Communication and memory in texts from feminist theater collectives in Brazil: Boneca de pano (SC, 2014) and Entre Nós: buzinas, chicotes e ácidos (CE, 2017)

Detalhes bibliográficos
Autor(a) principal: Heller, Barbara
Data de Publicação: 2023
Outros Autores: Garcia, Paula
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/127827
Resumo: Although feminist movements began more than a hundred years ago in Brazil, there are still few Brazilian groups that develop dramaturgy written by and for women, even considering amateur theater. We present in this article the analysis of two theatrical texts (or scripts), still unpublished: Boneca de pano, by the Santa Catarina theater collective (Em) Companhia de Mulheres, and Entre Nós: buzinas, chicotes e ácidos, by the Ceará collective Arremate de Teatro. We aim to understand, when comparing these two theatrical narratives, similarities and differences of the themes in question, considering their places of production, as well as their origins. We start from the hypothesis that theatrical narratives written by collectives that consider themselves feminists function as an authorized space for Brazilian women to speak, for the identification and rupture of behaviors inherited from the patriarchal culture. We confirm, based on the theoretical frame of theater, discourse analysis, cultural studies, gender studies and social memory, that the two texts under analysis present themselves as equally potent forms of catharsis, sensitization and resistance to the domestication and oppression to which women are still submitted.
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spelling Communication and memory in texts from feminist theater collectives in Brazil: Boneca de pano (SC, 2014) and Entre Nós: buzinas, chicotes e ácidos (CE, 2017)Comunicação e memória em textos de coletivos de teatro feminista no Brasil: Boneca de pano (SC, 2014) e Entre Nós: buzinas, chicotes e ácidos (CE, 2017)communicationmediatic culturefeminist theater collectivesamateur theatersocial memorycomunicação cultura midiática coletivos de teatro feministateatro amadormemória socialAlthough feminist movements began more than a hundred years ago in Brazil, there are still few Brazilian groups that develop dramaturgy written by and for women, even considering amateur theater. We present in this article the analysis of two theatrical texts (or scripts), still unpublished: Boneca de pano, by the Santa Catarina theater collective (Em) Companhia de Mulheres, and Entre Nós: buzinas, chicotes e ácidos, by the Ceará collective Arremate de Teatro. We aim to understand, when comparing these two theatrical narratives, similarities and differences of the themes in question, considering their places of production, as well as their origins. We start from the hypothesis that theatrical narratives written by collectives that consider themselves feminists function as an authorized space for Brazilian women to speak, for the identification and rupture of behaviors inherited from the patriarchal culture. We confirm, based on the theoretical frame of theater, discourse analysis, cultural studies, gender studies and social memory, that the two texts under analysis present themselves as equally potent forms of catharsis, sensitization and resistance to the domestication and oppression to which women are still submitted.Apesar de os movimentos feministas terem se iniciado há mais de cem anos no Brasil, ainda são poucos os grupos brasileiros que desenvolvem dramaturgia escrita por e para mulheres, ainda que se considere o teatro amador. Apresentamos neste artigo a análise de dois textos teatrais (ou roteiros), ainda inéditos: Boneca de pano, do coletivo de teatro catarinense (Em) Companhia de Mulheres, e Entre Nós: buzinas, chicotes e ácidos, do coletivo cearense Arremate de Teatro. Temos como objetivo compreender, ao compararmos essas duas narrativas teatrais, semelhanças e diferenças dos temas em pauta, considerando seus locais de produção, bem como suas origens. Partimos da hipótese de que narrativas teatrais redigidas por coletivos que se assumem feministas funcionam como um espaço autorizado de fala das brasileiras, de identificação e de ruptura de comportamentos herdados da cultura patriarcal. Confirmamos, a partir dos suportes teóricos sobre teatro, análise do discurso, estudos culturais, de gênero e memória social, que os dois textos em tela se apresentam como formas igualmente potentes de catarse, sensibilização e resistência à domesticação e à opressão a que as mulheres ainda são submetidas.Universidade Federal do Rio Grande do Sul2023-05-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/12782710.19132/1807-8583.55.127827Intexto; No. 55 (2023); 127827Intexto; Núm. 55 (2023); 127827Intexto; No. 55 (2023); 127827Intexto; N. 55 (2023); 127827Intexto; n. 55 (2023); 1278271807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/127827/88605Copyright (c) 2023 Barbara Heller, Paula Garciahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessHeller, BarbaraGarcia, Paula2023-12-13T14:34:20Zoai:seer.ufrgs.br:article/127827Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-12-13T14:34:20Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Communication and memory in texts from feminist theater collectives in Brazil: Boneca de pano (SC, 2014) and Entre Nós: buzinas, chicotes e ácidos (CE, 2017)
Comunicação e memória em textos de coletivos de teatro feminista no Brasil: Boneca de pano (SC, 2014) e Entre Nós: buzinas, chicotes e ácidos (CE, 2017)
title Communication and memory in texts from feminist theater collectives in Brazil: Boneca de pano (SC, 2014) and Entre Nós: buzinas, chicotes e ácidos (CE, 2017)
spellingShingle Communication and memory in texts from feminist theater collectives in Brazil: Boneca de pano (SC, 2014) and Entre Nós: buzinas, chicotes e ácidos (CE, 2017)
Heller, Barbara
communication
mediatic culture
feminist theater collectives
amateur theater
social memory
comunicação
cultura midiática
coletivos de teatro feminista
teatro amador
memória social
title_short Communication and memory in texts from feminist theater collectives in Brazil: Boneca de pano (SC, 2014) and Entre Nós: buzinas, chicotes e ácidos (CE, 2017)
title_full Communication and memory in texts from feminist theater collectives in Brazil: Boneca de pano (SC, 2014) and Entre Nós: buzinas, chicotes e ácidos (CE, 2017)
title_fullStr Communication and memory in texts from feminist theater collectives in Brazil: Boneca de pano (SC, 2014) and Entre Nós: buzinas, chicotes e ácidos (CE, 2017)
title_full_unstemmed Communication and memory in texts from feminist theater collectives in Brazil: Boneca de pano (SC, 2014) and Entre Nós: buzinas, chicotes e ácidos (CE, 2017)
title_sort Communication and memory in texts from feminist theater collectives in Brazil: Boneca de pano (SC, 2014) and Entre Nós: buzinas, chicotes e ácidos (CE, 2017)
author Heller, Barbara
author_facet Heller, Barbara
Garcia, Paula
author_role author
author2 Garcia, Paula
author2_role author
dc.contributor.author.fl_str_mv Heller, Barbara
Garcia, Paula
dc.subject.por.fl_str_mv communication
mediatic culture
feminist theater collectives
amateur theater
social memory
comunicação
cultura midiática
coletivos de teatro feminista
teatro amador
memória social
topic communication
mediatic culture
feminist theater collectives
amateur theater
social memory
comunicação
cultura midiática
coletivos de teatro feminista
teatro amador
memória social
description Although feminist movements began more than a hundred years ago in Brazil, there are still few Brazilian groups that develop dramaturgy written by and for women, even considering amateur theater. We present in this article the analysis of two theatrical texts (or scripts), still unpublished: Boneca de pano, by the Santa Catarina theater collective (Em) Companhia de Mulheres, and Entre Nós: buzinas, chicotes e ácidos, by the Ceará collective Arremate de Teatro. We aim to understand, when comparing these two theatrical narratives, similarities and differences of the themes in question, considering their places of production, as well as their origins. We start from the hypothesis that theatrical narratives written by collectives that consider themselves feminists function as an authorized space for Brazilian women to speak, for the identification and rupture of behaviors inherited from the patriarchal culture. We confirm, based on the theoretical frame of theater, discourse analysis, cultural studies, gender studies and social memory, that the two texts under analysis present themselves as equally potent forms of catharsis, sensitization and resistance to the domestication and oppression to which women are still submitted.
publishDate 2023
dc.date.none.fl_str_mv 2023-05-03
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
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dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/127827
10.19132/1807-8583.55.127827
url https://seer.ufrgs.br/index.php/intexto/article/view/127827
identifier_str_mv 10.19132/1807-8583.55.127827
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/127827/88605
dc.rights.driver.fl_str_mv Copyright (c) 2023 Barbara Heller, Paula Garcia
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Barbara Heller, Paula Garcia
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; No. 55 (2023); 127827
Intexto; Núm. 55 (2023); 127827
Intexto; No. 55 (2023); 127827
Intexto; N. 55 (2023); 127827
Intexto; n. 55 (2023); 127827
1807-8583
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