From dialogism to the senses of double authorship in the making of documentaries
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Intexto (Porto Alegre) |
Texto Completo: | https://seer.ufrgs.br/index.php/intexto/article/view/92858 |
Resumo: | The proposal of this work discusses the encounter between the authorial directive instances in the audiovisual expression of the making of documentary. We take as theoretical horizon the social construction of authorship proposed by Pierre Bourdieu (1996a, 2013) and the notions of positioning and dialogism worked by Bakhtin (2006), in order to explain alternative ways for the author's theories in cinema. Starting from a dialogical relationship with the film and its respective auteur, we analyze the discourse of making of documentaries in the configuration of the author's space by its directors, Les Blank and Charles de Lauzirika, whose statements express meanings of a double authorship: voyeur-exhibitionist and flâneur -dandy. |
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From dialogism to the senses of double authorship in the making of documentariesDo dialogismo aos sentidos da dupla autoria nos making ofs documentáriosAutoria. Making of documentário. Campo. Dialogismo. Discurso.Authorship. Making of documentary. Field. Dialogism. Discourse.The proposal of this work discusses the encounter between the authorial directive instances in the audiovisual expression of the making of documentary. We take as theoretical horizon the social construction of authorship proposed by Pierre Bourdieu (1996a, 2013) and the notions of positioning and dialogism worked by Bakhtin (2006), in order to explain alternative ways for the author's theories in cinema. Starting from a dialogical relationship with the film and its respective auteur, we analyze the discourse of making of documentaries in the configuration of the author's space by its directors, Les Blank and Charles de Lauzirika, whose statements express meanings of a double authorship: voyeur-exhibitionist and flâneur -dandy. A proposta deste trabalho discute o encontro entre as instâncias diretivas autorais na expressão audiovisual do making of documentário. Tomamos como horizonte teórico a construção social da autoria proposta por Pierre Bourdieu (1996a, 2013) e as noções de posicionamento e dialogismo trabalhadas por Bakhtin (2006), a fim de explicitar caminhos alternativos para as teorias do autor no cinema. Partindo de uma relação dialógica com o filme e seu respectivo auteur, analisamos o discurso dos making ofs documentários na configuração do espaço autoral dos respectivos diretores, Les Blank e Charles de Lauzirika, cujos enunciados manifestam sentidos de uma dupla autoria: voyeur-exibicionista e flâneur-dândi.Universidade Federal do Rio Grande do Sul2020-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/9285810.19132/1807-8583202048.84-104Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 84-104Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 84-104Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 84-104Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 84-104Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 84-1041807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/92858/53874Copyright (c) 2019 Patrícia de Oliveira Iuvahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessIuva, Patrícia de Oliveira2023-02-27T17:58:16Zoai:seer.ufrgs.br:article/92858Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-02-27T17:58:16Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
From dialogism to the senses of double authorship in the making of documentaries Do dialogismo aos sentidos da dupla autoria nos making ofs documentários |
title |
From dialogism to the senses of double authorship in the making of documentaries |
spellingShingle |
From dialogism to the senses of double authorship in the making of documentaries Iuva, Patrícia de Oliveira Autoria. Making of documentário. Campo. Dialogismo. Discurso. Authorship. Making of documentary. Field. Dialogism. Discourse. |
title_short |
From dialogism to the senses of double authorship in the making of documentaries |
title_full |
From dialogism to the senses of double authorship in the making of documentaries |
title_fullStr |
From dialogism to the senses of double authorship in the making of documentaries |
title_full_unstemmed |
From dialogism to the senses of double authorship in the making of documentaries |
title_sort |
From dialogism to the senses of double authorship in the making of documentaries |
author |
Iuva, Patrícia de Oliveira |
author_facet |
Iuva, Patrícia de Oliveira |
author_role |
author |
dc.contributor.author.fl_str_mv |
Iuva, Patrícia de Oliveira |
dc.subject.por.fl_str_mv |
Autoria. Making of documentário. Campo. Dialogismo. Discurso. Authorship. Making of documentary. Field. Dialogism. Discourse. |
topic |
Autoria. Making of documentário. Campo. Dialogismo. Discurso. Authorship. Making of documentary. Field. Dialogism. Discourse. |
description |
The proposal of this work discusses the encounter between the authorial directive instances in the audiovisual expression of the making of documentary. We take as theoretical horizon the social construction of authorship proposed by Pierre Bourdieu (1996a, 2013) and the notions of positioning and dialogism worked by Bakhtin (2006), in order to explain alternative ways for the author's theories in cinema. Starting from a dialogical relationship with the film and its respective auteur, we analyze the discourse of making of documentaries in the configuration of the author's space by its directors, Les Blank and Charles de Lauzirika, whose statements express meanings of a double authorship: voyeur-exhibitionist and flâneur -dandy. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-01-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/92858 10.19132/1807-8583202048.84-104 |
url |
https://seer.ufrgs.br/index.php/intexto/article/view/92858 |
identifier_str_mv |
10.19132/1807-8583202048.84-104 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/92858/53874 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Patrícia de Oliveira Iuva https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Patrícia de Oliveira Iuva https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 84-104 Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 84-104 Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 84-104 Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 84-104 Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 84-104 1807-8583 reponame:Intexto (Porto Alegre) instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Intexto (Porto Alegre) |
collection |
Intexto (Porto Alegre) |
repository.name.fl_str_mv |
Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||intexto@ufrgs.br |
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1799766110805950464 |