Chiseling and Sexuality in Films d’amour (1968-89), by Maurice Lemaître
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Intexto (Porto Alegre) |
Texto Completo: | https://seer.ufrgs.br/index.php/intexto/article/view/79911 |
Resumo: | Based on the set of short films Films d’amour, made by Maurice Lemaître, we try to question their main narrative traces, focusing on the questions about chiseling and sexuality in them. To do so, we start from the theoretical debate about filmic, extra filmic and lyric dimensions of chiseling, such as the sexuality, in the context of the lettrist vanguard. In a second moment, the films are approached by a commented description, focused on the announced key issues, as well on the lettrist counterpoint to hegemonic patterns of sexuality, commons to classic and porn cinema. Finally, it is identified the existence of a particular sexuality, associated with lyricism, as well as the tensions between visual freedom and the rationalization of sound/ written elements. Among the developments, in relation to the theories about the construction of sexuality in cinema, we argue that Films d’amour will have a propitious conceptual field from authors like Laura Mulvey, Mary Ann Doane and Yann Lardeau, that, in the 1970s, distrusted visual pleasure and sexuality heirs to classic naturalism and the fragmentation of porn. |
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Chiseling and Sexuality in Films d’amour (1968-89), by Maurice LemaîtreCinzelamento e sexualidade em Films d’amour (1968-89), de Maurice LemaîtreCinema de vanguarda. Letrismo. Cinzelamento. Sexualidade. Maurice Lemaître.Avant-guarde Cinema. Lettrism. Chiseling. Sexuality. Maurice Lemaître.Based on the set of short films Films d’amour, made by Maurice Lemaître, we try to question their main narrative traces, focusing on the questions about chiseling and sexuality in them. To do so, we start from the theoretical debate about filmic, extra filmic and lyric dimensions of chiseling, such as the sexuality, in the context of the lettrist vanguard. In a second moment, the films are approached by a commented description, focused on the announced key issues, as well on the lettrist counterpoint to hegemonic patterns of sexuality, commons to classic and porn cinema. Finally, it is identified the existence of a particular sexuality, associated with lyricism, as well as the tensions between visual freedom and the rationalization of sound/ written elements. Among the developments, in relation to the theories about the construction of sexuality in cinema, we argue that Films d’amour will have a propitious conceptual field from authors like Laura Mulvey, Mary Ann Doane and Yann Lardeau, that, in the 1970s, distrusted visual pleasure and sexuality heirs to classic naturalism and the fragmentation of porn.Com base no conjunto de curtas Films d’amour, realizados por Maurice Lemaître, busca-se questionar seus principais traços narrativos, tendo por foco as questões do cinzelamento e da sexualidade neles existentes. Para tanto, parte-se do debate teórico das dimensões fílmicas, extrafílmicas e líricas do cinzelamento, bem como da sexualidade no contexto da vanguarda letrista. Em um segundo momento, os filmes são abordados por uma descrição comentada, atenta às questões-chave anunciadas, bem como às contraposições letristas aos padrões hegemônicos de sexualidade próprios ao cinema clássico e ao pornô. Por fim, identifica-se a existência de uma sexualidade particular, associada ao lirismo e também às tensões entre a liberdade visual e a racionalização dos elementos sonoros/escritos. Entre os desdobramentos, quanto às teorias sobre a construção da sexualidade no cinema, defende-se que Films d’amour terá um campo conceitual propício, a partir de autores como Laura Mulvey, Mary Ann Doane e Yann Lardeau que, nos anos 70, desconfiavam do prazer visual e da sexualidade, herdeiros do naturalismo clássico e da fragmentação do pornô.Universidade Federal do Rio Grande do Sul2019-04-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionanálise fílmicaapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/7991110.19132/1807-858320190.121-145Intexto; n.45, maio/ago. 2019; 121-145Intexto; n. 45, maio/ago. 2019; 121-145Intexto; n. 45, maio/ago. 2019; 121-145Intexto; n. 45, maio/ago. 2019; 121-145Intexto; n. 45, maio/ago. 2019; 121-1451807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/79911/52251Copyright (c) 2019 Fábio Raddi Uchôahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessUchôa, Fábio Raddi2023-11-23T15:54:37Zoai:seer.ufrgs.br:article/79911Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-11-23T15:54:37Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
Chiseling and Sexuality in Films d’amour (1968-89), by Maurice Lemaître Cinzelamento e sexualidade em Films d’amour (1968-89), de Maurice Lemaître |
title |
Chiseling and Sexuality in Films d’amour (1968-89), by Maurice Lemaître |
spellingShingle |
Chiseling and Sexuality in Films d’amour (1968-89), by Maurice Lemaître Uchôa, Fábio Raddi Cinema de vanguarda. Letrismo. Cinzelamento. Sexualidade. Maurice Lemaître. Avant-guarde Cinema. Lettrism. Chiseling. Sexuality. Maurice Lemaître. |
title_short |
Chiseling and Sexuality in Films d’amour (1968-89), by Maurice Lemaître |
title_full |
Chiseling and Sexuality in Films d’amour (1968-89), by Maurice Lemaître |
title_fullStr |
Chiseling and Sexuality in Films d’amour (1968-89), by Maurice Lemaître |
title_full_unstemmed |
Chiseling and Sexuality in Films d’amour (1968-89), by Maurice Lemaître |
title_sort |
Chiseling and Sexuality in Films d’amour (1968-89), by Maurice Lemaître |
author |
Uchôa, Fábio Raddi |
author_facet |
Uchôa, Fábio Raddi |
author_role |
author |
dc.contributor.author.fl_str_mv |
Uchôa, Fábio Raddi |
dc.subject.por.fl_str_mv |
Cinema de vanguarda. Letrismo. Cinzelamento. Sexualidade. Maurice Lemaître. Avant-guarde Cinema. Lettrism. Chiseling. Sexuality. Maurice Lemaître. |
topic |
Cinema de vanguarda. Letrismo. Cinzelamento. Sexualidade. Maurice Lemaître. Avant-guarde Cinema. Lettrism. Chiseling. Sexuality. Maurice Lemaître. |
description |
Based on the set of short films Films d’amour, made by Maurice Lemaître, we try to question their main narrative traces, focusing on the questions about chiseling and sexuality in them. To do so, we start from the theoretical debate about filmic, extra filmic and lyric dimensions of chiseling, such as the sexuality, in the context of the lettrist vanguard. In a second moment, the films are approached by a commented description, focused on the announced key issues, as well on the lettrist counterpoint to hegemonic patterns of sexuality, commons to classic and porn cinema. Finally, it is identified the existence of a particular sexuality, associated with lyricism, as well as the tensions between visual freedom and the rationalization of sound/ written elements. Among the developments, in relation to the theories about the construction of sexuality in cinema, we argue that Films d’amour will have a propitious conceptual field from authors like Laura Mulvey, Mary Ann Doane and Yann Lardeau, that, in the 1970s, distrusted visual pleasure and sexuality heirs to classic naturalism and the fragmentation of porn. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-04-18 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion análise fílmica |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/79911 10.19132/1807-858320190.121-145 |
url |
https://seer.ufrgs.br/index.php/intexto/article/view/79911 |
identifier_str_mv |
10.19132/1807-858320190.121-145 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/79911/52251 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Fábio Raddi Uchôa https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Fábio Raddi Uchôa https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Intexto; n.45, maio/ago. 2019; 121-145 Intexto; n. 45, maio/ago. 2019; 121-145 Intexto; n. 45, maio/ago. 2019; 121-145 Intexto; n. 45, maio/ago. 2019; 121-145 Intexto; n. 45, maio/ago. 2019; 121-145 1807-8583 reponame:Intexto (Porto Alegre) instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
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Universidade Federal do Rio Grande do Sul (UFRGS) |
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UFRGS |
institution |
UFRGS |
reponame_str |
Intexto (Porto Alegre) |
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Intexto (Porto Alegre) |
repository.name.fl_str_mv |
Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||intexto@ufrgs.br |
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