Cross Roads among intermediality, star system and music in O Ébrio by Gilda de Abreu

Detalhes bibliográficos
Autor(a) principal: Adamatti, Margarida Maria
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/75278
Resumo: In 1935, the tenor Vicente Celestino has released the song O Ébrio. Taking advantage of the great success that was achieved, the song was transposed to the universe of theater, cinema, literature, and tv soap opera throughout thirty years. The article takes the intermidiality, the concept of transposition and the star system as an analysis tool of O Ébrio, by Gilda de Abreu. Based on the construction of Vicente Celestino’s persona in the materiality of the movie, in the lyric self of the song and in the representation of the actor's media life, the objective is to demonstrate how the star presence in the screen, in musical sequences along with intermedial transposition become present in the cinematographic form.
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spelling Cross Roads among intermediality, star system and music in O Ébrio by Gilda de AbreuCaminhos cruzados entre intermidialidade, star system e música no Ébrio de Gilda de AbreuO Ébrio. Gilda de Abreu. Vicente Celestino. Intermidialidade.O Ébrio. Gilda de Abreu. Vicente Celestino. Intermediality.In 1935, the tenor Vicente Celestino has released the song O Ébrio. Taking advantage of the great success that was achieved, the song was transposed to the universe of theater, cinema, literature, and tv soap opera throughout thirty years. The article takes the intermidiality, the concept of transposition and the star system as an analysis tool of O Ébrio, by Gilda de Abreu. Based on the construction of Vicente Celestino’s persona in the materiality of the movie, in the lyric self of the song and in the representation of the actor's media life, the objective is to demonstrate how the star presence in the screen, in musical sequences along with intermedial transposition become present in the cinematographic form.Em 1935, o tenor Vicente Celestino lançou a música O Ébrio. Aproveitando o grande sucesso alcançado, a canção foi transposta para o universo do teatro, do cinema, da literatura e da telenovela ao longo de 30 anos. O artigo toma a intermidialidade, o conceito de transposição e o star system como ferramenta de análise do filme O Ébrio de Gilda de Abreu. A partir da construção da persona de Celestino, na materialidade do filme, no eu lírico da canção e na representação da vida midiática do ator, o objetivo é demonstrar como a presença em cena do astro nas sequências musicais junto à transposição intermidiática se fazem presentes na forma cinematográfica. O estudo demonstra como a presença em cena do astro nas sequências musicais fornece um fator de compensação à ausência do hic et nunc.Universidade Federal do Rio Grande do Sul2018-04-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionanálise fílmicaapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/7527810.19132/1807-8583201842.166-187Intexto; n. 42, maio/ago. 2018; 166-187Intexto; n. 42, maio/ago. 2018; 166-187Intexto; n. 42, maio/ago. 2018; 166-187Intexto; n. 42, maio/ago. 2018; 166-187Intexto; n. 42, maio/ago. 2018; 166-1871807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/75278/47817Copyright (c) 2018 Margarida Maria Adamattihttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessAdamatti, Margarida Maria2023-11-23T16:44:27Zoai:seer.ufrgs.br:article/75278Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-11-23T16:44:27Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Cross Roads among intermediality, star system and music in O Ébrio by Gilda de Abreu
Caminhos cruzados entre intermidialidade, star system e música no Ébrio de Gilda de Abreu
title Cross Roads among intermediality, star system and music in O Ébrio by Gilda de Abreu
spellingShingle Cross Roads among intermediality, star system and music in O Ébrio by Gilda de Abreu
Adamatti, Margarida Maria
O Ébrio. Gilda de Abreu. Vicente Celestino. Intermidialidade.
O Ébrio. Gilda de Abreu. Vicente Celestino. Intermediality.
title_short Cross Roads among intermediality, star system and music in O Ébrio by Gilda de Abreu
title_full Cross Roads among intermediality, star system and music in O Ébrio by Gilda de Abreu
title_fullStr Cross Roads among intermediality, star system and music in O Ébrio by Gilda de Abreu
title_full_unstemmed Cross Roads among intermediality, star system and music in O Ébrio by Gilda de Abreu
title_sort Cross Roads among intermediality, star system and music in O Ébrio by Gilda de Abreu
author Adamatti, Margarida Maria
author_facet Adamatti, Margarida Maria
author_role author
dc.contributor.author.fl_str_mv Adamatti, Margarida Maria
dc.subject.por.fl_str_mv O Ébrio. Gilda de Abreu. Vicente Celestino. Intermidialidade.
O Ébrio. Gilda de Abreu. Vicente Celestino. Intermediality.
topic O Ébrio. Gilda de Abreu. Vicente Celestino. Intermidialidade.
O Ébrio. Gilda de Abreu. Vicente Celestino. Intermediality.
description In 1935, the tenor Vicente Celestino has released the song O Ébrio. Taking advantage of the great success that was achieved, the song was transposed to the universe of theater, cinema, literature, and tv soap opera throughout thirty years. The article takes the intermidiality, the concept of transposition and the star system as an analysis tool of O Ébrio, by Gilda de Abreu. Based on the construction of Vicente Celestino’s persona in the materiality of the movie, in the lyric self of the song and in the representation of the actor's media life, the objective is to demonstrate how the star presence in the screen, in musical sequences along with intermedial transposition become present in the cinematographic form.
publishDate 2018
dc.date.none.fl_str_mv 2018-04-25
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
análise fílmica
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/75278
10.19132/1807-8583201842.166-187
url https://seer.ufrgs.br/index.php/intexto/article/view/75278
identifier_str_mv 10.19132/1807-8583201842.166-187
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/75278/47817
dc.rights.driver.fl_str_mv Copyright (c) 2018 Margarida Maria Adamatti
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Margarida Maria Adamatti
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; n. 42, maio/ago. 2018; 166-187
Intexto; n. 42, maio/ago. 2018; 166-187
Intexto; n. 42, maio/ago. 2018; 166-187
Intexto; n. 42, maio/ago. 2018; 166-187
Intexto; n. 42, maio/ago. 2018; 166-187
1807-8583
reponame:Intexto (Porto Alegre)
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
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instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
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collection Intexto (Porto Alegre)
repository.name.fl_str_mv Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)
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