From ‘Meet Cute’ to happy ending: love in Richard Linklater’s Before trilogy
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Intexto (Porto Alegre) |
Texto Completo: | https://seer.ufrgs.br/index.php/intexto/article/view/92474 |
Resumo: | This article explores Alain Badiou’s (2013) ideas about love – the romantic chance encounter, the subsequent declaration of love as a commitment to construct something that endures and outlasts chance, and love as a truth-constructing procedure – in relation to Richard Linklater’s Before trilogy: Before Sunrise (1995), Before Sunset (2004) and Before Midnight (2013). Elements such as long shots, point-of-view and glance/object editing, and dual focus narrative are storytelling devices used in the trilogy to tell a love story from meet cute to happy ending and beyond, towards endurance and eternity. |
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From ‘Meet Cute’ to happy ending: love in Richard Linklater’s Before trilogyDo encontro à duração: amor na trilogia Antes do amanhecer, Antes do pôr do sol e Antes da meia-noiteAmor. Encontro. Duração. Linklater. Badiou.Love. Encounter. Linklater. Badiou. Before trilogy.This article explores Alain Badiou’s (2013) ideas about love – the romantic chance encounter, the subsequent declaration of love as a commitment to construct something that endures and outlasts chance, and love as a truth-constructing procedure – in relation to Richard Linklater’s Before trilogy: Before Sunrise (1995), Before Sunset (2004) and Before Midnight (2013). Elements such as long shots, point-of-view and glance/object editing, and dual focus narrative are storytelling devices used in the trilogy to tell a love story from meet cute to happy ending and beyond, towards endurance and eternity.Este texto pareia as ideias de Alain Badiou (2013) sobre o amor – o encontro, a fixação do acaso e a duração – à análise da trilogia do diretor norte-americano Richard Linklater Antes do amanhecer (de 1995), Antes do pôr do sol (de 2004) e Antes da meia-noite (de 2013). Elementos como o uso recorrente de plano e contraplano, o plano-sequência e o duplo foco narrativo são estratégias narrativas para desenvolver uma história de amor que vá do encontro à duração. Universidade Federal do Rio Grande do Sul2020-08-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/9247410.19132/1807-8583202050.146-160Intexto; n. 50, set./dez. 2020; 146-160Intexto; n. 50, set./dez. 2020; 146-160Intexto; n. 50, set./dez. 2020; 146-160Intexto; n. 50, set./dez. 2020; 146-160Intexto; n. 50, set./dez. 2020; 146-1601807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/92474/57359Copyright (c) 2020 Carolina Oliveira do Amaralhttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessAmaral, Carolina Oliveira do2023-11-23T15:01:29Zoai:seer.ufrgs.br:article/92474Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-11-23T15:01:29Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
From ‘Meet Cute’ to happy ending: love in Richard Linklater’s Before trilogy Do encontro à duração: amor na trilogia Antes do amanhecer, Antes do pôr do sol e Antes da meia-noite |
title |
From ‘Meet Cute’ to happy ending: love in Richard Linklater’s Before trilogy |
spellingShingle |
From ‘Meet Cute’ to happy ending: love in Richard Linklater’s Before trilogy Amaral, Carolina Oliveira do Amor. Encontro. Duração. Linklater. Badiou. Love. Encounter. Linklater. Badiou. Before trilogy. |
title_short |
From ‘Meet Cute’ to happy ending: love in Richard Linklater’s Before trilogy |
title_full |
From ‘Meet Cute’ to happy ending: love in Richard Linklater’s Before trilogy |
title_fullStr |
From ‘Meet Cute’ to happy ending: love in Richard Linklater’s Before trilogy |
title_full_unstemmed |
From ‘Meet Cute’ to happy ending: love in Richard Linklater’s Before trilogy |
title_sort |
From ‘Meet Cute’ to happy ending: love in Richard Linklater’s Before trilogy |
author |
Amaral, Carolina Oliveira do |
author_facet |
Amaral, Carolina Oliveira do |
author_role |
author |
dc.contributor.author.fl_str_mv |
Amaral, Carolina Oliveira do |
dc.subject.por.fl_str_mv |
Amor. Encontro. Duração. Linklater. Badiou. Love. Encounter. Linklater. Badiou. Before trilogy. |
topic |
Amor. Encontro. Duração. Linklater. Badiou. Love. Encounter. Linklater. Badiou. Before trilogy. |
description |
This article explores Alain Badiou’s (2013) ideas about love – the romantic chance encounter, the subsequent declaration of love as a commitment to construct something that endures and outlasts chance, and love as a truth-constructing procedure – in relation to Richard Linklater’s Before trilogy: Before Sunrise (1995), Before Sunset (2004) and Before Midnight (2013). Elements such as long shots, point-of-view and glance/object editing, and dual focus narrative are storytelling devices used in the trilogy to tell a love story from meet cute to happy ending and beyond, towards endurance and eternity. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-08-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/92474 10.19132/1807-8583202050.146-160 |
url |
https://seer.ufrgs.br/index.php/intexto/article/view/92474 |
identifier_str_mv |
10.19132/1807-8583202050.146-160 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/92474/57359 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Carolina Oliveira do Amaral https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Carolina Oliveira do Amaral https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Intexto; n. 50, set./dez. 2020; 146-160 Intexto; n. 50, set./dez. 2020; 146-160 Intexto; n. 50, set./dez. 2020; 146-160 Intexto; n. 50, set./dez. 2020; 146-160 Intexto; n. 50, set./dez. 2020; 146-160 1807-8583 reponame:Intexto (Porto Alegre) instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Intexto (Porto Alegre) |
collection |
Intexto (Porto Alegre) |
repository.name.fl_str_mv |
Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||intexto@ufrgs.br |
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