A film that thinks about itself: the politic and the fragments of history

Detalhes bibliográficos
Autor(a) principal: Freitas Gutfreind, Cristiane
Data de Publicação: 2019
Outros Autores: Zanetti Negrini, Márcio
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/82291
Resumo: We analyzed the montage of Imagens do Estado Novo 1937-45, by Eduardo Escorel, with the aim of observing the actuality of the narrative, emphaticizing its political aspects. We examine how fragments of images used by the decoupage articulate the interaction between present time and images of Estado Novo. The subjectivity as a narrative trace shows the reflection that the film raises about itself through its narrator and the vestiges that reveal the process of montage of archives. The film elaborates a way of thinking the politic as a manifestation of history in the present time, by approaching facts that marked the first half of the twentieth century in Brazil.Politic Film. Brazilian Cinema. New State.
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spelling A film that thinks about itself: the politic and the fragments of historyUm filme que pensa sobre si: o político e os fragmentos da históriaFilme político. Cinema brasileiro. Estado Novo.Politic Film. Brazilian Cinema. New State.We analyzed the montage of Imagens do Estado Novo 1937-45, by Eduardo Escorel, with the aim of observing the actuality of the narrative, emphaticizing its political aspects. We examine how fragments of images used by the decoupage articulate the interaction between present time and images of Estado Novo. The subjectivity as a narrative trace shows the reflection that the film raises about itself through its narrator and the vestiges that reveal the process of montage of archives. The film elaborates a way of thinking the politic as a manifestation of history in the present time, by approaching facts that marked the first half of the twentieth century in Brazil.Politic Film. Brazilian Cinema. New State.Analisamos a montagem de Imagens do Estado Novo 1937-45, de Eduardo Escorel, com o objetivo de observar a atualidade da narrativa, enfatizando os seus aspectos políticos. Examinamos, assim, como fragmentos de imagens utilizados pela decupagem articulam a interação entre o tempo presente e as imagens do Estado Novo. A subjetividade como traço narrativo mostra a reflexão que o filme suscita sobre si, a partir de seu narrador, e de vestígios que revelam o processo de montagem de arquivos. O filme elabora uma forma de pensar o político enquanto manifestação da história no tempo presente, abordando fatos que marcaram a primeira metade do século XX no Brasil.Universidade Federal do Rio Grande do Sul2019-04-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/8229110.19132/1807-858320190.187-203Intexto; n.45, maio/ago. 2019; 187-203Intexto; n. 45, maio/ago. 2019; 187-203Intexto; n. 45, maio/ago. 2019; 187-203Intexto; n. 45, maio/ago. 2019; 187-203Intexto; n. 45, maio/ago. 2019; 187-2031807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/82291/52387Copyright (c) 2019 Cristiane Freitas Gutfreind, Márcio Zanetti Negrini https://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessFreitas Gutfreind, CristianeZanetti Negrini, Márcio2023-11-23T15:56:08Zoai:seer.ufrgs.br:article/82291Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-11-23T15:56:08Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv A film that thinks about itself: the politic and the fragments of history
Um filme que pensa sobre si: o político e os fragmentos da história
title A film that thinks about itself: the politic and the fragments of history
spellingShingle A film that thinks about itself: the politic and the fragments of history
Freitas Gutfreind, Cristiane
Filme político. Cinema brasileiro. Estado Novo.
Politic Film. Brazilian Cinema. New State.
title_short A film that thinks about itself: the politic and the fragments of history
title_full A film that thinks about itself: the politic and the fragments of history
title_fullStr A film that thinks about itself: the politic and the fragments of history
title_full_unstemmed A film that thinks about itself: the politic and the fragments of history
title_sort A film that thinks about itself: the politic and the fragments of history
author Freitas Gutfreind, Cristiane
author_facet Freitas Gutfreind, Cristiane
Zanetti Negrini, Márcio
author_role author
author2 Zanetti Negrini, Márcio
author2_role author
dc.contributor.author.fl_str_mv Freitas Gutfreind, Cristiane
Zanetti Negrini, Márcio
dc.subject.por.fl_str_mv Filme político. Cinema brasileiro. Estado Novo.
Politic Film. Brazilian Cinema. New State.
topic Filme político. Cinema brasileiro. Estado Novo.
Politic Film. Brazilian Cinema. New State.
description We analyzed the montage of Imagens do Estado Novo 1937-45, by Eduardo Escorel, with the aim of observing the actuality of the narrative, emphaticizing its political aspects. We examine how fragments of images used by the decoupage articulate the interaction between present time and images of Estado Novo. The subjectivity as a narrative trace shows the reflection that the film raises about itself through its narrator and the vestiges that reveal the process of montage of archives. The film elaborates a way of thinking the politic as a manifestation of history in the present time, by approaching facts that marked the first half of the twentieth century in Brazil.Politic Film. Brazilian Cinema. New State.
publishDate 2019
dc.date.none.fl_str_mv 2019-04-18
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/82291
10.19132/1807-858320190.187-203
url https://seer.ufrgs.br/index.php/intexto/article/view/82291
identifier_str_mv 10.19132/1807-858320190.187-203
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/82291/52387
dc.rights.driver.fl_str_mv Copyright (c) 2019 Cristiane Freitas Gutfreind, Márcio Zanetti Negrini
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Cristiane Freitas Gutfreind, Márcio Zanetti Negrini
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; n.45, maio/ago. 2019; 187-203
Intexto; n. 45, maio/ago. 2019; 187-203
Intexto; n. 45, maio/ago. 2019; 187-203
Intexto; n. 45, maio/ago. 2019; 187-203
Intexto; n. 45, maio/ago. 2019; 187-203
1807-8583
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