícia de Oliveira Iuva
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Patrícia de Oliveira Iuva
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 84-104
Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 84-104
Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 84-104
Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 84-104
Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 84-104
1807-8583
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instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
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reponame_str Intexto (Porto Alegre)
collection Intexto (Porto Alegre)
repository.name.fl_str_mv Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)
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